10 years ago, I recorded some piano improvisations with weather on my mind. This one is for all us cloud-gazers. And you know what they say about weather ... it always changes ... 

Stream: https://tinyurl.com/TAOClouds

Written and performed by Michael Price
http://www.michaelpricemusic.com

Recorded by at Snap Studios, London
http://www.snapstudios.co.uk/

Mastered by Katie Tavani
https://www.katietavini.co.uk/

Illustration & Animation by Deepesh Patel
https://www.artstation.com/deepeshpatel

The Anatomy of Clouds

The Anatomy Of Clouds

Hi all,

This track is taken from my forthcoming album Heart Strings, which will be released on 9th May 2015.  This piece was written a couple of years ago, but has been fully remixed.  I hope you enjoy this track.

Follow me on Facebook for details of my forthcoming album... www.facebook.com/EdHaydonMusician

Ed

Hope (from my debut album "Heart Strings")

excitement amid curious meandering

THROUGH GLASS
by MAX DEVEREAUX & KAZUYA ISHIGAMI

released July 15, 2025

Digital Album  $2 USD  or more
edition of 25 Cassette  $6 USD or more 

1.FRIED GRASSHOPPERS 03:53
2.GALVANIZED STEEL TUB 03:10
3.PARTICULATES 04:33
4.SHED FESTIVAL 05:03
5.RIVER OF RAZORS 02:17
6.CORRUPT WIND-UP 04:48
7.THROUGH GLASS 05:54
8.THE LOWEST CHAMBER 05:29
9.WORKING TO RETURN 06:09

Side A : 1-5
Side B : 6-9


Through Glass is the result of a deeply collaborative and cross-continental experiment between Japanese electroacoustic composer Kazuya Ishigami and American multidisciplinary artist Max Devereaux. Rooted in contrasting yet complementary approaches, the project unfolds as a dialogue between structured sound design and spontaneous sonic exploration.

The process began with Kazuya Ishigami, who created a series of intricate sound materials, merging electroacoustic textures, noise fragments, and ambient field recordings. These materials were then sent to Max Devereaux, who layered, reinterpreted, and expanded upon them through improvisation, using field recordings, found objects, contact microphones, and modular synthesizers. Max's additions reflect his tactile and often textural approach, combining environmental sounds and lo-fi textures with gestures that evoke both intimacy and sweeping activity.

The recordings passed once more into Ishigami's hands, where he carefully deconstructed and reassembled the sound elements into finished compositions. His final edits shaped the album into a cohesive whole, blending raw improvisation with composed electroacoustic precision. He also oversaw the mastering process.

The album’s title was chosen by Devereaux, reflecting a feeling he has carried for much of his life as an artist, especially one working within the avant-garde. To him, creating art often feels like living behind glass: present but removed, able to observe and reflect the world with clarity, yet never fully immersed in it. This invisible barrier separates the artist from society, allowing vision without contact, insight without belonging. The music on the album, with its delicate, translucent textures and fleeting glimpses of human presence, seemed to embody this sensation perfectly, like watching life unfold just beyond reach.


SHED FESTIVAL

Dark ambient soundscapes for your pleasure, relax, chillout and enjoy.

DARK AMBIENT - PYRRHUS

Laugardalur

from compilation ‘Algorithmics’ (Piano Day 2017)
Bandcamp: http://bit.ly/2oG1fbz
iTunes: https://itun.es/ca/wNf5ib
Spotify: http://spoti.fi/2pfs44p

@edcarlsen
Ed Carlsen: piano, programming
Recorded by Ed Carlsen 
Mixed by Ed Carlsen
Mastered by Emil Thomsen

distorted strings:
Matias Emil Fyhn: Cello
Sofia Kongsgaard Lang: viola
Nanna Treu: violin

Artwork by Marin Blanc (http://www.marinblanc.com)
Layout by Nicolas Hyatt

Ed Carlsen - Weaved (Algorithmics/Piano Day 2017)

-

http://twitter.com/halotwtr
http://facebook.com/halosphere
http://haloproject.tumblr.com

Mastered by Ludvig Cimbrelius
http://www.dewtonerecordings.com

Halo - Late Winter Tales - 2.Kiri

All Its Colours On Me

My contribution to Piano Day 2019.
Listen on Spotify: https://open.spotify.com/track/2GibdU7nW2HBeo6UtZ0Gkx?si=Vxs6Fwa5SJmU5S9ER1zn1g 

Cambria was originally written while being rained in, in a beautiful little cabin on the California coast overlooking the Cambria shoreline and finally recorded in my parents living room on their 1917 Feurich upright while visiting them during the winter of 2019. 
It's the first piece in a series of four pieces, all recorded during that visit.

Cambria

Recorded for Nils Frahm's Piano Day on 29th March 2019

Download of "Golden Heart" plus three bonus tracks @ https://polaroidnotes.bandcamp.com/album/golden-heart-ep

All Its Colours On Me

Lucy Claire

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