opening track from “idyll” by marine eyes

https://marineeyes.bandcamp.com/album/idyll

idyll

marine eyes - idyll

Panoptikon is a suite of vocal & electronic music composed by Maria W Horn for an installation in the disbanded Vita Duvan panoptic prison (The White Dove Prison) in Luleå, Sweden.

Haec Est Regula Recti

There are days in winter when one day is like the other. Of course, it's the fog that intensifies the impression here.
I looked for a sound in the Roli EQUATOR 2, put STEPIC over it, adjusted the speed,... It was ok for me.
Then I added the other tracks.
The track may be long. But such are the foggy days (smile)

for Johannes

the days are flowing away

~ LAAPS 041 ~ [SEQ.06 - LP41]

artist : Thme
album : Anti Atlas
duration : 38.10 mn
date : January 27th, 2025

edition :
-  vinyl : limited to 200 copies / crystal clear LP / selective UV varnish (front+back) / hand numbered 
- cd : limited to 150 copies / pantone / hand numbered + handcrafted, sealed

----------------------------------------------------------------
pre-order : January 02nd, 2025 / official release : January 27th, 2025
----------------------------------------------------------------

Recorded and mixed by Théo Martin

Mastered by Taylor Deupree
Artwork by Tom Devianne 
Design by Sprflxgrfzm
 
----------------------------------------------------------------

Links :
https://laaps.bandcamp.com/music
https://www.instagram.com/iikki_laaps/
https://thme-sound.bandcamp.com/
https://www.instagram.com/thme_sound/
----------------------------------------------------------------
℗ & © 2 0 2 5 - L A A P S - L A A P S 0 4 1

Thme - Mirage

Seraph XXII from the new album Seraphim III, the third  and final part of the Seraphim trilogy - a coda to our experimental sleep music project, Mer de Revs series: https://htdc.bandcamp.com/album/seraphim-iii

Seraph XXII

Winds without origin
No genesis pass through the leaves
They drift, foliage of nameless rebirth

Forsaken realms, for none is traced
A maelstrom, as fractured dreams

In their wake, no trace endures
Amassing within & decoyed
Swaying on the brink of forgotten voids.

Inertia and motion, the slow unraveling memory, the weight of unspoken departures carried by the currents of a world where time moves without urgency. An exploration of distance, equanimity of the gravities shaping the silence in between.

Natas Kunas is a Lithuanian composer and artist, primarily creating experimental ambient and drone music, film and theatre soundtracks. Through dense textures and timbre-based atmospheres the artist explores sound plasticity and radical dynamics, reflecting on the themes of geologic time, sonic environments, pollution.

Blue Radiance

Natas Kunas - Submerged

Salt Water

We celebrate the summer solstice with this compilation, that includes music from r beny, Steve Pacheco, Pechblende, Mikael Lind, Hotel Neon, Robert Farrugia, Hirotaka Shirotsubaki and Warmth.

Mastering by Rafael Anton Irisarri at Black Noll Studio (NY) 
Photography Alexander Kopatz 
www.go70north.com 
Archives46 // ArchivesCD27 
Archives / 2018

solstice

Buy CD/Cass/Dig

Mikael Lind - Havsbris

Cat. hb68
Edition: CD/100
Release Date: 18.02.19

Moss Covered Technology / Southern Points (Snippets)

I was smelling flowers in the yard, and when I stood up I took a deep breath and the blood all rushed to my brain and I woke up dead on my back in the grass. I had apparently fainted, or died, for about sixty seconds. My neighbor saw me but he thought I had just suddenly thrown myself on the grass to enjoy the sun. During that timeless moment of unconsciousness I saw the golden eternity. I saw heaven. In it nothing had ever happened, the events of a million years ago were just as phantom and ungraspable as the events of now, or the events of the next ten minutes. It was perfect, the golden solitude, the golden emptiness, Something-Or- Other, something surely humble. There was a rapturous ring of silence abiding perfectly. There was no question of being alive or not being alive, of likes and dislikes, of near or far, no question of giving or gratitude, no question of mercy or judgment, or of suffering or its opposite or anything. It was the womb itself, aloneness, alaya vijnana the universal store, the Great Free Treasure, the Great Victory, infinite completion, the joyful mysterious essence of Arrangement. It seemed like one smiling smile, one adorable adoration, one gracious and adorable charity, everlasting safety, refreshing afternoon, roses, infinite brilliant immaterial gold ash, the Golden Age. The "golden" came from the sun in my eyelids, and the "eternity" from my sudden instant realization as I woke up that I had just been where it all came from and where it was all returning, the everlasting So, and so never coming or going; therefore I call it the golden eternity but you can call it anything you want. As I regained consciousness I felt so sorry I had a body and a mind suddenly realizing I didn't even have a body and a mind and nothing had ever happened and everything is alright forever and forever and forever, O thank you thank you thank you.

released 24 August 2012 
by Marco Lucchi 
mellotron and digital treatments
via Kerouac

the Golden Eternity

Taken from the album 'Ingrid' released as one sided LP and digital

Klara Lewis 'Ingrid (excerpt)' (EMEGO 270)

J.-E. Berendt: "Nada Brahma: the world is sound".  
Claus Bury: "The engineer pursues a goal and considers what means he can use to achieve it. 
The artist is not initially subject to any specific purpose. Only he is allowed to do totally crazy things."
Kenny Werner: "If you make music out of the world of thought, you miss the whole wonder of music."

the days are flowing away

L. Weyers

Related tracks