Dikanda - Dikanda

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40 Pauris - 11 Days Each - 11 Recitations Each Day
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440 Days of PURE Soul!!
http://soundcloud.com/kundaliniyogadaily/ds-japji-sahib-24th-pauri
24th Pauri: Day 1 - Wed. Feb 5 *thru* Day 11 - Sat. Feb 15

24th Pauri

Ant na siphti kahan na ant.
Ant na karnai den na ant.

Ant na vekhan sunan na ant.
Ant na japai kia man mant.

Ant na japai kita akar.  Ant na japai paravar.

Ant karan kete bil-lah. Ta ke ant an pae jah.

Eh ant na janai koe. Bahuta kahiai bahuta hoe.

 Vada sahib ucha thao.  Uche upar ucha nao.

Evad ucha hovai koe. Tis uche kau janai soe.

Jevad ap janai ap ap.
Nank nadri karmi dat.     (24)

DS-JAPJI SAHIB-24th Pauri

Rokia Traore -Laidu (Nemelka remix)

Streamer & mps PILOT are StreamerPilot. Klezmer music has long had an important place in the Dutch musical landscape. Top exponents of the genre the Ot Azoj Klezmer Band asked StreamerPilot to select a track to electrify for the dancefloor. StreamerPilot chose the joyful instrumental frenzy that is Turkish Honga. Their Rare remix starts off unassuming enough, then surges into uplifting, progressive techno bass with crashing snares topped off by a wild virtuoso gypsy violin solo. 
Yet another track showing off StreamerPilot’s distinctive production style at its best.


Ot Azoy - Turkish Honga (StreamerPilot Rare Remix)

Zmelkoow - Nočem Bit DJ

Majid Bekkas , Joachim Kuhn et Ramon Lopez

Live 2001.Nov.13 at Momo's London
source: radiobroadcast Andy Kershaw (2002.Feb.08)

Amassakoul 'n' Tenere (live 2001)

Makan « Badjé » Tounkara est un djeli, un griot, petit-fils du grand Djeli Baba Sissoko (1922-2001), qui fut reconnu par  ses pairs comme « chef des griots maliens » dans les années 1990. Badjé poursuit une riche carrière, jouant notamment avec des artistes renommés comme Salif Keïta, Baba Maal, Ami Koïta, Tata Bambo, Kandia Kouyaté ou sa tante Mah Damba. Makan Tounkara est également à l’origine d’une innovation instrumentale, puisqu’il a rajouté trois cordes à son ngoni, le luth des griots monté traditionnellement de quatre cordes. L’instrument est présent, avec de légères variantes, chez toutes les populations mandingues, sous des appellations diverses (koni, kontigo, gambare).

Daba

On Anewal/The Walking Man Tuareg guitarist and singer Alhousseini Anivolla evokes the great African blues masters and blazes a trail through his Saharan homeland.

http://www.worldmusic.net/store/item/TUG1067/

Anewal/The Walking Man

This album was recorded in Niamey, the hustling-bustling capital of Niger. As the city hummed with heat and thick dust storms rolled in, Alhousseini Mohamed Anivolla and his good friend Michel Tranchet recorded the music heard here. Next, Colin Bass painstakingly tweaked, mixed and cultivated the swinging bluesy sounds with his expert touch. Their careful efforts resulted in Anewal/The Walking Man, a solo album soaked in the spirit of deep desert blues. 

Alhousseini was born in the Saharan desert and is a nomad of Tuareg heritage. He chose the album title Anewal/The Walking Man in reference to his itinerant lifestyle, which has led him across the Sahara and the entire globe as a member of Etran Finatawa. Now on Anewal/The Walking Man, Alhousseini takes centre stage - every work is his own original composition.

Alhous’ sound puts his own spin on the great living tradition, the ‘Desert Blues’. His music explores the intersection between the traditional music of his homeland, and the African-American blues genre that it birthed. His guitar technique is related to the ichumar style, developed during the 1970s by Tuaregs exiled in Libya.

The album’s central theme concerns Alhousseini’s strong connection to his ancestral elders and his community, values that are expressed both lyrically and musically. ‘Emassli Na Taregh’ features a traditional musical bow that Alhousseini feels puts him in direct contact with the ancestors. The title of the track ‘Iblis Odouad’ translates as ‘Demons Are Showing Up’, Alhousseini explains: ‘When the sun is coming down ... you hear all the demons talking at once in different languages. You feel alone, isolated and so homesick if you are not surrounded by your dear ones at this time.’ Again we are reminded that, for Alhousseini home isn’t dictated by place, but only by community and the company of your loved ones. The track opens with a solo guitar figure, which is later joined by a thick bassline and cantering percussion. After over a minute of instrumental interplay, Alhousseini’s vocal enters in a soft, almost hushed tone that conjures up an air of solitude perfectly.

Anewal/The Walking Man is Alhousseini’s diary of his personal journey from the desert, to the city, to the world stage and back again. Enjoy this evocative and gutsy desert blues album from Alhousseini, who is, in his own words a ‘nomad by heart’.

Zmelkoow - Nočem Bit DJ

Luka Goljevšček