people complaining about the use of the english version are weeaboos

Essential mix (January 2010)

Sunrise and smoke

The Capsule's Pride • http://smarturl.it/LMW0006
From Capsule's Pride EP available March 25

Buy/Listen

[LMW006] Bwana - Akira's Light

The subject of prolonged rumour and intense speculation, Inhale Gold and The Vinyl Factory are proud to present Massive Attack’s long awaited collaboration with Burial, Four Walls / Paradise Circus. 

These new Burial mixes of previously unreleased Massive Attack track 'Four Walls' and Heligoland favourite 'Paradise Circus' are available exclusively as limited vinyl edition of only 1000 copies worldwide. 

Pressed on heavyweight 180g 12” vinyl housed in a stunning, hand numbered, gold glitter screen-printed sleeve designed by Massive Attack’s Robert Del Naja (3D), this edition has been crafted by The Vinyl Factory, and is sure to become a highly coveted collectors item.

As you’d expect from these two acts these are no ordinary remixes and Burial has completely rebuilt both tracks in his own unique style providing a masterclass in production. 

http://wp.me/pQRvF-4RE

Massive Attack vs Burial - Four Walls

Taken from the album 'Too Many Voices', out April 22nd.

There'll be a two hour NTS special on April 22nd at 7pm to coincide with the album release, tune in at http://www.nts.live


Andy Stott - Selfish

boards of canada - midas touch (hell interface remix)

Yaeji is a NY-based and Seoul-raised DJ, producer, and vocalist. Pitchfork recently called her "one of the most fascinating vocalists in house music right now," for her most recent EP on GODMODE. Her pitched chords and boom-bap rhythms also evoke that bygone era when house and hip hop producers eagerly explored the interstices of the nascent genres.

This podcast was recorded April 15, 2017 live at Hot Mass.
Presented by DETOUR.
@kraejiyaeji

Live at Hot Mass - April 15th, 2017

DETOUR Podcast 04: Yaeji (Live at Hot Mass)

‘Falling Rizlas’ Out Now -
Ninjashop / Stream / Download: http://actress.lnk.to/azd

Taken from ‘AZD’ released 14th April 2017 via Ninja Tune.

Follow Actress  -
Spotify: http://found.ee/actress-sp
Facebook: http://found.ee/actress-fb
Twitter: http://found.ee/actress-tw

Actress - 'FALLING RIZLAS'

Taken from Four Tet's Lost Village 2018 Mix: https://soundcloud.com/four-tet/lost-village-25th-august-2018

Burial & Four Tet - Unknown (2018)

Following on from a pair of Extended Players released in 2011 ("Passed Me By" / "We Stay Together") Andy Stott returns to Modern Love with 'Luxury Problems', an 8 track album of new material recorded over the last 12 months. Five of the tracks on the album feature the voice of Alison Skidmore, Andy's onetime Piano teacher whom he hadnt seen since he was a teenager back in 1996. There was no grand gesture in mind, it just sort of happened - but after almost a year of studio work the result is really quite unlike anything you'll have heard from him before. 'Numb' opens the album with Alison's voice; layered and looped but essentially left bare and exposed, tumbling into a dense shuffle, sort of somewhere between Theo Parrish and Sade, but more f*cked. 'Lost and Found' follows and deploys a growling rave bassline and a disturbed vocal, the beat assembling itself around a squashed Linndrum like a submerged Prince/Cameo production, haunted and impenetrable, but full of funk. 'Sleepless' started life as an African drum edit that sooner or later succumbed to Stott's intense rhythmic shifts. It's a sound that's been imitated countless times since the release of 'Passed Me By', here re-tooled and re-built for its next evolutionary phase. 'Hatch The Plan' ends the first half of the album with some heavily treated location recordings and a low end grind that probably doesnt quite prepare you for the vocal arrangements that follow - it's just a beautifuly inverted pop song. The second half opens with 'Expecting', the most recognisably 'Stott' moment on the album: a wrecked, deliriously knocked-out 4/4 shuffle deployed at halfspeed; those heavy kickdrums sucking in everything around them. 'Luxury Problems' is next and offers up the album's most quietly euphoric and open 5 minutes; conventional arrangements and drumloops disrupted by sharp disco bursts that mess with what you know: it's straight and beautiful and unbalanced and damaged, somehow all at once. "Up the box" switches up the narrative and goes somewhere else entirely, an extended intro that seems to build continuously for 3 minutes before breaking off into a slowed-down Amen edit, creating a kind of narcotic Jungle variant that fragments everything and ends just at the point you think it's going to go off, before "Leaving" finishes the album with an almost unbareably beautiful arrangement of voice and synth and a final key-change that takes you from joyful to forlorn in an instant.

[LMW006] Bwana - Akira's Light

LUCKYME®

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