Dusker-Modularz12

Little mashup between 2 of my fav Mills tracks

Jeff Mills - If (We) X Humana (Decoder Edit)

Beta Sensory Motor Rhythm

The Five Aggregates

Track from NE86 Anthony Linell – Dissolution Process EP
Out on digital and 12" June 27th

Throttling his focus into a number of studious and reflective releases in the last years, Anthony Linell's new EP breaks for a chaotic descent into a sinuous and muscular syntax to reveal some of his most refined yet ravenous works. Seamlessly arranged, each track finds a unique way of balancing syncopation to kindle unease at the peaks.

Mastered by Neel at EnissLab, Rome

Dissolution Process

Anthony Linell – Dissolution Process

Support here: https://planetaryassaultsystemsplanet.bandcamp.com/album/reassembled

Following on last year‘s 5th volume of ‘Deep Heet‘ series, UK techno‘s front runner Luke Slater committed to cutting-edge, thought-provoking sounds teamed up with renowned names to reassemble tracks from PAS‘ long standing opus and recent releases.

Reassembled features standout contributions from former Ostgut Ton label-mate Len Faki, techno master Chlär, DJs favourite producer Rene Wise, Spanish techno figurehead Oscar Mulero, and Slater himself.

Driving drums, hypnotic vocals, and a subtle acid flair, Berlin-based techno powerhouse Len Faki delivers his reassembled take on ‘Give It Up‘. Chlär reimagines ‘Strange Attractor‘ embodying slick weaving eerie sonic elements and hypnotic vocals. On the second reiteration of ‘Give It Up‘, Len Faki delivers escalated urgency resounding through the track. Following with the prolific Oscar Mulero tweaking timeless sounds of ‘Surface Noise‘. Rene Wise ventures into deeper, darker, less straight-forward territories with Luke Slater‘s 2017 ‘Raid‘ track. Oscar Mulero double downs on ‘Surface Noise‘ with a more raw, more chaotic and experimental version. Focused almost solely on percussive elements of the original track, it‘s an elegance reimagined.

Slater contributes three closing tracks, including Rip The Keys, a housier, glossy techno rendition; Desert Races, transformed into a fast-paced dancefloor cut; and Engage Now To Surface, which plunges into distorted depths to round off the release. 

PREMIERE: Planetary Assault Systems - Surface Noise (Oscar Mulero Reassembly 1)

Reise (German Club Mix)

SOLBUV 87

When it was announced that Luke Slater was going to release his latest Planetary Assault Systems album on Ostgut Ton, it hardly came as a surprise. After all, he'd already given them an epic ambient cut for their Shut Up and Dance! Updated ballet soundtrack, and he's been a semi-regular fixture behind the decks at Berghain since late 2006. But even given his previous record for raw techno and acid as Planetary Assault Systems, it does seem as if Temporary Suspension is Luke Slater's "Berghain album"—a distillation of his adventures at the club, both in the DJ booth and whilst getting sweaty amongst the muscle marys and party animals. Even the introduction of the record draws direct comparisons to the Berghain experience, with the slow fade in to an already driving beat mirroring the walk up the first set of stairs to an already bulging dance floor.

Planetary Assault Systems - Temporary Suspension (Ostgut CD09/LP04)

Track from NE67 Anthony Linell — Core Field Horizon
Out on 12" and digital December 12th

This time Anthony Linell cuts his peerless supply four ways in four tracks. Short on hubris, and economical to the point of being cruel, 'Core Field Horizon' relents in all the right places to make the effects of its peaks and troughs impossible to defend against. The opening track is a deluge. Spinning on its hydro-blasted synth line, the gravitational pull erases and ensnares in equal disordering measure. On its heel is the EP's title track, an austere display of the venom in the seam between his club-focused work and his experimental output. 'Evaporating Entities' is one of Linell's most diaphanous works to date, and after weaving through the sky we are abruptly subjected to the gravity of the closing track's nerves.

Recorded by Anthony Linell in Stockholm, Sweden 2019
Mixed and mastered by Neel at EnissLab, Rome
Artwork by JB