Musique / Music: Ootol
Paroles, chant et jaquette / Lyrics, vocal and artcover: Lukowig

Paroles / Lyrics:

Foule le seul
endroit où les fleurs ne fanent
fouille le seuil
étroit : des pleurs y flânent
étouffés par le froid dallage
de l'âge

Sous les cimes
et les racines
des os se terrent...
Passe l'aïeul
qui sous son marbre se masque
s'étiole

Sous les cimes
la tristesse décime
des visages austères...
Passe la veuve
grise... les larmes la marquent
l'abreuvent

Graveyard

Graveyard [Ootol and Lukowig]

Mohamad Reza was born on March 15, 1990 in Tehran,

His profession is inventing melody and arranging electronic music.
He started composing professionally in 2019 and started publishing in 2022.

He produced and officially released the album (Future Genre) in the middle of 2022 to 2023.

And in 2021, he made the album (Above the Clouds), the time of this album is about hour which includes remixes of the most famous composers in the world, but unfortunately it was not allowed to be officially released.

And also, in august 2023, he started making album number3 (Rain Man) and his purpose of this album, is to attract and big enjoy the audience in the profession of electronic music and special and new genres.

Mohamad Reza wants to quickly release new and updated music in several different genres, and his main goal is to release special and new styles in the electronic music profesion.

In his opinion, people need new principles in the music industry and profssion, And he considers it his duty to fulfill this need with increasing efforts.

And finally, Mohamad Reza thanks and appreciates all those who support and follow him,  and he hopes that he will be able to serve the people of the world sincerely in the music profession to the best of ability.

veronica out now

"you'll never know my fear
of talking to the monsters underground"

CONTACT ME: mercedezentertainments@gmail.com

just a dj at heart now trying my hand at my own stuff loving music all the way

Christiane Hommelsheim sings and plays on sound objects, Ralf Haarmann electronics and mandoline. With a central interest in loops, they create intertwined acoustic layers. Through the looper all sounds loose their corporality, they resolve within themselves, they appear and
disappear, they become soundfields, and soundshadows. Ocassionally a sentences might appear out of nowhere, and lingers unfinished in the space, like a piece of thought-furniture, that might develop within the ear of the listener before it retreats back out of focus. HAARMANNHOMMELSHEIM create poetics of absence, poetics of nothing.

Hi! My name is Marcus Sander and I`m a producer of electronic music using "Studio One Professional 7.0" from PreSonus as my main DAW! 

Follow me on spotify of you like.

https://open.spotify.com/intl-de/artist/7B567b9GWZyzUMtdcNPgym

https://open.spotify.com/artist/4tO6WK4shoT9BcQuWyDWl3

A big milestone for me was winning the remix competition of Robyn Dell' Unto's song "Pretty Girls" October 2014 among over 100 entries.

If you want to support me just like/ repost/ buy my tracks and follow me on Soundcloud. Thank you.

Check out my other projects on Soundcloud:

https://soundcloud.com/electric-torque
https://soundcloud.com/astor-e-thalion

Please follow me on FB and like my artist page.

https://www.facebook.com/constellation.lyra

www.facebook.com/pages/Constellat…/377825935649048

Work/Produce/Mix/Master/Selector/Beat Maker/Collaborator     HI all I've been with the rave music since the start of it and feel blessed to be a part of the uprise of a lot of different genres of music witch I had a passion for going to the early Acid House free parties in fields squats abandon warehouses peoples house and Garages and then when it split into different beats like Jungle Tekno ,Jungle, House , Ambient,Trance , Dub ,Dub Reggae Ragga I decided to follow Jungle Tekno ,Jungle and then to follow Drum n bass going to the big raves from back then normally the same line ups Fabio, Grooverider ,Micky Finn ,Elis Dee ,Carl cox ,Jumping jack frost,Top Buzz,Ratpack,and normally you would here the same white label dropped about 10 times in different mixes through the night ,the after parties sometimes turned into 3 to 4 days of raving on a beach or abandon warehouse or derelict buildings or a squat and plus there were so many record Labels back then with some awesome classic tracks from back in the day like Reinforced records ,Shut up and dance records, Warp Records, Moving Shadow, suburban bass Records, Boogie Times, Production House, Xl Recordings, Network Records, Ibiza Records, Strictly Underground Records, Strictly Hardcore, Kickin Records, Lucky Spin Recordings, Dee Jay Recordings, Basement Records, Formation Records, Absolute @ Records, FFRR, Slammin Vinyl, Urban Shakedown, Jumping & Pumping, Rubeboy Records .....I could go on and on there were soooooo many and again I feel blessed to have been apart of that going to the records shops in different towns and cities going through the white labels and getting to know the branded labels and trying to work out the bpm of the wax ....so many good memories were had and i still have a love a passion for Jungle first and foremost and Drum n Bass ....and all music Thanks for Reading this maybe we could share some old school and new stories some time just hit me up in the messages....One Love Big Love to all old and new People in the Dance , Production, DJs ,Big Ups Massive Blessssssss  
 Also I like  Produce Jungle and Drum n Bass... Love all music
@Spotify junglist1972@gmail.com spotify:artist:0m3AIejjoLurKuvHQTbdXq

This is the principal soundcloud channel for original one-man music by gd&themultitracks.  Mainly instrumental, the music was home-recorded in stroud, england using hardware synths & instruments and Audacity community software for editing and mixing the individual multitracks.  I've had great enjoyment in making (& listening to!) the music, but any plays or feedback would be much appreciated. 
The music spans a wide range of sounds & genre.  I've put a selection of tracks into playlists which cover much of the music:  rock, melodic rock, soft guitar, ambient, electronica, soundtrack, jazz & blues..
enjoy your music ... just play on!

Born in 1980 under the name KRT, the band began its journey in the raw energy of live shows — in Spain, including a memorable concert in Burgos, and in Brussels at the Teatro. Those early years, intense and furious, were wiped away overnight: all archives, tapes, posters, and memories stolen in a single car theft, as if someone had tried to erase history itself.

By the late ’80s and early ’90s, the group found shelter in the former RKM studio on Avenue Molière in Brussels, under the demanding ear of artistic producer Jean-Claude Maury. From those sessions emerged Fast Beat and The Ballad of the Mouse and the Bird, defining tracks that carved NUR’s sound into stone — dark, restless, untamed.

After a split and years of silence, the band resurfaced under the name NUR, carried this time by the new promise of the digital age. The music could no longer be erased; it was destined to survive.

But fate struck again: the passing of one of the founding members closed the collective chapter. Today, NUR rises once more, as a solo incarnation. More than a project: a resurrection. A flame still burning, more than forty years after its first spark.