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Luke Slater’s most well known pseudonym Planetary Assault Systems is back in the fullest swing with 'No Exit', a standalone EP following his famed 'Deep Heet' installment series. 'No Exit' unmistakably bears all the hallmarks of Planetary Assault System, from mind-tripping and floor-stirring hypnotic energy to the theme of pushing the outer limits of unknown territories.

The EP kicks off with the title track, at its first breath of rolling beat already infusing an ample dose of psychedelic madness, which only to be intensified with the layers of digital chime tones that are constantly multiplying and shape-shifting.

 “Undertow” on the B side continues with the signature warping and reverberating bells and bleeps but this time with enticing hi-hats and distorted bass, gradually all melting into one big sinister groove. The last track of the EP “Nanendi” might fool you in the beginning with its minimalistic beat, but as soon as the demure yet ominous veil of melody - beautifully moody and almost spooky at times - starts humming and howling, it’s well on its way to make a deep, haunting emotional connection while keeps the tension boiling.   

Without a doubt 'No Exit' EP is the one that shows the most distinctive core DNA of Planetary Assault Systems and much like his seminal album The Messenger, it’s a deadly unique, dazzling, and powerfully effective work that will stand the test of time.

Mote037 :: Planetary Assault Systems - No Exit

Pfirter is back with the sixth release on his MindTrip imprint, this time remixed by Italy and Spain's finest: Lucy and Oscar Mulero.

With a massive early support, this EP will be an essential tool for lovers of hypnotic, old school techno.

This time we decided to give a special present and give away one of the tracks included on the vinyl release directly from our Soundcloud account. It is a tool remix of "New State of Consciosness" by Pfirter and has been already played and supported by the likes of Ben Klock, Marcel Dettmann, Chris Liebing and more.

Get the special gift directly from the track link as a FREE DOWNLOAD: http://bit.ly/1aXOSui

A1 - Pfirter - New State Of Consciousness (Lucy Remix)

Live Recording from MindTrip Label Night 01 at Under Club in Buenos Aires, Argentina on January 11th 2014. Featuring Pfirter and Markus Suckut.
Time Table:
1-3 AM: Pfirter
3-5 AM: Markus Suckut
5-7 AM: Pfirter & Suckut B2B


Pfirter & Markus Suckut Live at MindTrip Label Night 01 - Under Club Buenos Aires, Argentina

Flug   13D (Pfirter Remix)

Original Track for STABIL. NO WORDS, JUST TECHNO.

REMIX by CORTECHS:

https://soundcloud.com/cortechs/freudenberger-scarpetta-krank-cortechs-remix

Lukas Freudenberger & Silvano Scarpetta - Krank (Original Mix) [STABIL.]

My remix of Max Cooper's Von Der Klippe :) 

Von Der Klippe _ Max Cooper & Tom Hodge  _ Harvey McKay Remix

This is my remix for my buddy Aerodrome on Frakture Records.

Release date : 2 May, 2014

Aerodroemme - Anger Management (Kalden Bess Remix) [Frakture]

Label: MindTripRec
Released: 4.8.2014.
Genre: Electronic
Style: Techno, Heavy...

MindTrip Music was the creation of Buenos Aires born Juan Pablo Pfirter in 2006. The digital-only label acted as a springboard for upcoming Argentinian artists and of course, Pfirter himself, introducing those talents to the rest of the world. 
Over the years, the fledgling label allowed Juan Pablo the ability to experiment and play with music, sounds and textures and develop his own sense of direction and focus. Collaborating and drawing influence and experience from fellow MindTrip Music artists like Jonas Kopp, Flug, Markus Suckut, Psyk and Monoloc, both the label and Pfirter grew in symbiotic proportion. But after 6 years and 48 releases, Pfirter felt the need for change.

Having released on CLR, Stockholm LTD, Stroboscopic Artefacts & Figure, Pfirter’s brand of hypnotic music has touched dancers and listeners the world over. Not only limited to the clubs, Pfirter’s productions have delved deep into the experimental side too. This is the focus and framework of the new label. 
Juan Pablo reinvented and relaunched the MindTrip imprint, showcasing the full degree of his sound. The label changed its name from MindTrip Music to
just MindTrip, releasing vinyl as well as digital utilising a bespoke artwork profile.

Pfirter & Chris Liebing - 420

DJ Emerson - 12 Monkeys (Pfirter Remix)

Gucci Vump & The Shoes - New Day (The Hidden Track)

SCNTST - Percee Scan

Following on from the well received various artists series ‘From the Lab to the Club’, MindTrip 09 sees the return of label boss, Pfirter, with 4 brand new tracks, which encapsulate MindTrip’s musical philosophy perfectly.
The sonic soundscape of ‘Otras Dimensiones’ opens proceedings, layering dark and ambient textures. Tension builds throughout the track and really sets the mood for this record.
Anticipation is finally rewarded by the opening bars of ‘Message 1’. The apparently laid back, dark bassline gives rise to high frequency colour which serves to make this track a building cauldron of devilry, which is unrelenting in its pursuit of evil. This is Pfirter at his brilliant best and demonstrates his inimitable style flawlessly.
The flip side of the EP picks up where the A side left off and opens with ‘Futoro Que No’. The minimal, dancefloor sounds of this eerie track are perfect for the dankest and grimiest of settings.
The final track, ‘Casus Belli’ is a driving statement of refusal to compromise. A powerful, dancefloor techno track whose rich analogue sounds blend together deep, fascinating layers and textures, hypnotising the listener as it ebbs and flows.
 
This is MindTrip!

MT09 - Message 1 - Soon out on MindTrip.



B1 Pfirter Technalog Snippet

A2 Pfirter Message 1 Snippet

For the past 10 years, MindTrip has been a strong plattform for some of the most interesting upcoming artists in the techno scene, while also offering contributions of established techno acts all over the world. Producers like Jonas Kopp, Psyk, Markus Suckut and label chief Pfirter gave his first steps on the MindTrip and now we have a chance to spread this music even wider with our monthly MindTrip Podcast.

Enjoy this MindTrip session by Alderaan & Mental Resonance, recorded exclusively for us.

Check MindTrip Podcast available on iTunes: itunes.apple.com/ar/podcast/mindt…id993702363?l=en

Follow us:
www.facebook.com/MindTripRec
twitter.com/MindTripRec
www.mindtripmusic.com/

For more info on Alderaan:
https://www.facebook.com/alderaanpage
https://soundcloud.com/alderaan-music

For more info on Mental Resonance:
http://www.residentadvisor.net/dj/mentalresonance
https://soundcloud.com/mentalresonancemusic
https://www.facebook.com/Mental-Resonance-215200505325342/?ref=hl



Get it on iTunes

MindTrip Podcast 009 - Alderaan & Mental Resonance

Alistair Wells is a producer whose current work is synonymous with a kind of benevolent intensity: he excels at sculpting tonally rich and percussively complex tracks that seem to both enlighten and confront. Under his most well known alias as Perc, he has established a deep roster on his PercTrax label to carry out a similar-minded program, and has built up a formidable arsenal of EPs and singles in the wake of enigmatic LPs like 2011's Wicker & Steel. His 'eclectic-yet- disciplined' methodology has also made him an integral component of the always-evolving Stroboscopic Artefacts organism, being involved early on with the label's Monad series and participating in every possible capacity from production partner to remixer to solo artist. His latest contribution, Ma, is a fascinating new EP that showcases his talent for testing the limits of perception.
The ominously titled opener "Death of Rebirth" - a title hinting at some form of hellish repetition - starts things off with a sense of dark premonition. Yet, in signature Perc style, that aura of uneasiness beckons listeners to explore further rather than to flee from it: in this context, the reliable 4/4 kick drum throb is the only means of orienting oneself or angling through a glassy and metallic labyrinth where foreign objects conspire to make previously unimagined percussive
noises. "Negative Space" is a variation upon this theme of trying to maintain focus within a foreign environment bristling with strange enticements and potential dangers: with the kick pattern from the previous pice still acting as a trusty guide, new sound forms arise at every turn: a novel sort of hybridized piano / gamelan tone, a shuddering assembly line, and snaking delay feedbacks. Like dub music meant to be listened to in a hall of mirrors, "Negative Space" induces a heady feeling of multiplying realities.
The closing "Ma", if translated into Japanese, can mean "space / pause" and thus acts as a nice complement to "Negative Space." However, this massive, side-long audio force field dispenses with the previous tracks' steady pulse, and suggests a rigorous act of ritual contemplation taking place in the midst of phenomenal chaos and challenging blows to the body. "Ma" succeeds in modernizing the industrial-era rhythmic invocations of artists like Z'ev, achieving an almost classical solemnity without sacrificing Perc's usual love for cleverly maniuplated electricity. Altogeher, ‘Ma’ is an eye-opening, ear-infliltrating statement that will warp your understandings of time and space in a most exquisite way.

Perc 'Ma' [SA026]

Digital EP is available here :
https://slowdawnmusic.bandcamp.com/album/bongo-nova-ep

Slowdawn - Bongo Nova

For the past 10 years, MindTrip has been a strong plattform for some of the most interesting upcoming artists in the techno scene, while also offering contributions of established techno acts all over the world. Producers like Jonas Kopp, Psyk, Markus Suckut and label chief Pfirter gave his first steps on the label and now we have a chance to spread this music even wider with our MindTrip Podcast.

On our 11th edition, we feature an exclusive recording by MindTrip's new addition: Farceb. Enjoy!

MindTrip Podcast 011 - Farceb

I hope you like & feel my remix of DJ Murphy's & Vinicius Honorio's "Cold Out".

Released by Dolma Records! 

ENJOY DIATEKKNO! :)

DJ Murphy, Vinicius Honorio - Cold Out (Diatek Remix) [Dolma Rec] OUT NOW!!

Whereas many electronic producers aim at being the most prolific in their genre, or the most extreme, Lucy and Rrose have wisely chosen to be the most consistently curiosity-provoking representatives of their craft. Their decision to team up as a production duo for the newest Stroboscopic Artefacts EP may have seemed inevitable, given their shared responsibility for shifting techno’s focus towards the facilitation of profound psycho-acoustic effects. And yet, even those who saw this coming will still be in for a wild ride.
Lucy’s skill as a studio technician - displayed capably over his trilogy of full-length albums - has always been enhanced by his skill as a storyteller and as an artist with reverence towards myths and the pull of the unknown. This sonic personality is a perfect complement to the scientific severity of Rrose, for whom the electronic pulse beat and subsonic massage permit entry to a febrile psychic landscape whose contents are never entirely what the individual listener might expect or be prepared for.
As with both of the artists’ solo offerings, these recordings feel as much like the branching off point for new creative acts rather than as objects to be passively enjoyed. As such, the opening “Chloroform” is a somewhat ironic title for a piece that is anything but anesthetic: at high volumes, its monstrous low-end surge and prickly, scintillating sonic ephemera are very likely to bring attention to otherwise imperceptible phenomena. “Peeling” continues in this style with a more urgent tempo, developing its own cascade of sensory impressions from seemingly unstable deep-bass loops, injections of intentional surface noise, and pitch-shifted / harmonizer-effected phantom phrases.
“Stained Glass,” maybe the most straight-ahead piece on the record, is still a potent distortion of the mundane primed with shivering bell tones, tamed feedback and hints of speaker cones fraying. The climactic “Foil Gardens” is an elegant study in harmonics whose time-dissolving ability nods to the works of composers like Charlemagne Palestine or Eliane Radigue, without being a pure homage to either. The undertow of distortion beneath the glistening tone waves, in particular, provides a distinct update to the legacy of so-called tonal ‘minimalism’.
The end result here is a record that feels uncannily lifelike: an organism that always seems on the verge of a heuristic breakthrough, and whose full potential may not even be known by its creators.

Lucy / Rrose 'The Lotus Eaters' [SA028]

SUPPORTED BY: RICHIE HAWTIN, ADAM BEYER, JOSEPH CAPRIATI, PACO OSUNA, MARKANTONIO, SLAM, STEPHAN BODZIN, EDDIE HALLIWELL, UMEK, MIHALIS SAFRAS, GARY BECK, SAM PAGANINI, SASHA CARASSI, HERNAN CATTANEO, TOM HADES, TODD BURNS, LUIGI MADONNA, WEHBBA, ALEX FLATNER, ANDERSON NOISE, GENNARO LE FOSSE, FLORIAN MEINDL, ROBERTO CAPUANO, LOCO & JAM, KALDEN BESS, MINICOOLBOYZ, MARCO CORVINO, FRANKYEFFE, ANTONIO PEPE, DJ MAG, DIFFERENT GROOVES...

Audiomatiques - Talcum Powder (cut vers) [MKT rec] Vinyl + DGT

The Israeli producer Yotam Avni, though not one of the main players in the Stroboscopic Artefacts story to date, nevertheless shows that he is definitely here for a reason: having contributed with an entry in the Monad series back in July, he returns with a new set of tracks that fit perfectly into the label’s overall aesthetic of evolving hyper-reality, while also being a strong personal statement. With both his S.A. debut and this new offering, Avni shows himself to be a truly ‘progressive’ musician: a creator whose musical techniques are informed by his creative disposition and not the other way around, an individual who seems to be using the richness and differentiation of human experience in order to let yet more of it arise.
The new record begins with the galloping rhythm of “Tehillim”, bringing a whole inventory of struck wood and metal elements into play, and leading listeners on an adventurous voyage through liturgical chanting and volcanic eruptions of synthesizer magma, all the while being accented with nimble percussive fills that convey the improvisational feel of classic bebop drummers. The following “Orma,” while more stripped down in terms of individual elements, continues down the same path with clever spatial arrangements, and with tonal and percussive elements that seem snatched out of their buys urban environments and placed under austere laboratory investigation: this holds true for the isolated bits of sax and vaguely middle-Eastern percussive accents that distinguish this track, and which leap out mischievously from their carefully controlled setting.
“Shlok” begins with a deep subterranean kick pattern and percolating bell tones that, while first bringing to mind recent efforts from Planetary Assault Systems, soon transform into something much unique to Avni’s imagination - smooth arcing vocals and contrasting shades of nocturnal ambience turn this into a very sinuous and sultry piece of rhythmic music. Once the listener has been lured in by this siren song, the closer “Even” brings the EP’s most forceful and demanding beat - though its heavy punch is tempered with a sense of contemplative sophistication. Once the insistent beat is overlaid by a shimmering latticework of piano, breeze- like pads, and concentrated string plucks, it testifies to Avni’s ability to create tracks that are loaded with emotional nuance and defy easy description.

Yotam Avni 'Tehillim' [SA029]

Stroboscopic Artefacts presents the Monad series. Rarefied and introspective, confrontational and extreme, each featured artist will delve into the Monad concept:
"The generation of number series is related to objects of geometry as well as cosmogony. From the Monad evolved the Dyad; from it numbers; from numbers, points; then lines, two-dimensional entities, three-dimensional entities, bodies, culminating in the four elements earth, water, fire and air, from which the rest of our world is built up."
Lucy's Monad X plays with Pythagoras' vision of 'X' as the numeral that perfectly envelops the entire nature of numbers. But Monad X is anything but a benign portrait of creation. On 'Triad' primal dub erupts into gnarled noise, the undercarriage of 'Tetrad' writhes unsettlingly against the strictures of 4/4 and 'Pentad' is underpinned by a decidedly ghostly aesthetic. To close, 'Decad' hovers over a vortex and it's here that from the Monad the Dyad starts to emerge.

SAM010 was skillfully mastered by Artefacts Mastering, Berlin.

Words: Clare Molloy

Lucy 'Monad X' [SAM010]

The metronomic kick drum of the title track introduces us to its immersive groove, whilst bubbling and elasticated fx vie for our attention, adding a sublime swing to Submerge. On the flip, Bold, by name and nature, ups the swing ante with its fierce acidic melody, shimmering hats and rasping snare. Support from: Josh Wink, Pan Pot, Joris Voorn, DJ Hell, Huxley, Doc Martin, Till Von Sein, Anja Schneider, &Me, Catz N Dogz and more!

André Galluzzi// Submerge EP- A_Submerge// OVUM_snippet

w/ Xhin LX3 [CLR 044]

Buy: https://stroboscopicartefacts.com/shop/untitled-sa030/

Lady Starlight is known for an outstanding resume of musical and performance activities that have included an opening spot on Lady Gaga’s massive “ArtRave” tour and live collaboration with Peter Hammill of Van der Graaf Generator. A musical educator / tastemaker and a unique artist in her own right, her comfortability in her own skin allows her to employ DJ tools, audio hardware and her own body in live exhibitions and collaborations. Her intimate knowledge of techno (particularly the raw and uncompromising variety designed by the likes of Jeff Mills, Mike Banks, Joey Beltram and her collaborative partners Surgeon and Regis) has taken her to the studio, where she now provides Stroboscopic Artefacts with a 4-track contribution to this ongoing legacy of ecstasy.

For those who are still skeptical about the liberating abilities of electronic dance music, this new entry in SA’s respected catalog will serve as a potent reminder of why this essential style has continued to evolve and thrive while transient gimmicks crumble around it. Lady Starlight’s expert control of sound extremes (something she has clearly picked up during her personal education in diverse musical genres) colors each of the four EP tracks with infectious enthusiasm. Like some of the best techno music in that vein, the four tracks on display here are hard-hitting and authoritative, with moments of tension release that have the precision of an atomic clock. At the same time, though, these cuts are full of smoothly subtle transitions, and their overall heaviness and density actually helps the spirit and imagination to soar freely.

Beginning immediately with the relentless cycling beat and echoing synth stabs of “E12”, the atmosphere and psychic energy of a peak hour rave is never far away: listeners may see intense coherent beams of light flaring all around regardless of where they find themselves. This aesthetic carries over into “E3.2,” another take on similar themes but with progressively more hypnotic simplicty and beneficial pressure. “E2.2” is built on a less rough-edged, shinier set of bouncing and panning synth hits, which achieve maximum mesmerizing potential when they begin to play forwards and backwards while slightly out of phase with each other. As ever, the body-massaging bass and whip-crack accents of the percussion section swell and expand into every corner of the sound space. Just when it seems like things might cool off, a little, though, Lady Starlight unleashes full-spectrum audio warfare with “F8,” a seamless interlocking of industrial clang and 16th-note percussion hits with the basic elements used for the previous three tracks. If listeners’ pulse hasn’t picked up by the time this impressive finale commences in earnest, it may be time to call for emergency services.

All tracks written and produced by Lady Starlight.
℗ & © Stroboscopic Artefacts 2017
Cat. No. SA030 – All rights reserved.
http://stroboscopicartefacts.com

Lady Starlight - 'Untitled' [SA030]

Manuel Orf aka Viper XXL @ Ruhr In Love 2017 Plattenbunker & yBookings Floor

Lucy - The High Priestess (Blawan Remix) [PREVIEW]

Lucy - The Hermit (Blawan Remix) [PREVIEW]

Directed by Sacrifice opens with a contribution from Stroboscopic Artefacts label head Lucy, debuting on the Amsterdam based imprint with a sophisticated tribal affair. The involving sound design and rolling synth lines combine to produce and evolving journey overlaid with sporadic electrical sparks, ostensibly independent of tempo. A distorted kick and velocity laden hi hats keep the groove firmly in place and marry the movement embodied in the bubbly synths. 

Ontario Hospital make a rare and special appearance on the A2 with Worthless Scam. Vocals by Dave Foster aka Huren remain buried and undecipherable throughout the first half of the track, the sporadic groove, percussion and automated synth lines doing most of the work. Modulations give the track a live feel, reminiscent of the duo's unforgettable performances, channelling power electronics and industrial characteristics. The drums switch pace around halfway keeping the listener engaged without loosing the tracks core rhythmic foundation. It's here where Foster channels his aggression and displeasure with visceral vocals and stentorian screams. 

The B-side of V/A part III opens with a contribution from Leyla boss Chafik Chennouf. A solid groove lays the foundation for synth lines to build tension, crescendoing in various drops consisting of funky drum programming and ubiquitous automation. Quasi-acid lines stretch across the track propelling things forward, while panning tick tock percussion provides the hypnosis to hang your hat on. 

The closing track comes from the unmatchable pairing of Japan's Yuji Kondo and Katsunori Sawa. Both phenomenal as solo artists, the coalescence of the two talents never disappoints. The universe of sound created by the couple is immediately immersive, with a sub impossible not to submit to and broken kicks seemingly slicing the tempo in half. Pitter patter percussion punctuates the track as arpeggios glide from side to side, complimented by what sound like industrial sheet metal recordings and portentous drones. 

Released October 13, 2017

Group Format 5fg [Leyla Records]

HardWax https://hardwax.com/08917/florian-meindl/time-illusion-the-remixes/
Digital https://www.beatport.com/label/flash-recordings/4025 (Releasedate 17. Nov. 2017)
Resident Advisor: https://www.residentadvisor.net/tracks/879623

Follow @florian-meindl / @flash-recordings /@lucy

Early support by Surgeon, Luke Slater, Marcel Dettmann, Blawan, Norman Nodge, Slam, Keith Carnal, DVS1, Jeroen Search, DJ Rolando, Paul Ritch, Kwartz, Dustin Zahn, Joel Mull, Shlomo, P.E.A.R.L., Jonas Kopp, Pfirter, Mark Broom, Jeff Rushin, Amotik, Psyk, Francois X, Cassegrain, Denise Rabe, Etapp Kyle, Angel Molina, Tommy Four Seven, Jon Hester

Florian Meindl's third artist album "Time Illusion" marked another big milestone in
his career. These last 12 months have seen him tour his live show, where he has
showcased his flair for live performance with some heavy equipment including his
Eurorack Modular System.
To remix Time Illusion Florian has chosen three artists that he admires for their
unique take on techno music. Lucy, responsible for the curation of the highly
respected Stroboscopic Artefacts imprint, Sigha renowned for his modular system
performances and productions on Token and Blueprint and up and coming
Netherlands duo TWR72 who have been continuing to put out fresh and gamechanging
releases on their label Float Records.
The Lucy remix spans on a whole A side with 45 rotations per minute and opens a
window in a yet unknown dimension of expanding effect drones which takes the
listener on an extraordinary trip of its own. He took the opportunity to weave the
breakbeat from the original composition into a straight-clocked rhythm while
giving the harmonic content a new unheard surreal depth. This track has got the
potential to suck the dancers minds into a strange journey and yet keep them on the
steady rhythm.
Sigha's interpretation of "Frame Of Mind" manages to be heavy and soft at the
same time with industrial noise movements and mystic synth sequences emerging
and disappearing. The beauty in this masterpiece lies in the balance between the
sweet harmonic content and the pounding beat construction, which keeps moving
and modulating until the very end.
TWR72 deliver a perfectly working and grooving DJ weapon, which is highly
playable in all sorts of situations. They perfectly manage to incorporate the key
elements from the original into their very own signature sound. The eclectic
alternation between a suspense-packed part and a pure forward going beat
section makes this tune outstanding and joyful to put on the turntable again and
again.
www.flash-rec.com

Order Vinyl

Resident Advisor Premiere: Florian Meindl - Space Traveler (Lucy Remix) [ FLASH-X-004 ]

​More new techno on the horizon and this we've been served up two new remixes from Blawan of Lucy's inaugural EP on Zehnin​. 

Both 'The Hermit' and 'The High Priestess' have been remixed and we've got the premiere of the latter. 

It's a new slice of ambient, experimental techno and it's going to bring the heat over the winter months.

The Hermit / The High Priestess (Blawan Remixes)

More exclusive music

Premiere: Lucy 'The High Priestess' (Blawan Remix)

Silvano Scarpetta @ Dexit MsConnexion#Mannheim#31.03.2018

Xmas Gift : 2 minutes snippet of the new remixes of Jacques in The Box 

Release date : APRIL 1st 2013 on Ed Banger

(Snippet) Laurent Garnier - Jacques in The Box (Laurent Garnier's Chicago Bordelo Rmx)

Pär Grindvik's Stockholm LTD label has been around for over ten years now and it's easy to tell that the label is Pär's love child. Wrapped up with emotions Pär is delivering the frequencies on Stockholm LTD's first release in 2013: "The Air EP" is setting a high standard for the year to come. With this journey in sound, Pär is choosing form over function. It's very clear this music comes from deep within.

Out now on vinyl : www.decks.de/t/par_grindvik-air/c14-nk

B1 - Pär Grindvik - Biome - Sthlm LTD 027

NEW ALBUM ALEPH OUT ON 28.10.13 - PREORDER HERE: smarturl.it/Aleph
Written and composed by Mike Levy
℗ 2011 Bromance/Savoir Faire
© 2011 Bromance/Savoir Faire

CONTROL MOVEMENT

press & mgmt: mailto:ludovica@modernmatters.net
bookings: mailto:info@clusterartists.com

Lucy is the nom de techno of Italian-born and Berlin-based Luca Mortellaro, one of the genre’s most exciting and ambitious DJ/producers. Since 2009, Mortellaro has focused his work through his own Stroboscopic Artefacts label, building an imprint and personal discography that has established itself as one of techno’s finest.
Lucy (née Luca Mortellaro) is one of the pre-eminent sonic adventurers of his time. Not bound to conventional pre-conceptions of what an electronic musician, producer, or DJ must be, Lucy has evolved his distinct sound signature by reconciling the deeply personal with the esoteric, and by harmonizing the spheres of technology and biology. In doing so, he has become rare as an artist, in his ability to please an audience while also introducing them to elements they were not yet familiar with and thereby pushing them out of their comfort zone. Whether he is acting in the role of producer, DJ, performer, or Stroboscopic Artefacts’ curator, Lucy’s clear passion for creative evolution and mutation is something that continues to attract new listeners, and keeps giving his current supporters new reasons to continue tuning in.