Electro

Bombe

playlist 2

tracks TREIBEND

tracks FORWARD

i love techno

House

Favorite

old time OMG

Buy on Beatport

Gareth Wild, Dax J + Chris Stanford - Engineers Revenge (Luis Flores Remix)

Tanzparkett appears to be more interlaced and playful. 
Although the pumping bassline is very dominant during the whole track, Oscar constantly adds a lot of small pieces and elements like hats, kicks or shakers. 
Short bleeps or vocal parts lead to a variation of the track, the main melody evolves out of the vocals and is highlighted or replaced by different elements. 
To say it clear: There is a lot going on in this track. Nevertheless the bassline keeps the listener from drifting away, it frees space for the melody at the right time and starts to pump exactly then, when the listeners feet begin to dance. 
Hard to find just one suiting genre for Tanzparkett, especially since the melodies are bright and remembering on summer while as the bassline seems to come straight from Techno or Tech House.

Oscar - Tanzparkett - Mooose Records / Moose007

Andreas Henneberg - Driss EP
01. Driss
02. Skirmish
label: Heinz Music
release: 02.10.2013

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Andreas Henneberg - Skirmish (Heinz Music 010)

Felix Lorusso - Obey (Luis Flores Remix)

Warming up for Chris Liebing in Milano :)

Rebekah @ Magazzini Generali, 5:10:13

Nalin and Kane - Beachball (original club mix)

DJ Emerson @ Tresor Berlin 21122013

It is Monday the 23rd of December 2013 and we have DJ Emerson back on the CLR Podcast with a generous two hours long live set from one of his recent gigs at CLR´s weekly “Disturbance” night at Arena Club in Berlin. In 2014 the long-time label artist and prolific producer will be releasing exciting new music, for example a remix for Michael Schwarz on Wall Music and an EP on Markantonio´s Analytic Trail imprint, including a remix by Flug. DJ Emerson stands for quality Techno with an extra portion of groove and has made himself an excellent name in the scene. If you would like to know more about this outstanding artist, his upcoming releases and tour dates, please check out the sites mentioned below. He even thought of a Christmas present in form of a free download of “Never Too Late” (DJ Emerson Edit) for you, which is available on the following Soundcloud page:

 
Free X-Mas Download:        https://soundcloud.com/djemerson/never-too-late-2013-emerson-edit

 
Facebook:                              http://facebook.com/djemerson

Soundcloud:                          http://soundcloud.com/djemerson

Twitter:                                    http://twitter.com/meDJEmerson

Artist Page:                            http://clr.net/data.pl?artist=41

RA:                                         www.residentadvisor.net/dj/djemerson

beatport:                                www.beatport.com/de-DE/html/content/artist/detail/1041/dj_emerson

 
 
Listen and download here:               www.clr.net/media.pl

DJ Emerson - CLR Podcast | 252

Da Fresh - Age Of Love (Paradise Records)

Cass Fox - Touch Me (Dj Tiësto)
This track is excerpted from Tiësto's EOLWTC 2008. This is the last track of the show (probably the best..)

Cass Fox - Touch Me (Dj Tiësto)

#PK7
Available at iTunes: http://hyperurl.co/PK7
Listen on Spotify: http://bit.ly/PK7SpotifyPL
Mothertrucker Video:  http://bit.ly/MothertruckerVideoPK7
Cloud Rider: Video: http://bit.ly/CloudRiderVideoPK7 

Paul Kalkbrenner - Sky And Sand (Feat. Fritz Kalkbrenner)

Josh Wink - Higher state of consciencness(MAJOR7 Rmx)

Indisc 1992 Belgium
http://www.discogs.com/Age-Of-Love-The-The-Age-Of-Love/release/86060

The Age Of Love (Jam & Spoon mix)

Jam & Spoon - Follow Me (Luis Flores Remix)

A1 TheGlitz - WhiteLine // White Line EP

Free download

JAM & SPOON - Follow Me (JAIA remix) - > free download

WEBSITE & BLOG:
www.OscarOZZ.Berlin
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FACEBOOK OSCAR OZZ:
www.facebook.com/OscarOZZDJ
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FACEBOOK OSCAR:
www.facebook.com/oscarozzberlin
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INSTAGRAM:
instagram.com/oscarozzberlin
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TWITTER:
twitter.com/OscarKarateKlub
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BOOKING:
booking@oscarozz.de
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BEATPORT

Marcapasos - The Fear (Oscar Remix) - Snippet

Andreas Henneberg – Mountain (Album 2013)
“Mountain” is his first solo-album containing 18 tracks influenced through the experiences of more than 17 years of working with electronic dance music. You can find Andreas behind the scenes since the mid 90’s as a producer, label owner, mastering-engineer and of course as a DJ. Even if he is born, raised and still living in Berlin the tracks are not colored by the typical Berlin minimal & house sound. 
Acute modeling and oscillating synthesizers are sneaking across the album from track to track, shaping a homogeneous line although different genres are abounding.  
Deep and dynamic bass lines in combination with expressive groove programming and self-played percussion, gives the entire album a vigorous touch.
These final works are the result of 1,5 years producing, deleting, rearranging, live testing, hating and loving a huge amount of tracks he did within the context of the creation process.
The release is just in time for the 10th year anniversary of his record label “Voltage Musique” and a big milestone in his career as well. 

www.andreas-henneberg.com -/- www.voltage-musique.com -/- www.hen-mountain.de 


Andreas Henneberg - Come On

Andreas Henneberg feat. Fabian Reichelt - Fallin

Andreas Henneberg - Feud

Adam Port & Here Is Why - Our Fate 
Release date: 17.05.2013

As you might remember, the last keinemusik release has already seen some significant vocal support from friendly countries. Itʼs been a modus operandi, Adam Port is extending quite a bit on his kM018 edition. The friendly country being Leipzig for that matter and input coming courtesy of Here Is Why, the synthy Wave-Pop-moniker of Good Guy Mikesh. It is in fact an almost inevitable cooperation. There have been quite a few partynights, where crossfaders were shared and the Here Is Why sound has been celebrated within the keinemusik camp since day one.

On A1 youʼll find the clubversion of Here Is Whyʼs new single “Our Fate” in an unmistakable Port-ish condition. The beat stoically marching, escalating into a loop-excess, taking in some of the dirt that made Ports last tune “Black Noise” such an irresistible weapon. The lusciously chopped bassline is aiming in but one direction (the floor), the vocalpart evolves from craving in the background to full bloom within the break, until some field recordings and percussive ornaments throw your feet back into this fateful goose-step. A banger, again. 

The flipside consists of the original and the bonustrack “Tonight”. It is Here Is Whyʼs first single-release since their highly recommended full length debut “HRSY”. At the same time, itʼs their first works coming to life in full on band-mode. “Our Fate” is classic Here Is Why-material factoring in catching and heartwarming vocalhooks, gently orchestrated synth-tension and all those knowing 80ies hints. “Tonight” comes along in a way more spaced out mood, riding a wave, that might surge somewhere within the Atlantic and then pour out whether into the black nothing of the Galaxy or a subtly scored dancefloor.

Adam Port & Here Is Why - Our Fate (AP Club Version) KM018

Artist: Robert Miles
Title: Children (Blackmill Dubstep Remix)
Genre: Melodic
Software: FL Studio 9

Robert Miles - Children (Blackmill Dubstep Remix)

Luis Flores's Upcoming Gigs
Sat 14 May, 16 
Trommel, District , Liverpool, United Kingdom

Powered by GigaTools

Sound> Classifying Flores’s sound is a difficult feat, and that is precisely the  point. His personality and experience are present in every track he produces, resulting in a dark, groove driven sound. Luis’s interaction with the machine becomes the listeners’ interaction with auditory landscapes of eeriness, altered states and paranoia. A minimal use of elements results in a rich spectrum of textures and a dark and trippy dance floor pull. Live shows, improvisational in nature, can last anywhere from 2- 5 hours, resulting in a hypnotic exploration of the possibilities of electronic production.

Bio> In the more than 17 years he has been producing electronic music, Luis Flores has not only made a name for himself but has been at the forefront of a movement that made the city of Guadalajara, Mexico, a hot spot for electronic music production and events. At the center of this movement was Nopal Beat Records, a label he ran from 1998 to 2006. At the same time, he also worked with the city’s cultural bureau to produce a string of massive, free public events that could bring electronic music to a wider group of people and provided a stage for local producers.

In 2007, he returned to the studio focused once again in his techno roots which quickly yielded results like his enduring relationship with L.A.’s Droid Behavior or the demand for his live shows.

In 2009 the release of the “Damage” EP on Droid Recordings, established Flores as an international artist with its immediate success, making the charts of artists such as Speedy J, The Detroit Grand Pubbahs and Chris Liebing’s Best 10 of 2009. In 2010, Dietrich Schoenemann’s Hidden Agenda released “Pain + Prosthetics”, an EP which among other things includes a collaboration with Canadian: Vitamins 4 U.

Flores published “Love Your Machine” under the German imprint Micro.Fon the following year. Further exploring the audiovisual aspect of his music, he created the video teaser for the single using J.G. Ballard’s “Crash” as reference and inspiration.

In 2012 he returned to Droid for the release of “New Flesh” which included remixes by label owner Drumcell and CLR’s Brian Sanhaji. This year was also marked by people's interest in his sound with remix requests for legendary names like Jam n Spoon and The Advent.

2013 began with his first collaboration with Berlin based producer Material Object and the release of the “Crowd Control” EP under the Impact Unit moniker for the French label Silent Steps and in 2014 he released “Rituals of Submission” on Detroit’s Blank Code, “Test Pattern” EP in the Spring for CLR and the “Metal” remix for Black Asteroid under EDLX.

He began 2015 with the the release of “43” on Alex Bau’s Credo compilation and with his 3rd release for Droid Recordings, the “Static Forces” EP.

Luis has represented México at the Meet in Beijing, ADE in Amsterdam, Borderline Festival in China, Brussels BEMF, among others.