Like the feel of the track, nice ambience

Really great stuff. Love the rhythm and the vocals.

Fantastic m8 great song great vocals and drums great track

Nice and amusing. I like the pace and overall performance. It's catchy

This is cool...I like it...I also like your definition of a song in your BIO above... :)

Craig wasn't  drummer on this. A sound engineer was. If I can't play with a drummer I turn to FL Studio 20. It's convenient when there's distance between people to jam with but FL Studio can never replace a real person.

A mid-tempo rock track in the style of old Joe Cocker songs, or whatever:)

Event

Not Living There Anymore

Inspired by the Disney/Marvel Show "The Falcon and the Winter Soldier" I present to all of you my latest composition/orchestration/produced piece called "The Warrior In The Sky"

Hope you all enjoy! 

Thanks for listening! Let me know what you think of it in the comments!



The Warrior In The Sky - RMS Music (April 2021)

Summer

A remix of my old band's song.  
Guitars - Cort Sunset TC + Vox Pathfinder amp.
Various synths from U-He and Spitfire Labs.
Drums programmed on Sitala.  

First time using a Pultec EQ plugin, and im impressed with how musical it is.

Narrative

~MY BEST FRIEND HATES ME~
Stream: https://songwhip.com/sound-of-kalima/my-best-friend-hates-me
About SOK: https://www.youtube.com/watch?v=5S26YLPFT3Q&t=1s

~credits~
Written, Performed, & Mixed by Sound of Kalima.
Mastered by Suite Sound Labs.

~socials~
pics: www.instagram.com/soundofkalima/
tweets: twitter.com/soundofkalima
updates: www.facebook.com/soundofkalima/
tunes: songwhip.com/artist/sound-of-kalima
more: linktr.ee/soundofkalima

~lyrics~
It’s in my blood to be a bastard and I know
You’re only happy when you’ve got your hands wrapped all around my throat
Come on, ya ya, step outside of your agitation
Come on, ya ya, oh you’re so mad you’re breaking my heart 
I’m walking out

Cuz my best friend hates me
Maybe we should go talk about it
Blame it on my insecurities
Do you feel the same way? I doubt it
Oooh, maybe you do believe that my heart’s just there to betray
youuu, maybe you gotta see that the way I am it means I care

Your passive carelessness is boiling all my blood
Thank you for all the years but the way you stress me out I’m really done
Come on, ya ya, will you stop will you think about it?
Come on, ya ya, oh you’re so mad you’re breaking my heart 
I’m walking out

Cuz my best friend hates me
Maybe we should go talk about it
Blame it on my insecurities
Do you feel the same way? I doubt it
Oooh, maybe you do believe that my heart’s just there to betray
youuu, maybe you gotta see that the way I am it means I care

Hmm I’ll never cry, don’t ask me why that’s on some bitch shit
Hmm another day, another night that’s wishful thinking
If I told it straight things might have just worked out
But my heads messed up and my heart’s just not enough

Now my best friend hates me
Maybe we should go talk about it
Blame it on my insecurities
Do you feel the same way? I doubt it, yeah

My Best Friend Hates Me

My take on the Jerry burner. Words by Robert Hunter, music by Jerry Garcia.

Deal

This is an original tune “Tears” that I recorded at home on my 4-Track cassette recorder and recently converted to digital. It features my 70’s Westwood acoustic, my 1968 Fender P bass, Fender Telecaster and my vocal track. If you dig it please feel free to comment or repost! Thank you, Tim 🙏🏻✌🏻

Tears (original analog track)

Symphony in Three Movements for Orchestra
Duration: 19’
Mostly Modern Festival, American Modern Orchestra, Chris Rountree, 2018 Faculty Conductor
Skidmore College, Arthur Zankel Music Hall, Saratoga Springs, New York (USA), 6/10/2018
Commissioned by the Cayuga Chamber Orchestra for their 25th Anniversary Concert, Kimbo Ishii-Eto, conductor
Publisher: Bill Holab Music: http://www.billholabmusic.com/store/index.php?main_page=product_info&cPath=103_137&products_id=1339
For More Information: https://robertpaterson.com/symphony-in-three-movements

PROGRAM NOTES
The first movement, Bright and jubilant, is generally cheerful and upbeat, but occasional clouds of gray cast shadows over the musical surface. I associate this movement with traveling to a lover, and particularly over great distances. The brightness of this movement also subtly reflects the "silver anniversary" occasion for which this work was originally commissioned.

The slow second movement, Serenade, represents the unique intimacy that lovers share. Most string players in a chamber orchestra—even the first stands—never have a chance to play exposed material. This is interesting because although the string sections most often play as homogenous groups, the first stands of the string section are in an arc have an intimate view of each other. In this movement, the first stands of the violins, violas and cellos all have solo material whereas the rest of the strings often play gentle, long trills. My goal in to give all of the string players in the first stands an opportunity to shine.

The third movement, entitled Dancing games, is the most energetic of the three. It is has quirky, dance-like rhythms and a strong sense of pulse. In this movement, I imagine two lovers engaging in a bickering, yet friendly verbal dance match, their playful sentences bantered and volleyed back and forth like some sort of demented game of badminton in fast-forward mode. I suppose this would mean that the kind of dance I am imagining here is not one that you would necessarily move your feet to, but one meant for listening and that makes your insides want to move and shake.

Symphony in Three Movements - II. Serenade

I feel so fine
A beautiful girl near me
How can I touch her
How can I take her 

I feel so fine
A beautiful girl near me
How can I touch her
How can I take her 

I feel so fine
A beautiful girl near me
How can I touch her
How can I take her 

Flying like a bird
In the sky
Flying like a bird
In the sky

I feel so fine
A beautiful girl near me
How can I touch her
How can I take her 

Anyway

I feel me like an angel
In the sky
Flying like a bird
Over the mountains

Flying like a bird
In the sky
Flying like a bird
In the sky

I feel so fine
A beautiful girl near me
How can I touch her
How can I take her

Flying like a Bird

Written post Brexit referendum



BLAMELESS LYRICS:

seems we’re always on the run
even though we’ve no idea what it is we’re running from
sometimes its hard to see what’s right from what’s so wrong
and everyone seems innocent
till everyone has turned and gone
well
who could blame you
when there’s nothing in your hands
who could blame you
when all you want to do is…

we’re filling up this empty space
and losing count of all the things we’ve left to waste
losing sight of all those plans that we once drew
and living on the sidelines
has a way of blocking out the view…
who could blame you
when there’s nothing in your hands
and you’re blameless
when all you wanna do is…

dance away into the night 
its the only way
dance the day into the night
cos its the only way
dance away into the night
cos its the only way you can make it feel…
alright…


just when you think the race is done
you finally find yourself, back where you’d begun
it may not be life as you know it till you think it’s in your hands
and the evidence is circumstantial
when the evidence is left to chance

but who could blame you
when there’s nothing in your hands
who could tame you
when all you want to do is…

dance away into the night 
cos its the only way
dance away into the night
cos its the only way
dance away into the night
cos its the only way you can make if feel..
alright…

Blameless

The song is poetry with a spine. It can motivate. I write and record for people and believe that wisdom and spirituality and potential is gained through life experiences and that's what a song is. It's a personal experience expressed outwardly. It's a little existential, I guess. 

Not Living There Anymore

Luke Hennessy

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