“Barda - Naranja El Cielo (Feat. Aldo Benitez & Brawlio)”
Interpretes: Aldo Benítez, Brawlio, Cecilia Gebhard (Barda)
Instrumento: Voz (Aldo, Brawlio), sintetizadores (Cecilia y Aldo), guitarra (Cecilia)
Compositor Musica: Cecilia Gebhard (Barda), Aldo Benítez
Autor Letra: Cecilia Gebhard (Barda), Aldo Benítez

El sueño sobre el sueño

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Barda - Naranja El Cielo (feat. Aldo Benitez y Brawlio)

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Tall Roots

listen to light

gravel 1 v3 100 bpm

Originarios EP

LMP015

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Ibu Selva - Originarios (Jota Karloza remix)

BirdzZie - Futuro Ancestral (Tropical Twista Records – 2016) 

Após quase uma década emigrante, BirdzZie regressa ao Alentejo e forja os primeiros registros de um mergulho na ancestralidade portuguesa. 
O novo e o antigo fundem-se nesta homenagem aos folclores e tradições da música regional portuguesa colhidos em forma de samples empoeirados de cantos, adufes, paisagens, enxadas, tambores, psicadelismo, protestos, trancanholas, pássaros.

https://soundcloud.com/birdzzie

Birdzzie - Futuro Ancestral

Birdzzie - Futuro Ancestral (Tropical Twista - 2016)

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BirdZzie - Pipapapífaro

Artist: @herhangi
Art work by: Alina Sanchez
(www.instagram.com/alinaflotando)
Poem and Voice by: @henriiiii
(As for the poem, it takes inspiration from a meeting with the medicine plant Peyote.)

Lyrics:

I dive into the ocean
Deep down to the bottom of my heart
I feel rhythm of emotion
And frequencies of the human part

I walk into the forest
My heart stops for a moment
I am surrounded by the spirit of Sjavn
She tells me not be afraid of atonement

I fly high up to the sky
Where eagles swallow my sorrow
I let go of every thought of self-destruction
My inner core is taken by a new magnetic induction

I surrender myself to the fire
Sweet grandfather Tatewari, speak to me
I know my transformation can admire
But sometimes self-doubt is felt in this human tree
Do you think wise Tatewari, I will ever be free?

Nada Brahma

Tatewari

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Herhangi (Voice and Lyrics by Henrii Haavas) - Tatewari

For this our sixth Botanas single series we have the pleasure to present two stunning original tracks and one beautiful edit from Canadian producer Oonga (who you might have spotted on our Mare Insularum compilation). Oonga is a DJ/producer from Montreal who works with Stonetree Records. 

Opener El Caracol is one of the most personal tracks the artist has ever made. It is based on a poem written by Eli´s (Oonga) dad and dedicated to him. It was written after the two of them had a really deep conversation about hidden pain and then months later his dad showed him the words, and he was extremely moved and so created this beautiful track. 

This inspiration came at the same time as Oonga's exposure to the neo-folkloric slow cumbia tech sound while travelling. He put the two together and this special Botanas was born. His dear friend Ana adapted the words into Spanish and sang the melodies (as well as doing the art). 

Oonga´s music captured our ears right away and these three tracks are the perfect soundtrack to the end of the summer for those of us in the norther hemisphere or to welcome the end of the Winter and brighter times for all those down south! 

More music and info: 
soundcloud.com/ungunga 
www.facebook.com/ungunga 
twitter.com/oongoonga
credits
released August 21, 2017 

Lyrics and vocals on El Caracol: Ana Arias 
Based on an original poem by Zav Levinson 
Produced by Oonga 
Artwork by Ana Arias 

Mastered by Rob Small

BKO Quintet Feat. Piers Faccini - Donsolu (Oonga Espera Edit)

Buy/stream 'Otun' now: montoya.lnk.to/otun

While the internet’s universality means once-inaccessible traditional and indigenous styles of music across the planet can be appropriated, sampled, and commodified with ease; it also means they can be integrated and celebrated, reflecting humanity’s idiosyncrasies as well as our shared communality. Montoya, recently signed to ZZK Records, personifies the very best of this musical globalism.

Montoya, who grew up in Colombia and now resides in Italy, entered music as a classically trained violinist. He’s keen to stress his gratitude for this adolescent education, not only in how it exposed whole new worlds of music, but permitted him travel places and sample different cultures from a young age, including playing at such renowned orchestra theaters as Gran Teatro de La Habana in Cuba and the Musikverein in Vienna. This classical upbringing naturally informed his inclusive, and methodically exacting, attitude to songwriting and production.

The pan-international musicality of his Montoya project is rooted in the musical diaspora of his native Colombia. This diaspora is vast; indigenous folk music hailing from Amazonian and Andean tribes; the cosmopolitan synthesis of modern reggaeton and traditional salsa taking place in Bogota and Medellin, and the Afro-Caribbean stylings of Cumbia and Champeta. Fusing the multi-layered precision of his classical education, his innate curiosity for Latin and “world” music, and affection for melodic electronica; his discography is at once ambitious and comfortingly familiar, as desirous of a catchy harmony as conceptual melding of Latin folk and modern electronics.

So far, under the moniker Montoya, he’s produced the stirring 2015 album Iwa and 2016 Ep Lux, where you can detect him refining his cooking skills of the indigenous and the electronic. He’s also remixed the gifted Ecuadorian Nicola Cruz’s pleasantly plodding “Cumbia del Olvido”, adding another layer of melody with a soothing string arrangement. Moreover he’s played Sonar Bogota and Musicbox Lisbon, and various European venues, but his latest album Otun looks set to both break him properly on the continent, and produce his best work so far; a fiery and flavourful gourmet dish, with British expat producer Richard Blair providing refinement as a proverbial sous chef.

On Otun, the breadth of Montoya’s influences and tastes is at its most striking; the dulcet techno hum of “La Pastora” is perforated by sprightly flutes and percussion, while lead single “Solo Quiero” deploys a languid reggaeton pattern beneath Bogota rising star Pedrina’s distorted, wilting croon anticipating a euphoric synthesiser-lead climax. The title track, featuring a sultry guest vocal from Nidia Gongora, is a fierce and vigorous club anthem, amplified by hissing synth pads and sordid breakbeats. Even a more straightforwardly techno track like “Tatacoa” is stylized with intoxicating Indian vocal samples, and more traditional folk selections like “Orun” still use an inobtrusive bassline drone. Montoya’s palette is simultaneously expansive and curious, yet coherent, with a steadily melodic electronic through-line running through Otun’s duration.

Montoya absolutely sustains ZZK’s pedigree of platforming the most exciting and inventive electronic artists from Latin America, joining the storied legacy already built by the likes of Nicola Cruz, Chancha Via Circuito, and King Coya. Whether it’s through the intricate patterns of his synthesisers or the analogue beauty of his violin, what unifies his instrumentation is the candid expression of Montoya’s experiences, ideas and dreams: “I want to feed me of all these emotions, composing and putting into music all that I’ve lived.”

Otun

Montoya - Tatacoa

@ibu-selva 
www.facebook.com/IbuSelva 
-------------------------------------------
✺✺✺ Sobre: 

Bolo’bolo é o nome de um livro que fala sobre uma sociedade anarquista alternativa, onde é explicado com detalhes desde como desmantelar o sistema político e econômico atual até como se daria sua organização, de uma sociedade nova, autogestionada, que permita, como os Zapatistas dizem, “um mundo onde caibam muitos mundos”. 

A capa é uma máscara olhando para o céu, e caindo no chão, onde nuvens e luas guiam seu caminho. Como na escuridão da noite, a lua guia nossos sonhos para se tornarem realidade. 

Nima é a identidade e a bagagem cultural de um Bolo. Podendo existir muitos Nimas dentro de um Bolo. Nima é o direito de todo Ibu pode escolher, praticar e propagandear sua própria maneira de vida, estilo de roupas, linguagem, preferência sexual, religião, filosofia, ideologia, opiniões, etc., onde quiser e como gostar. 

Sila significa hospitalidade para todos. Porque não existe dinheiro ou trabalho, então todo Ibu deve oferecer a mesma hospitalidade para qualquer outro Ibu. Isso torna todo Bolo um hotel, e todo Ibu com direitos para uma certa quantia de comida, entre outras coisas.

✺✺✺ About: 

Bolo’bolo is the name of a book that talks about an alternative anarchist society, explains details of its organization and how to disrupt the actual political and economical system, and create a new, self-governing society, which allows, as the Zapatistas say, “a world where many worlds fit”. 

The cover-art is of a mask looking at the sky, and falling into the ground with clouds and moons guiding its way. As in the darkness, the moon will guide our dreams to reality. 

Bolo’bolo, the first track, in the book’s language means a place where from 300 to 500 Ibus (people in the common language) live together and live upon basic agreements in a direct, personal context to live, produce and die. It will substitute money, all essential services must exist there, and all Ibu’s are free to leave or stay. So bolo’bolo, is a community of Bolos. 

Nima, the second track is the cultural identity of a Bolo and its cultural background. A lot of Nimas could exist inside the same Bolo. Nima is the right of every Ibu to choose, practice and propagate his own life style, clothing, language, sexual preferences, religion, philosophy, ideology, opinions, etc. wherever and however (s)he wants. 

Sila means "hospitality for all”. For there is no money nor job, every Ibu has to offer the same hospitality for every other Ibu. This makes every Bolo a hotel, and every Ibu has a right to a certain amount of food and things in every Bolo. 

[All info is summed up, for more, please read the book.]
-------------------------------------------
Master: Nathan Hall 
Artwork: Ibu Selva (www.instagram.com/ibu.selva)

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Ibu Selva - Bolo'bolo (Original Mix)

This is Atemporal, a timeless sound journey through undiscovered cultures by Amsterdam-based @krautmusica (Daniel Zuur). Inspired by music from Central Africa, Nigeria and Ivory Coast, it evolved into a robust four-track EP. KRAUT composed a sound bouquet full of warm kalimba flavours, driving djembe’s blended with punchy kicks and hypnotizing synthesizers. For the track Luna Nueva, KRAUT worked together with Israel-based percussionist @nadavdagon. After four strong releases, KRAUT went back to the original sounds of his Especias EP (Shika Shika, 2016). The artwork is made by Portuguese based artist, Agatha Barbosa. More info on the EP: https://www.krooks-records.com/album/kraut-atemporal/

Atemporal

Luna Nueva (Ft. Nadav Dagon)

KRAUT - Luna Nueva (Ft. Nadav Dagon)

DEMOS : lumprecords@gmail.com 

OM ~ The great primordial sound, the original sound from which the universe was created, the sound of all sounds together.
ॐ
Lump Records frames into the research of sounds that come from cultures in which music is part of the spiritual process of awakening and bring those vibrations to the dance floor of some of the most important clubs and festival worldwide.
ॐ
Eclecticism is a conceptual approach that does not hold rigidly to a single paradigm or set of assumptions, but instead draws upon multiple theories, styles, or ideas to gain complementary insights into a subject, or applies different theories in particular cases. However, this is often without conventions or rules dictating how or which theories were combined.
ॐ

Ibu Selva - Originarios (Jota Karloza remix)

۞ Lump Records ॐ