Classical - Ludwig Van Beethoven - Complete Works - Part 1

Early 19th Century

We are all one

Wastelanders

Mozart in the Jungle, Seasons 1-3

Classical music pieces from Mozart in the Jungle - Seasons 1, 2, 3 & 4 in order of appearance

Mozart in the Jungle

All fallout songs

Johann Sebastian Bach and Carl Philipp Emanuel Bach: Musiche Per Oboe

Partita In Sol Minore BWV 1013: Allemande (J.S. Bach)

Violin Concerto in D major, Op. 35 - Pyotr Ilyich Tchaikovsky

Violin Concerto in D major, Op. 35 - III. Allegro vivacissimo - Pyotr Ilyich Tchaikovsky (8D Binaural Remastered - Music Therapy)

Symphony No. 4 in B flat major, Op. 60 - Ludwig van Beethoven

Symphony No. 4 In B Flat Major, Op. 60- III Scherzo-trio: Allegro vivace - Ludwig Van Beethoven (8D Binaural Remastered - Music Therapy)

String Quartet No. 12 in E flat major, Op. 127 - Ludwig van Beethoven

String Quartet No. 12 in E flat major, Op. 127 - I. Maestoso-allegro - Ludwig van Beethoven (8D Binaural Remastered - Music Therapy)

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Walk The Sky

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STS9 - Walk The Sky [Live]

Balancing

STS9 - Balancing [Live]

ABCEES

STS9 - ABCEES [Live]

Oil and Water

STS9 - Oil And Water [Live]

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Rakoczy March by Hector Berlioz conducted by Arturo Toscanini with the NBC Symphony Orchestra from the album "Invitation To The Dance" (RCA Victrola, 1968).

Rakoczy March - Hector Berlioz

Beethoven for the Morning

Ludwig van Beethoven : Piano Sonata No.15 In D Major Op.28 'Pastoral' - IV. Rondo. Allegro Ma Non Troppo

Leave It Better Than You Found It

Roy Brown Butcher Pete Part 1 And 2

20th Century Masters: The Millennium Collection: Best Of The Ink Spots

I Don't Want To Set The World On Fire (Single Version)

It's De Lovely: The Authentic Cole Porter Collection

Anything Goes (feat. Vince Giordano & The Nighthawks)

Cattle Call

50 Greatest Classics by Classic FM

Beethoven: Piano Sonata No. 8 in C Minor, Op. 13 "Pathétique": II. Adagio cantabile

Best Of The Big Bands

Praise The Lord And Pass The Ammunition (Album Version)

Rossini: Overtures: Classic Library Series

La scala di seta: Overture (Remastered)

Dino: The Essential Dean Martin

Just In Time

Sinatra's Swingin' Session!!! And More

When You're Smiling (The Whole World Smiles With You) (1999 Remastered)

Lovely Classique Chefs-d'oeuvre Deutsche Grammophon

Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo (Recorded 1982)

Mad About Mad About

Beethoven: Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio (Recorded 1982)

Il ne faut pas longtemps à Johann van Beethoven pour détecter le don musical de son fils et réaliser le parti exceptionnel qu’il peut en tirer. Songeant à l’enfant Mozart, exhibé en concert à travers toute l’Europe une quinzaine d’années plus tôt, il entreprend dès 1775 l’éducation musicale de Ludwig et, devant ses exceptionnelles dispositions, tente en 1778 de le présenter au piano à travers la Rhénanie, de Bonn à Cologne. Mais là où Léopold Mozart avait su faire preuve d’une subtile pédagogie auprès de son fils, Johann van Beethoven ne semble capable que d’autoritarisme et de brutalité et cette expérience demeure infructueuse, à l’exception d’une tournée aux Pays-Bas en 17817. Parallèlement à une éducation générale, qu’il doit pour beaucoup à la bienveillance de la famille von Breuning (chez qui il passe désormais presque toutes ses journées et parfois quelques nuits) et à son amitié avec le médecin Franz-Gerhard Wegeler auxquels il fut attaché toute sa vie, le jeune Ludwig devient l’élève de Christian Gottlob Neefe (piano, orgue, composition) qui lui transmet le goût pour la polyphonie en lui faisant découvrir Le clavier bien tempéré de Bach. Il compose pour le piano, entre 1782 et 1783, les 9 variations sur une marche de Dressler et les trois Sonatines dites « à l’Électeur» qui marquent symboliquement le début de sa production musicale. Enfant, son teint basané lui vaut le surnom de « l'Espagnol » : cette mélanodermie fait suspecter une hémochromatose à l'origine de sa cirrhose chronique qui se développera à partir de 1821 et sera la cause de sa mort. (wikipedia)

Ludwig Van Beethoven - Symphony N° 4 In B - Flat Major Op. 60 - 1

The Gift of Soothing Piano

Ludwig van Beethoven – Piano Sonata No.8 in C Minor, Op.13 – “Pathétique”: 2. Adagio Cantabile

Beethoven: Symphony Nos. 7 & 8

Symphony No. 8 in F Major, Op. 93: II. Allegretto scherzando

Big Greatest Hits

Felix Mendelssohn: Symphony No. 4 in A Major, Op. 90 “Italian": I. Allegro vivace

Big Winds and Brass Box

Wolfgang Amadeus Mozart: Oboe Concerto in C Major, K. 314: I. Allegro aperto

Focus - Concentration Music for Study and Relaxation, Classical Piano Music for Deep Meditation, Improve Concentration and Learning, Reading and Working

Piano Sonata No.14 in C-Sharp Minor Op. 27 No. 2 "Moonlight Sonata": I. Adagio Sostenuto

Ludwig Van Beethoven - Symphony No. 5 In C Minor, Op. 67 - Ii. Andante Con Moto.ogg

Big Great Symphonies Box, Vol I

Ludwig van Beethoven: Symphony No. 5 in C Minor, Op.67: I. Allegro con brio

Two Rigaudons in A Major by baroque composer Georg Philipp Telemann (1681 - 1767). From Richard Irwin's album "Baroque Miniatures for Organ", a delightful collection of baroque keyboard pieces arranged for organ by Richard Irwin by some lesser know baroque composers including: Charles Dieupart (d. 1740), Louis Marchand (1669 - 1732), Christoph Graupner (1683 - 1760), Gottfried Grünewald (1673 - 1739), Johann Ludwig Krebs (1713 -1780), Gottlieb Muffat (1690 - 1770), Gottlieb Heinrich Stölzel (1690 - 1749), and their more famous contemporaries Johann Sebastian Bach (1685 - 1750) and Georg Philipp Telemann (1681 - 1767). They use baroque dance forms such as Minuet, Sarabande, Gavotte, Bourrée and Loure, a slow Gigue.

Find out more about this hymn on HymnsWithoutWords.com: 
https://play.hymnswithoutwords.com/georg-philipp-telemann-rigaudons-i-and-ii-in-a-major/
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Baroque Miniatures for Organ

Georg Philipp Telemann - Rigaudons I And II In A Major

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Ludwig van Beethoven - Symphony No. 9 in D minor, Op. 125 - "Choral" (1824)
Lyrics - Friedrich Schiller
I. Allegro ma non troppo, un poco maestoso
II. Molto vivace
III. Adagio molto e cantabile
IV. Finale
Conductor - Roberto Minczuk
Adelia Issa
Celine Imbert
Fernando Portari
Dean Peterson
Orquestra Sinfonica do Estado de São Paulo and  OSESP Choir
Live recording - Sala São Paulo, São Paulo, July 30 2000
Illustration - Théodore Géricault
Lyrics:
"An die Freude"	"Ode to Joy"
Freude, schöner Götterfunken,
Tochter aus Elysium,
Wir betreten feuertrunken,
Himmlische, dein Heiligtum!
Deine Zauber binden wieder
Was die Mode streng geteilt*;
Alle Menschen werden Brüder*
Wo dein sanfter Flügel weilt.

Wem der große Wurf gelungen
Eines Freundes Freund zu sein;
Wer ein holdes Weib errungen
Mische seinen Jubel ein!
Ja, wer auch nur eine Seele
Sein nennt auf dem Erdenrund!
Und wer's nie gekonnt, der stehle
Weinend sich aus diesem Bund!

Freude trinken alle Wesen
An den Brüsten der Natur;
Alle Guten, alle Bösen
Folgen ihrer Rosenspur.
Küsse gab sie uns und Reben,
Einen Freund, geprüft im Tod;
Wollust ward dem Wurm gegeben
und der Cherub steht vor Gott.

Froh, wie seine Sonnen fliegen
Durch des Himmels prächt'gen Plan
Laufet, Brüder, eure Bahn,
Freudig, wie ein Held zum siegen.

Seid umschlungen, Millionen!
Diesen Kuß der ganzen Welt!
Brüder, über'm Sternenzelt
Muß ein lieber Vater wohnen.
Ihr stürzt nieder, Millionen?
Ahnest du den Schöpfer, Welt?
Such' ihn über'm Sternenzelt!
Über Sternen muß er wohnen.



Joy, beautiful spark of Divinity [or: of gods],
Daughter of Elysium,
We enter, drunk with fire,
Heavenly One, thy sanctuary!
Your magic binds again
What custom strictly divided;*
All people become brothers,*
Where your gentle wing abides.

Who has succeeded in the great attempt,
To be a friend's friend,
Whoever has won a lovely woman,
Add his to the jubilation!
Indeed, who even just has one soul
To call his own in this world!
And who never managed it should slink
Weeping from this union!

All creatures drink of joy
At nature's breasts.
All the Just, all the Evil
Follow her trail of roses.
Kisses she gave us and grapevines,
A friend, proven in death.
Salaciousness was given to the worm
And the cherub stands before God.

Gladly, as His suns fly
through the heavens' grand plan
Go on, brothers, your way,
Joyful, like a hero to victory.

Be embraced, Millions!
This kiss to all the world!
Brothers, above the starry canopy
There must dwell a loving Father.
Are you collapsing, millions?
Do you sense the creator, world?
Seek him above the starry canopy!
Above stars must He dwell.

Ludwig van Beethoven - Symphony No. 9 - Live -  Minczuk -Osesp - São Paulo - 2000

Ludwig Van Beethoven - Piano Sonata No. 8 in C minor, Op. 13 (Sonata Pathétique) III. Rondo: Allegro

Roy Brown Selected Favorites Volume 5

Mighty Mighty Man

The Other Side of the Bandoneón
Héctor Ulises Passarella, bandoneón

What you hear on this Album is not simply another bandoneón: it is the same bandoneón
that is played in tango (bisonoro-rioplatences), but played with a different technique that is used for interpreting the great classics and even contemporary music. If it sounds like another bandoneón, it is because, as you will notice, the instrument acquires a different timbre, and a different expressiveness, which was probably the original one, conceived by its inventor, the German Heirich Band.
You may wonder: what does this different technique consist of? It is the one I learned from Maestro Renè Marino Rivero, a pupil of the great Alejandro Barletta, which allows you open the bellows to their full extent and close them completely without any loss  in sound quality and without compromising the articulation of the fingers .
The bandoneón needs more literature and a more specialized audience, just as the guitar has today. In order to achieve this, it will be necessary to study it thoroughly and play it using all the different techinques which in tango, even if they are beautiful and irreplaceable, are not enough. Like a pianist who plays Chopin with one touch and Stravinsky with another, a bandoneonist should not play Bach in the same way as he plays tango. What a pity for the bandoneón!
I confess that the idea of ​​recording this work was my son Roberto’s, a musician, who not only made the recording but also edited the album in every detail. During the recording sessions, I felt transported to the past and anxious, just like when, in the 70s, I was waiting to hear my concerts broadcast by the Uruguayan national radio (SODRE).
In addition to my beloved Bach, Frescobaldi, Handel and Telemann, I wanted to pay homage to Barletta and my two Montevideo masters: Marino Rivero and Guido Santorsola. The latter taught me composition and conducting and gave me valuable suggestions for the interpretation of many pieces that I performed in those years, included his beautiful "Suite all'antica", presented here on this album, originally composed for two guitars and transcribed by me for bandoneón under his supervision.
In carrying out this work, I experienced once again the great emotion I felt when re-interpreting the great classics of the baroque tradition that were so much part of my youth when I first started my career as soloist after having performed, since I was a child, in the typical tango orchestra of my dear Maestro Oscar Raul Pacheco.
This experience as a "classical bandoneonist" has certainly influenced my musical education. Even today it echoes in my way of playing the tango and is at the heart of my compositional research into rioplatense music.

Héctor Ulises Passarella

Georg Philipp Telemann - Fantasia In D minor (TWV 33 n. 2)

Best Of

Ludwig van Beethoven - Symphonie No. 5 in C Minor, Op. 67Symphonie No. 5 in C Minor, Op. 67 I. Allegro con brio

Ludwig van Beethoven - Symphonie No. 5 in C Minor, Op. 67Symphonie No. 5 in C Minor, Op. 67 II. Andante con moto

The Ink Spots - Maybe