Random songs

online shopping high in my room

One Wish - Phil Lynott

People around me did not understand what I felt,
I don't blame them,
but I don't feel comfortable around them either,
I feel that they pull me back

people around me did not understand what I felt,

Air conditioning ft. Hatsune Miku

SWAY (feat. june)

From 'Pink Oasis', out June 28th on TT.

YOU WILL BUY: https://tobagotracks.bandcamp.com/album/pink-oasis

@angelicaamusic 💗
@charles-verni 💗
@tobago-tracks 💗

I'm all about tapping in, and there is nothing that anyone nary a single individual not a soul can do to stop me. And you are to. We extend our fingers ever forward, undeterred by haters and lames and puny fleck-minded pseudosentients. We use this finger to press play on angelicaa & Charles Verni's 'III', from the TT-released album 'Pink Oasis'. That same finger proceeds to repost and share and, in concert with its bredren digits, proselytise and recommend song and album to world at large. We have tapped in.

Pink Oasis

you will buy

angelicaa & Charles Verni - III [MK PREMIERE]

@trapmonarchy 👼
@nu-fusion 👼
@fffigurrr 👼

This was a wonderful idea. Your mind is a marvel, a veritable vision of splendour. Your thoughts a fountain, the concepts that gush forth a geyser of also splendour. We're in awe. The idea: to listen and share and repost widely Trap Monarchy's 'genre compilation'. Eureka indeed..

Trap Monarchy - genre compilation [MK PREMIERE]

DJ Central & Erika Casier- Drive (Ambient Mix)

First track from the new Jon Hassell album 'Listening To Pictures (Pentimento Volume One)' - Out now:
http://smarturl.it/listeningtopictures

pen·ti·men·to / noun
Reappearance in a painting of earlier images, forms, or strokes that have been changed and painted over.

Forty years since its creation, Jon Hassell's Fourth World aesthetic remains a powerful influence on modern electronic music. Continuing his lifelong exploration of the possibilities of recombination and musical gene-splicing, fragments of performance are sampled, looped, overdubbed and re-arranged into beguiling unexpected shapes. Hassell applies the painterly technique of ‘pentimento’ to the arrangements, teasing out texture by the overlaying of sound upon sound, or a carefully timed reveal of the delicate bones pinning the frame of a track together.

The release of this new album also sees the launch of Jon’s own label, Ndeya (pronounced “in-day-ya”), which will be a home for new work as well as well as selected archival releases, including re-presses of classic sides and some astonishing unreleased music.

FURTHER READING ON JON HASSELL:

Fourth World in the 21st century: https://www.residentadvisor.net/features/2984
Brian Eno on Jon Hassell: https://www.theguardian.com/music/2007/nov/09/jazz.urban
https://www.jonhassell.com/

Wigs - Prefab Sprout

lukegauthier