Sono questi i giorni decisivi della nostra vita. Da molti punti di vista. 
C'è chi ve l'aveva detto, senza compromesso alcuno, e non da pochi mesi, ma da subito.
Non perché medico, ma perché libero nell'intelletto e nello spirito, perché cosciente dei mali del mondo. Perché nemico dei servi del Male.
Sappiate riconoscere il valore reale delle persone. La cosa più difficile al mondo. 
Ma oggi più che mai necessaria.
Uniamoci e denunciamo. E combattiamo uniti, contro i servi della menzogna, per la verità e la libertà, per noi e per il futuro dei nostri figli.
E che Dio ci aiuti e salvi.
-------------------------------------------------------------------------------------------------
These are the decisive days of our life. From many points of view.
There are those who told you so, without any compromise, and not for a few months, but immediately.
Not because he is a doctor, but because he is free in intellect and spirit, because he is aware of the evils of the world. Because enemy of the servants of Evil.
Know how to recognize the real value of people. The hardest thing in the world.
But today more than ever necessary.
Let's unite and report. And we fight united, against the servants of lies, for truth and freedom, for us and for the future of our children.
And may God help and save us.

Apriti a Dio  *  Open up to God

All music on this site is Avant garde metal with subgenre . All music on this site was written , performed , and executed by Paul Peltzer.  Feel free to record this album from your sound processor on your PC or macintosh for use public or private respectively. There is also some music for sale. Some electronic with jazz fusion drumming . All artist proceeds go to The Salvation Army. Do something good and get some music also . The link is below. Concerning Paul's Facebook page ... You might have to go back to this page and click more than once to get to his Facebook page.

Composer cubase
if you don't listen, don't like me.

I am a composer and producer of instrumental music in several genres, including ambient soundscapes, electronica, orchestral and chamber music.  

Musical influences include John Coltrane, Igor Stravinsky, Gustav Holst, Claude Debussy, Maurice Ravel, Tangerine Dream, Robert Prince, Frank Zappa, Brian Eno, Heinrich Ignaz, Franz von Biber.

My Method of Composing and Producing
------------------------------------------
I'm sharing my method of composing and producing music recordings in case other composer-producers like me might find ideas worth exploring in their own work. I use this method for Classical, Avant-Pop or Neo-Folk Instrumental genres, not for Ambient and Soundscape pieces. Non-composers might find this explanation interesting, but having a bit of music theory background will definitely help. I consider myself a humble learner when it comes to music theory. 

I owe a debt of gratitude to British musician and educator Gareth Green, whose Music Matters online courses and free YouTube lessons have taught me so much over the past few years. Thanks to his instruction, I’ve moved from struggling to compose music by trial and error to something more enjoyable and productive. The knowledge I've gained has taken my work in new and expanding directions. As the saying goes, “Theory is not a cage — it’s a map. It doesn’t make the journey for you, but it keeps you from getting lost.” 

When I start a new piece, I begin by choosing a key, and picking a scale drawn from one of these sources:
 
1) Western Tonal / Functional Harmony - major or minor chords I II III IV V VI VII
2) Modal Harmony - Dorian, Phrygian, Lydian, etc.
3) Slonimsky's "Thesaurus of Scales and Melodic Patterns" 
4) Messiaen’s "Seven Modes of Limited Transposition" 

For many pieces, I also decide on a progression, one as a simple as I IV V, or something more elaborate.  

Next I create a "scales and progressions" piano track in my DAW (digital audio workstation software) and enter the chords I to VII in my chosen key. These harmonized scales serve as a basis for writing multipart harmonies and finding pivot chords for key modulations. 

At the start, I know what instruments I want to use, making adjustments along the way. I tend to write chord parts first, then melodies created through a mix of improvisation and direct input in the DAW. Sometimes I start with a melody.

I develop melodies and variations of a phrase by some combination of: a) passing it from one instrument to another, transposing it by an interval that sounds pleasing, b) reversing it, c) inverting it around the tonic (first) note of the scale. These are well-known methods. 

After completing a section, I choose another scale and maybe a new key and repeat the process until I have a draft of the entire piece. Then I export a recording and listen to it “offline”, take notes of errors and new ideas, and incorporate them back into the piece. Often this “compose / listen / compose” cycle is repeated many times. These iterative cycles include adding new ideas, polishing transitions between sections, changing the arrangement, and incorporating expressive details like accents, and articulations (staccato, sustain, portato etc.). I’m often working several different pieces at once. 

Last is mixing and mastering: balancing the loudness between instruments and adjusting elements like reverb, compression, and equalization. I tend to mix as I compose, even though many producers frown on that approach. I find mixing as I go helps me envision the completed piece and make adjustments to the choice of instruments; it self-inspires me when the piece is starting to sound good.  At the end I do a final mix, but as the saying goes, “A mix is never finished — it’s surrendered.”

In the end, this method gives me a basis for exploration and creativity and helps me stay focused. The goal is always to make a piece of music that feels expressive, cohesive, and emotionally resonant.

( REPOSTS  are  routed to Synthgrinder [REPOSTS] )
( https://soundcloud.com/user-813544615 )


++++. PROFILE NOTES ++++

Once a wannabe, not yet a has been.

It had been over a decade since I put together a song,
and for that matter basically walked away from music altogether.
Losing hope that I would ever have the time to put into music again,
I finally gave away my 3rd music studio.
I ran across SoundCloud around 2013,
and thought I might take what few songs I had recorded, 
and lay them to rest there.
And there they languished.

HOWEVER, around 2017 I went back to SoundCloud
and began listening a little more and a little more,
and actively taking a part in visiting the sites
of so many wonderful musicians and beautiful songs.
Also, more and more often I would discover that these artists
were blossoming everywhere around the world,
and most definitely worthy of high praise and compliments.

Then suddenly, these old dead soundtracks right here
began to have a bit of life breathed back into them.
From the kind words that began to come trickling in,
I thought, maybe, someday I might give this music thing a try again.

The thing that finally pushed me into action
was a particular SoundCloud artist…Sander Heerings,
AKA https://soundcloud.com/wane-of-summer
 

Not only was he encouraging,
but he began faithfully responding to a few questions,
then a barrage of them.

The final result seemed to be that after a couple of months,
the Old Grinder now has a 4th studio and, finally, a new song.
I hope there may be many more to come.

Thank you Sander, and to the multitude that have dropped in
to listen to these old songs, 
and most of all, for perking up my spirits.

Hi Everyone! I'm a Songwriter / Musician (Keyboards) & Vocalist that loves creating, playing, arranging  & recording Music !
All Songs Available for Licensing !
https://www.youtube.com/@donnadior1/videos

** There is ZERO AI involved in the Creation of My Music **

https://www.serreponcon.com/lac-de-serre-poncon/comprendre-le-lac-de-serre-poncon/le-lac-de-serre-poncon-au-fil-des-saisons/

https://sites.google.com/view/camping-de-la-blanche/accueil

salut a tous abonnez vous a ma chaine you tube si sa vous dit d'ecouté de la musique éléctro varié et agréable merci a très bientot 
https://youtube.com/channel/UC3oe3hrhrVXtg-KIh0ZsHSQ?si=F6fGAnSpEM3oK25-

hi everyone subscribe you to my channel you tube if its says listen to the music electro varied and pleasant thank you very soon 
https://youtube.com/channel/UC3oe3hrhrVXtg-KIh0ZsHSQ?si=F6fGAnSpEM3oK25-


the most beautiful message we have ever sent

isra lori
Hello!!!!

Your music is the perfect companion for every season of life. It's there for the highs and lows, making every moment more memorable. 🌟🎵

John
Hello! Believe in yourself, because I believe in you. Your music has already touched my heart, and I can't wait to see where your talent takes you next. Keep up the amazing work, and never forget that your art has the power to inspire and uplift others. Wishing you all the success and fulfillment on your musical journey! 🎶🌟

les plus beau messages que l'on mais jamais envoyé

isra lori
Bonjour!

Votre musique est le compagnon idéal pour chaque saison de la vie. Elle est là pour les hauts et les bas, rendant chaque moment plus mémorable. 🌟🎵

John
Bonjour! Croyez en vous, parce que je crois en vous. Votre musique a déjà touché mon cœur, et j’ai hâte de voir où votre talent vous mènera ensuite. Continuez à faire des œuvres étonnantes et n’oubliez jamais que votre art a le pouvoir d’inspirer et de soulever les autres. Je vous souhaite tout le succès et l’épanouissement dans votre voyage musical! 🎶🌟

j'ai découvert la techno en 1993 jai fait des teuf jusqu'en 2015 ont a meme u un chillout le chillout boulasteck!!! 22ans de rave   que des bon souvenir  je travaille au jour d'Hui   avec studio one ,roland gaia et quelque guitare    je vous invitent a écouté ma musique et a faire  un bon voyage imaginaire  fermez les yeux et laissez vous portez  merci longue vie a tout les or norme  

soyer pur c'est le futur

Glass and concrete are so intertwined with the neural network of their inhabitants that a kind of symbiosis is obtained, reaching parasitism of one above the other. A small person has a choice: to be free or to become a link in this system, having realized this choice, the choice as such ceases to exist.

Dolbania was founded in January 2008 by two friends and a cat - lovers of good heavy music. Then a gloomy Gothic composition was recorded on the poems of I.V. Goethe on an acoustic guitar and synthesizer.
In the first year of her existence, she was in a creative search, with an admixture of depression. We searched for inspiration at abandoned industrial facilities and in listening to a huge amount of music. We fucked for a long time and a year later we finally decided on the style that you can currently hear in our songs.

Every time I am sincerely surprised that the music came together again, that it worked. I don’t often write music , to enjoy nature of this wonderful process.
All tracks AI free!
Big thanks to SOUNDCLOUD for the wonderful opportunity to be heard and to my invisible friends, musicians and composers, whom I hear well thanks to SC
As an architect, I am interested in the question - if architecture is frozen music, then music is melted architecture? In this case I'm the freezer unplugged.🤗
The iceberg from the freezer is still dripping, but over time it can leak heavily...
My musical education is modest - 4th grade piano in childhood at the cultural center named Mikhail Kalinin in Kharkov + SC now

Apriti a Dio * Open up to God

Luppi Davide Como 🎹