All The Things We Could Know

Ben Crosland - All The Things We Could Know

Spotify: https://open.spotify.com/track/0bf5EW1aMSEpvysqe16iUB?si=CD_igLkpTemBuLVyVEKSLw

Epiloog

Concluding "Hope" theme for the mini documentary "A Neighborhood At The Limit", commissioned by Parallaxi, realised by DesTV, directed by Giorgos Skandalaris. Screened at Olympion / Thessaloniki / 10 June 2015.

- This track was later on expanded and adapted to the 8.1 surround system of "Start Fellowship Celebration" held in Labattoir, Thessaloniki, May 12 2016. Photo by Angelos Zymaras

Special thanks to Elisso Papastrati (violin) and Charalambos Papadopoulos (Cello)!

A Neighborhood At The Limit - Hope Theme (extended)

www.patreon.com/alicebaldwin

Für Rik. 
Experimenting with an old song idea. Trying not to mess it all up with the strings..

Freiheit wär viel lustiger

Piano Textures 4 III from the album Piano Textures 4.
Date release Single: 22 November 2016.
Date release CD album: 2nd. December 2016.
Date release LP album: mid January 2017.
Orders: https://brunosanfilippo.bandcamp.com/album/piano-textures-4

Format: LP (Clear 180g) ~ CD (Digipack) ~ Digital (iTunes, Spotify, bandcamp)

www.bruno-sanfilippo.com
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Piano Textures 4

Spotify

Piano Textures 4 III  - free download

taken from Kryshe's full length album "Insights", out on 03|03|2017.

WATCH the official video for "Come":
https://youtu.be/vFBjzA0EaII

PREORDER the full lenght album "Insights" on iTunes:
http://apple.co/2lhnAXB

CD | DL

Kryshe - Come

Melding

Found (Jim Perkins Re-work)

Found - Jim Perkins Re-work

Seagull

Mute

Untitled 28 was a sculpture, video and sound installation created in 28 days by artist Marie-Louise Jones and composer Lucy Claire. It was exhibited in July 2017 at Here East in London as part of Gavin Turk and Anna Maloney’s show, Inside Out. 

The music reflects each sculpture in the installation and explores themes of duality and pairs through atmospheric binaural recordings, beautiful violin melodies and vocal textures. The materials used in the physical installation; wood, stone and metal play a prominent role in the soundtrack and the sounds created when collided together were used to create unusual textures which were weaved into the piece.

Kin

Lucy Claire