107.5 KZL uses the KIIS 2015 package from ReelWorld. Here are some cuts recorded off their stream.

WKZL Winston-Salem, NC - 107.5 KZL Jingle Montage - Reelworld KIIS 2015 - June 2021

93.9 Lite FM - Chicago’s Relaxing Favorites

Wherever you are in the world, Reelworld is there to transform the face of radio station around the world. Including Indonesia, one of Asia's largest radio market.

Many radio stations in Indonesia, especially in developing cities such as Jakarta and Bandung started using jingles from Reelworld to refresh their station's image.

Even in Asia, Reelworld really does #makegreatradio.

I've compiled almost 15 minutes of radio stations in the Indonesian market produced by Reelworld dating as early as 2005 to today in this montage. This includes stations that had previously used those jingles and those who have changed their format or ceased broadcasting. 

This montage contains jingles from Reelworld's most popular packages (including Reelworld One CHR and AC, the KISS-FM series,  Mix 92.9 among others) as well as some packages used mostly by European radio stations (Bayern 3 '16, Radio 538 and NRK P1). 

Although I am aware more stations are using jingles from Reelworld across the country, some have renewed, some have started using newer ones. But I'm sure I will update this collection if I have collected more pieces of evidence.

Credits to several Indonesian radio collectors on YouTube, such as omzero channel, Maulana's TV & Radio Fandom, and 
RPL - Indonesia's Radio & TV Anorak and several sources including JingleNews.com for the clips used in this montage.

All materials are protected under copyright by ReelWorld in Seattle and ReelWorld Europe. Contents shown are for educational purposes only. All rights reserved.

Brought to you by TopperQ105.

Reelworld Indonesian Radio Jingles Collection (2000s To Now)

*****, Concerto n°10 for Brass Band, Percussion & Onde Martenot.
This pièce without title is a true invitation to emotion. Several times I asked myself how could I call a work that tends to speak of emotion, passion and feelings. But for this, my choice was just stopped on the title "*****". Why? Because it is to me quite impossible to name the exact moment when our heart is beating deeply, when we feel an indescribable element who slides under the skin, when a tear escapes quietly from a sight, when our hair stands on all over our body, when our soul takes possession of our flesh. 
Being fascinated by this phenomenon that art causes to humans when it is understood and crossed, the opportunity to work on this mesmerizing creation really pleased me.

Initially, I wrote this piece so instinctivly and probably without worrying about the main problem; The emotion must be induced in the audience, but first among the performers. To transmit a feeling, a mood, the musician must first understand the literature, seize it and give back to the audience in the most accomplished playing. 
The harmonies are nothing. Counterpoint is only mathematical. And orchestration is an artifice. The alchemist then merges these elements to make a Total Art, an Emotion. 
Specifically, after a couple of different versions of this piece and weeks thinking about my goal, this latest version has finally been accepted. There is scarcely no relation between the first test and the final Full Score. 
Questioning the composer was daily and collaboration with the performers was a terrific learning experience.

*****, Concerto n°10 for BB, Percussion & Onde Martenot

From the JingleNewsArchive - http://www.jinglenews.com/2010/02/11/overture-remastered-a-new-version-of-a-classic-jingle-package/

On August 18th, 1997, Tom Merriman walked through the doors of the building that bears his name… TM Studios. During the recording sessions that followed, Tom created one of the best loved oldies jingle packages in recent history… Overture, for Bill Stedman, at Oldies 104.3 WOMC in Detroit.

13 years later, in 2010, Bill Stedman is now at WMXJ – Majic 102.7 in Miami. He came back to TM with a challenge… to take Overture, and make it even better. So that’s exactly what we did! Introducing… Overture, Remastered!

Led by chief engineer Dave Giangiulio, The TM Studios team stripped the package down and cleaned up the original tracks, then built it back up again, adding new instrumentation and new vocals. Many hours later, the package was complete, and Bill Stedman loves it:

“The team at TM really delivered again. They used their industry-leading creative abilities to take an already incredible jingle package and freshen it. All across America, stations are evolving and so should the production values. If you’re playing the greatest hits, invite TM to help you score your station with “Overture Remastered”.”

And, just like in the original Overture jingle package, we’re including a range of beds, sounders and logos, all featuring the famous Drake melody. Also, for the first time ever, Overture is available in MPowerMix layers, giving you complete creative control to remix the tracks in your own production room.

Overture Remastered… oldies radio never sounded better. Contact TM Studios now for market exclusivity, and sign up for the newest version of one of the greatest jingle packages, ever. You can also hear the cuts in the clear at tmstudios.com

Overture Remastered 2010 from TM Studios #JNA

2003 All England Masters YBS Chivalry

My piece "...as a Glow" as played at last ECC in Freiburg.
Audience Prizewinner
Band Prizewinner

As A Glow - ECC2015

Philip Wilby

Jazz(Philip Wilby)

Rolf Rudin

The God Particle (Rolf Rudin)

Composed by John Williams.
From The Rise of Skywalker, cues 3M1 and 3M3.
This is the original full-length composition before it was edited for the movie and soundtrack.
MIDI mockup by Ando P.
For educational purposes only.

The Speeder Chase (John Williams)

First step to a virtual trio. I think it gives enough room for other musicians. It's 5 minutes, but if you like to cut it down to 2-3 minutes, be my guest.

Left channel only.
If you prefer to use a stereo version: use https://soundcloud.com/winterer/subdermal

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It is merely a byproduct of playing around with the Izotope Iris 2 inside a generative Live setup. It should be pretty standard Amajor with 120bpm, but it's not so sure because the core of the used samples is atonal.

The charme of this track is, that you could leave it as it it, but I think on the other side there is a lot of room for musical additions of all sorts.

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More on this 472nd weekly Disquiet Junto project — Jam Time (1 of 3) / The Assignment: Record the first third of a trio that others will complete — at:

https://disquiet.com/0472/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0472-jam-time/

As A Glow - ECC2015

Ludovic Neurohr, Composer