A Bay Area Native producing those feel good beats

Hey my name is Joshua Steven Woodward 28 form the UK and this what I love doing remixing so if you like it keep play it and sharing it xx

Say hello to the bad guy as Taxstone brings you an unfiltered view from the streets of Brooklyn because life is always about progression.

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Ghost Visions // Time to see your dreams //

The new album 'World Music Market' is out now. Available here: https://deadbearsongs.bandcamp.com/

DEADBEAR is the moniker of Berlin-based producer and electronic musician Nick Donovan.
Donovan began experimenting with electronic music as part of a university 'laptop orchestra' and later making interactive software including being commissioned to build an app for CERN's Large Hadron Collider.
After 2017's ‘ The Trees are Dancing ’, 2019 sees DEADBEAR set to release a new artistic project and record ‘ World Music Market’. The release is a concept record tied wholly to Berlin, vinyl and the migration of people and music. All profits will be going directly to charity, specifically projects that help integrate refugees into Western communities and develop new skills.

The album, ‘World Music Market ’ (also released on 16th August) was written over the course of several months after amassing a stack of vintage ‘World Music’ vinyl from MY local Sunday flohmarkt. I would go to this one same stall every Sunday and pick up something incredible - discontinued runs of
Middle East compilations, Nubian region samplers, one hit wonders from Yemen. After a while it became clear this collection needed to become more than just a Sunday listening experience. I knew I had to make a record out of it. ‘World Music Market’ collides styles and samples from 11 vinyl records (most pressed in the 50s and 60s) and 14 different countries. Korean Court music sits alongside Tibetan Folk, Syrian dances and Sudanese prayer songs. Encapsulating the spirit of Berlin through the context of electronic music, celebrations of multiculturalism and migration of people to Berlin from all corners of the world, ‘ World Music Market’ is also a record that plays with set concepts of time and place.
Berlin is very much a place of coalescing cultures and coexisting, multiple temporalities and I wanted this record to give a real sense of those aspects. This project is not a vision of a multicultural utopia. Multiculturalism, just like the music on this record, juxtaposes multiple traditions, backgrounds and different
sacred, or secular, practices in one space. Sometimes it works, sometimes it jars and creates tension or unexpected artefacts but the experience is the richer for it - and the ‘picture’ one of greater depth and colour.
I wanted to challenge our constant search for authenticity - especially in cultural areas of our present times. Exoticness, Otherness, authenticity, these are things that are inherently amorphous and flawed and playing with those ideas has been a big part of this record.

Previous releases include 'The Trees are Dancing ’, a debut EP on Art is Hard Records, garnering critical acclaim from BBC Radio 1, BBC 6 Music, The Wire Magazine, Virgin, XFM and the NME. A follow up double single was released on Cascine's CSCN label featuring Japanese producer and singer Qrion - famed for her work with Ryan Hemsworth.

● NME says: "Reminiscent of Mount Kimbie and Gold Panda at their most accessible" - NME
Radar.
● The 405 says: "meticulous attention to detail with friendly beats, in flavours ranging from spacey
chill to simply intense"
● The Skinny says: “experimental electronic pop tapestry ripe with skittering tropical beats, woven
with a kaleidoscope of vocal samples, found sounds and synths. Revealing new intricacies and
textures upon each listen”

Writer for myself and others...M.A.P. Paid in full Squade   ...Twitter: Lukayzethadon gmail:Lukayzethadon ..ig:lukayze...for booking contact Jon Doe 8182207170

Conceived in 2013 as a lighthearted side project & creative outlet, Zachary Russell's Hello Xmas project features an array of instrumental Christmas music (both covers and originals) powered by nostalgia. Since then, Russell's music has featured in Six Flags' holiday shows and numerous ads through licensing partnerships. The project was retired in '23 and capped with a final compilation in '24.

Before his untimely death at the age of 28 in December 2021, Drakeo the Ruler was unequivocally the voice of Los Angeles street rap. Born Darrell Caldwell, Drakeo earned his first round of buzz from 2015's I Am Mr. Mosely tape, but established himself as a force whose impact would be felt far beyond Los Angeles city limits with 2017's Cold Devil. Drakeo's rap style was both menacing and conversational, the MC rarely emoting beyond a
sort of ransom-call Whisper. His reign as the voice of LA was marked by intervals of incarceration, Cold Devil having been recorded in 10 days of freedom that followed a nearly year-long stint in jail. Another bout of incarceration, ending in November 2020, sparked a remarkably consistent creative tear for the MC, with Drakeo releasing We Know the Truth, Because Y'all Asked, The Truth Hurts, A Cold Day in Hell, Ain't That the Truth, and So Cold I Do Em 2 in the span of a year. Drakeo the Ruler's voice could be found alongside any number of his LA contemporaries (Ralfy The Plug, 03 Greedo, Bino Rideaux, Blxst), but he also counted some of the biggest names in hip-hop among his fans-like Drake, who, in learning of The Ruler's
fatal stabbing, posted a picture from the MC's time modeling for his OVO
clothing label, writing that his "Talk to Me" collaborator had "always picked
my spirit up with your energy. RIP Drakeo."

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