jungle

Plaid

Spring 1

Amen Andrews Jungle Massive

Contemporary Jungle 2020-2024 - 6

Trust The Process

Galactic Ballroom

Legends Don't Die (feat. J Miller)

Indian Summer

Wrong Or Right (07 Sep 2020)

Sunshine (Original Mix)

Not For Threes

Myopia

Kortisin

Extork (feat. Nicolette)

Prague Radio

Billy Idol - Eyes Without A Face (Slowed) + (First Half Looped)

The initial seed for this project was planted in 2020 when Nicolás Jaar wrote the song “Piedras” for a concert at the Museum of Memory & Human Rights in Santiago, Chile, which commemorates the victims of human rights violations during the military dictatorship led by Augusto Pinochet between 1973 and 1990. Between 2022-2023 it took on a new form as a radio play entitled 'Archivos de Radio Piedras', which was shared on a dedicated Telegram channel. In 2024, the play was converted into a 24 channel installation at the University Museum of Mexico City (MUAC), where it was exhibited for 5 months.

Piedras 1 and 2 is a collection of the tracks featured within the play, all new music by Jaar, but partly presented within the play as the music of Salinas Hasbún (the name a composite homage to Jaar's grandmothers, Graciela Salinas and Miriam Hasbún).

The play follows two friends mourning the disappearance of Salinas Hasbún, a musician and writer who vanished in the early 2020s. Although they live in a future where technology is advanced, they resort to DIY radio methods because the anonymous group “Las 0cho” has launched a worldwide attack on undersea internet cables, causing a global internet blackout.

The play's central theme revolves around the idea that truths, memories and identities speak from the cracks (“rasgaduras”), or the "in-between" spaces ("en el entre"). This concept is supported by the way much of the narration unfolds - in the liminal spaces between radio frequencies. The instability and transitory nature of a constantly shifting radio dial becomes not just a metaphor but the structure of the play itself. It’s in these moments of noise, static and interference that the deeper revelations of the story emerge. This disjointed, ever-changing medium mirrors the way memory and trauma operate within the play - non-linear, slipping through the gaps, found in fragments or ordinary moments, rather than direct transmissions of “official” historical accounts.

This notion reaches its climax at the end of the narrative, when a text is discovered in which Salinas speaks of finding a new number in a small pond in a cave mentioned in the first episodes of the radio play. This pond, inside the “cochlea of the world”, is seen as a way to introduce real-life randomness to computation. Embodied in the salt lakes of northern Chile, home to the world’s oldest bacteria, this randomness disrupts the rigid order of binary code, paving the way for a transformation of digital life.

Piedras 1 

Piedras

Claw by Kelt is a high-impact drum and bass track that delivers a powerful blend of precision-engineered percussion, deep rolling basslines, and an intense, dark atmosphere. With its razor-sharp production and relentless energy, this track is designed for the dancefloor, capturing the raw intensity of modern DnB. A must-listen for fans of deep, driving rhythms and immersive sound design.

CLAW

KELT - CLAW - [1K PLAYS FREE DOWNLOAD]

FREE DOWNLOAD

What's Going On [FREE DOWNLOAD]

Luke Vibert presents Amen Andrews

Bass Kick

Pressure

Animen

Sirius

Undoneson

Headspin

It’s almost Christmas time and here, at elrow Music, we want to start the celebration with a big comeback to our releases ranks. Label boss and tech-house honcho De La Swing is back with a three tracker EP of two originals and one high rolling remix, by the one and only Mathias Kaden. ‘Everyday EP’ opens up with the title track, ‘Everyday (Original Mix)’, a track with a steady but soft percussion, a hip-hopish vocal line that sings about love, and a nice 90’s infused melody by the middle of the track, with an overall vibe that everyone associates with elrow and its parties. Then we have ‘Creeper (Original Mix)’, that opens with a swifter percussion and starts in full energy thanks to that exotic vocal line we hear in the back of the track. With FX coming and going, the synth treatment De La Swing uses is just mind-blowing and will make the crowd lose it in the middle of the dancefloor, making this carnivalesque track perfect for the busiest times in the dancefloor. Finally, closing the EP, we have Mathias Kaden’s remix of De La Swing’s ‘Everyday (Mathias Kaden’s Repitch Remix)’, in which the German producer twist the original track with a steadier and faster vibe, a bit harder, also distorting and playing with the vocal line and keeping the melodies, making it a more playful tune and fitter for peak times in the floor. Resuming, one huge delivery by the label boss De La Swing, that showcases his great moment, and an amazing re-interpretation by Kaden, who has perfectly understood what elrow Music’s line is all about. Merry Christmas Y’all!

Beatport

Everyday (Original Mix)

Photek : Summer Mix

Taken from the new album KU:PALM

<b>The long awaited new Photek album, KU:PALM is now available to purchase in a variety of digital formats and on CD. You can buy the CD &amp; Digital Download of KU:PALM now at Photek.FM, or head over to Amazon / iTunes /  Beatport / Boomkat.  Selected tracks will be available on vinyl at the end of 2012.</b>

Photek : Quadrant

Photek : Pyramid

Three years on from their debut collaborative album “Passive Aggressive“, Jonny Nash and Suzanne Kraft return with "Knife", the lead single from their forthcoming album, “A Heart So White”.

The single comes with an exclusive bonus digital track, "Processing The Negative", which will not appear on the full album.

“A Heart So White” represents a continuation of the working philosophy adopted during the recording of their debut; immersion in an unfamiliar recording environment with a limited set of tools and the goal of exploring the possibilities that lie within these limitations.

The album was written and recorded in the Willem Twee Concertzaal, a converted synagogue in Den Bosch, Holland. Whilst “Passive Agressive” explored virtual instruments and environments, “A Heart So White” shifts the focus to acoustic instrumentation, breath, air and physical space. Using the hall’s mechanical drawer organ and Steinway piano, the pair craft a delicately balanced suite of compositions, stripping things back to reveal the bare essence of their shared musical language.

Purchase here: https://melodyastruth.bandcamp.com/album/knife

Jonny Nash & Suzanne Kraft - Knife

A Hymn