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Für Rik. 
Experimenting with an old song idea. Trying not to mess it all up with the strings..

Freiheit wär viel lustiger

Roots

Singles Series # 5
'Footsteps', a collaborative track between IDM artist Arovane and pianist Mike Lazarev.

Download: http://bit.ly/2KxlbEN
Stream: spoti.fi/2nkJCwg

Composed by Mike Lazarev and Uwe Zahn 
Mastered by Porya Hatami

Singles Series 005

Footsteps

DOWNLOAD

Mike Lazarev and Arovane - Footsteps

Surrogate Sibling is the solo studio project of composer/multi-instrumentalist Dieter Dolezel.

Being an already established, multiple award-winning classically trained composer, originally active in the field of contemporary classical music, his interests gradually developed over time towards a more inclusive approach to music making, one that would incorporate the multitude of musical influences that accompanied him since his earliest days of being a musician. As a consequence, the vision arose to found a music project, that would be an open playing field of free musical expression between the poles of classical and popular music, yet devoid of any mainstream trends and hence, Surrogate Sibling was born.

From early on, a rather unique feature of the project was the notion of featuring various collaborating musicians with vastly different musical backgrounds, that would also possibly change with each new album.
The music is deliberately neither strictly classical nor pop, oscillating freely between intricately crafted, chamber-music-like string and piano arrangements and contemporary electronic beats and soundscapes in varying degrees, mixing it up with the occasional electric guitar part, performed by Dolezel himself, incorporating a wide range of influences spanning from Reichian minimalism to Autechre’s abstract electronica and even a little dose of Ravel.

The self-titled debut album was released to critical acclaim on Autentico Music in late 2014, and the sophomore album "Hive" will be released by 1631 Recordings on October 5.

www.1631recordings.bandcamp.com/album/hive

Hive

Surrogate Sibling - Tellur

Anne Lovett’s stunning new release for 1631 is a departure from her beautiful previous solo piano album Beyond (and below). Without loosing any of the startling beauty of the preceding album, in The Eleventh Hour, Anne Lovett revels in a new sonic world. Joined by the London Contemporary Orchestra , UK’s most innovative and respected ensemble routinely heard alongside such luminaries as Radiohead or Johnny Greenwood, and later in duo with phenomenal cellist and composer Oliver Coates, Anne Lovett also introduces subtle electronics interwoven carefully alongside layered melodic piano lines.

The main narrative for the album was conceived shortly after a new addition was brought in to Anne’s studio, a plantation chair which sat opposite her Grotrian-Steinweg grand piano. It led to intense hours of rethinking around the instrument itself and more generally about the seismic shifts that were taking place in society. The album is an attempt to reconcile the flaws of time. 

Best described by the Japanese concept of Kintsugi or “broken beauty”, The Eleventh Hour is a heartbreakingly beautiful contribution to the modern “indie” classical genre. The thirteen tracks all meticulously crafted and ringing out with a dark luminosity, like an elegy to our troubled times. 

It will appeal to fans of Dustin O’Halloran, Nils Frahm, Max Richter, Philipp Glass, Jóhann Jóhannson who will find many reasons to love this album .

www.1631recordings.bandcamp.com/album/the-eleventh-hour

The Eleventh Hour

Anne Lovett - The Eleventh Hour

Earlier this year, Icelandic composer, producer, and multi-instrumentalist Snorri Hallgrímsson released his debut album on Moderna, titled Orbit. I’ve spent more than just a few hours with this wonderful album, often reminding me of more vocal works from Ólafur Arnalds, with whom Snorri has collaborated on many occasions (the album was primarily recorded at Arnalds’ studio in Reykjavik). It was still on the list of albums to share with you, my readers, when an opportunity to premiere this beautiful rework presented itself. Orbit Reworked is an upcoming four-track release on Moderna, featuring remixes and re-imaginations of pieces by Luke Howard, Tom Adams, Slow Meadow and, the focus of this exclusive premiere, London-based cellist, Peter Gregson.

At some time, between all the firm work, and his very own release on the esteemed Deutsche Grammophon, titled Recomposed By Peter Gregson: Bach – The Cello Suites [stay tuned for an in-depth write-up on that, folks], Gregson found a moment to add his beautiful cello touch to the already gorgeous “… og minning þín rís hægt” track (which loosely translates to “and your memory rises slowly” from Icelandic), with its moody swaying passages lamenting over the sparkling piano glimmer. And at only a bit over three minutes in length, this gentle piece manages to capture the weather and the scenery of the internal brewing storm, even without the words to prompt us of the story.

"… the songs on Orbit explore the difficulties of living in and moving between vastly different places: from Mexico’s sunny days to Iceland’s long winter nights and their emotional toll. Orbit is also about people met along the way, of friends and family whose absence is bittersweet. The concept of ‘home’ is replaced by an ‘orbit’ the composer circles from place to place.”

While the full-length was mastered by Ian Hawgood, Orbit Reworked is backed by a touch from Taylor Deupree at his 12k Mastering studio. The artwork is courtesy of Elín Elísabet Einarsdóttir   who also produced the cover for the Orbit. The release is out this Friday, and I highly recommend that you pick up the album as well. You can pre-order it now on Bandcamp.

Orbit Reworked

…og minning þín rís hægt (Peter Gregson Rework)

TRACK PREMIERE : Snorri Hallgrímsson - …og Minning Þín Rís Hægt (Peter Gregson Rework)

We are delighted to share with you two tracks from Sjors Mans' forthcoming EP, Noord.

Pre-order on Bandcamp: http://bit.ly/2VJ8Sw5
Listen on Spotify: https://spoti.fi/2D8BSpO

Big Ballad, comprised of soft pads and a contrasting synth sequence - recently premiered on KEXP - and Without You, one of Sjors' characteristic melancholic piano pieces.

Sjors Mans - Big Ballad

Mute

Untitled 28 was a sculpture, video and sound installation created in 28 days by artist Marie-Louise Jones and composer Lucy Claire. It was exhibited in July 2017 at Here East in London as part of Gavin Turk and Anna Maloney’s show, Inside Out. 

The music reflects each sculpture in the installation and explores themes of duality and pairs through atmospheric binaural recordings, beautiful violin melodies and vocal textures. The materials used in the physical installation; wood, stone and metal play a prominent role in the soundtrack and the sounds created when collided together were used to create unusual textures which were weaved into the piece.

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