Fish Music

@lukabeatovic is a producer based in Novi Sad, Serbia. To reduce the scope of his work to ambient alone might disregard the multifarity of his approach, encompassing field recordings, sound collage, soundtracking and shifts into noise and minimalist electronica. The style is always capacious and referential - pulling from Celtic folk-music, city pop, natural sounds, e.g., - without ever decentring the source, allowing space to form around the reappropriated material such that it is always the core of that moment in the music and not subordinate to the arc of the music-maker. This is an identity built over a series of short-form and full-length projects self-released between 2020-2025 and is ever-present in his Realist mix, luxuriating in the absence of apparent splendor, the simple sufficience of the sound of the sound of things.

Luka’s mix contains previously unreleased material, plus a pair of original reworks. Adding some background to these pieces, Luka mentioned the centrality of “field recordings I got over the month I was recording the mix as well as previously recorded ones. A stone I found that’s hollow and “chalk-like” being dragged over a concrete surface is the basis for the Caislean Õir rework. A pillow being rustled is the basis for the Hawthorn one. For Yewende, the bird sounds are actually my friends hooting on a hilltop near my city and the man speaking before them is a Serbian Farm YouTube guy. Pania Tower Marshes was made for a DnD session and the cranes were recorded at a marsh nearby.” There is always the same sense of ease - not easiness, but of a music where the point is not that to which the sound contributes but the orbital importance innate to every individual sound. Few producers would abdicate their authorship in an alike way. And this here is the signature of authorship.

Tracklist: 

Clannad - Caislean Õir (Luka rework)
Kathryn Tickell and Corrina Hewat - Hawthorn (Luka rework)
Tidiane Thiam - Yewende
Luka Beatović - Pania Tower Marshes
Luka Beatović - Aristotle University
Luka Beatović - Forgive
Akiko Yano - Denwasen

art & type by @sdr1ft

Realist Alive Radio 013: Luka Beatović

post clubbing depression

having trouble atm. sorting out life. enjoy yours as much as you can

been enjoying these images of cars with fuck loads of chrome on them they are funny

tx_edition

Bilbija

Descent (Flora)

Carousel Withstanding

The Elements

Perceptual Geometries by Ambientes Kollektiv - Album

An exploration of the invisible architectures shaping perception, Perceptual Geometries maps the shifting relationship between sound, space, and the listener.

Across its movements, evolving atmospheres and pulsing undercurrents intersect with hypnotic tonal structures — forming patterns that seem to dissolve as soon as they’re recognised.

This is not music to simply hear, but to inhabit — a framework for altered states, where geometry becomes sensation and perception becomes form.

--

Perceptual Geometries unfolds as a continuous study of sound, space, and perception — a journey where each track acts as a chamber within a larger structure.

It begins in stillness with Resonant Axis and Inverted Symmetry, opening a meditative space where form and emotion hold in perfect balance. Gradually, shadows and tension emerge in Fractured Horizon and the dense, uncharted descent of Vector of Silence.

Midway, Ecliptic Drift marks an awakening — colour and movement flooding the architecture — before Vanishing Meridian offers transcendence and emotional release. Spectral Coordinates follows as a slow navigation toward uncharted worlds, leading to the quiet self-reflection of Topology of Memory.

The closing piece, Phase Architecture, expands outward into open air, suggesting that the geometry continues beyond the final tone — an unfinished map still resonating in the listener’s mind.

Perceptual Geometries is not background music; it is a framework for deep listening, where sonic form becomes sensation, and perception shapes its own architecture.

This sequence starts in stillness, dips into mystery and intensity, blooms into awakening, and ends in spacious release — a clear arc for both emotional and spatial listening.

—

Perceptual Geometries is a nine-part exploration of sound, space, and perception by Ambientes Kollektiv — moving from meditative stillness into shadowed intensity, radiant awakening, and peaceful release. Each track is a chamber within a larger structure, where form dissolves into sensation and listening becomes architecture.


A sonic framework in nine movements, Perceptual Geometries examines the shifting architectures of perception through evolving atmospheres, spatial tension, and emotional precision.

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Recorded live on 06 August 2025 during Natural N.17 at Astral Junction Kreativ- und Kulturhaus in Berlin.

Mastered by Gasquk at Astral Junction Blautraum Studio

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For more info about Ambientes Kollektiv, please visit:
www.instagram.com/ambienteskollektiv

For more info about Astral Junction, please visit:
www.instagram.com/astraljunction



05. AMBIENTES KOLLEKTIV - Ecliptic Drift

The sixth Frozen Monolith album 'Beyond The Silver Globe' delves into retro medieval sci-fi soundscapes, in a tribute to Andrzej Żuławski's unfinished Polish sci-fi epic On The Silver Globe. Recorded live in one take using a mini-korg, yamaha psr220, akai drum machine, behringer pro 1 and a pedal rack.

Into The Caves

CTHULHU MYTHOS - PRIMORDIAL

Thankful.

Background photo by Elaine Farrell.

Game audio: @lukabea

The Elements

Luka Beatović

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