threshold privacy

Monkeys and Robots

Tuning 440
Timing 4/4 (Changed to 2/4 bar 49 this is to cheat the DAW into not stretching midi vs wav then anything else - delay on the beat achieves the actual step up in tempo after the timing change)

Chords // Bm  / G / Em //


JJ Calls

Praying hands
Whatever cause
Once the greater good not lost
Bored children create their fun
We shelve French horn for this fine one
"Nice one lads" We read it all!
Vacation taken
To JJ calls
Neighbour to good Mickey Moore
Find Michigan piano pure

Down the road city of cars
To Howell front deck
Dad and Guitars
We jam that love then tell the world
Love and service human highway knurled
Good bi-product of happiness sought
With Croatian fun to cloud we court

Terrell Terminator in Jungle
Predator for good
Keys like Mr Bungle
Faith in more like we could
He Thanks you
It's lifestyle
Built from a porch
Good collective friend
Keep lighting that torch

Some moments sealed, marked and moulded
Pure intention
Dark blindfolded
Howl from human to Howell good soul
Keyed keystone as collective role

JJ calls
Darkness falls
Love lit up
Just for us
Love lit up
Just for us
Love lit up
Just for us
JJ calls

JJ Calls - Session 4

Dawn Wand

Produced and programmed by Julian Maramieri
Written by A. Bartel "Addy"
Composed by Julian Maramieri
Recorded at Oalanka Studios 2.0

Systems Science

Beat It Up

Nostromo - Beat It Up

Beware_Of_The_Mops

/
Caught in the Non Act: excerpt upcoming "a Rock-or-Die Opera"
/
music: beats and tune by szalap  @kacper-razdwarazdwa
// ...and additional samples
by fictionalive
/

lyrics written and 
narration provided by fictionalive
// 

excerpt of:
The Stage On Which You Perform: a 'Rock-or-Die' Opera 
https://soundcloud.com/fictionalive/a-rock-or-die-opera


fusion of it all - fictionalive with the popoems series and the hyper media reports
//


/
dropped
Thursday, August 8th, 2025
time - 10:39 AM Central European
Hot Summer Time Zone
today: chaos unfolds —
clouds weep showers of sorrow,
laughter born from disbelief

/
/
// keep shining, crazy little diamond

/
// *

/

"Caught in the Non Act"

At first glance, the phrase seems paradoxical—a riddle whispered in smoke. To be “caught” suggests interruption, perhaps even exposure, yet what is unveiled is the “non act,” a moment defined not by what is done, but what is left undone, unwilled, unexpressed. Here, systems of intention and volition collapse; the actor is held—and holding—precisely at the threshold of action.

I. The Paradox of Presence and Absence

To be “caught in the non act” is to be present at the site of absence. This title evokes the liminal: a threshold where anticipation, hesitation, or silent refusal takes the stage. It aligns with Zen thought—the uncarved block, the sound of one hand clapping—gestures toward meaning that reside in emptiness, stillness, and restraint.

II. Agency in Inaction

Is inaction itself a form of agency? Existentialist thinkers such as Sartre argued that even not-choosing is a choice. To be caught in the non act is to dwell in the suspended animation of potential—the lived tension before choice crystallizes into commitment. Here, the subject is not powerless but powerful in withholding, sabotaging the momentum of events through refusal or hesitation. The non act radiates with possibility, every moment of not-acting echoing futurities never realized.

III. Surveillance and Self-Reflection

“Caught”—by whom? By others, or by the self? If the non act is witnessed, it takes on the texture of surveillance: the fear or thrill of being seen not doing. It is the existential snapshot of one’s truth in the gap, the moment between mask and face, a zone often more revealing than any overt gesture. Inwards, it becomes conscience—self-apprehension at the point of procrastination, moral paralysis, or pure contemplation.

IV. Contemporary Resonance

In an era pressed by productivity and ceaseless motion, “Caught in the Non Act” resists the cult of doing. It honors withdrawal, indecision, the strategic pause, and the mysterious freedom in simply not complying, not reacting, not perpetually performing. To be caught in the non act is perhaps to find, at last, a clearing in the relentless forest of demands—a sacred ambiguity where the self can listen more closely for the next true move.

V. Aesthetic Echoes

The phrase dances with ambiguity and negative space. Like a photograph of a ghost, it suggests presences that can only be glimpsed obliquely—what remains hauntingly unfinished, the beauty in longing rather than attainment. It is the space between musical notes, the silence that frames the utterance, the spell before awakening.

Final Reflection

"Caught in the Non Act" thus stands as a quietly rebellious banner—an enigma that encourages us to ponder the riches of stillness, hesitation, potential, and refusal. It asks us: what, in this stopped moment, have you discovered about movement, intention, and meaning itself? Sometimes—the non act is the truest revolution.

Caught in the Non Act: excerpt upcoming "a Rock-or-Die Opera"

Spectra - Adjustement

Hall Of Mystery

Composer: Jacob Van Eyck (1590-1657)
Book: Der Fluyten Lust-hof , Vol.1. 
d'Lof zangh Marie (modos 1-3)
Soprano Recorder, enjoy! 

d'Lof-zangh Marie

Arabic Jew mixed with Sabar Senegalese drums

New test

Beware_Of_The_Mops

Lucza

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