"The alternative to democracy is a nightmare ... All tyranny is based on a lie. The greater the tyranny, the greater the lie."
"Disagree with the tyrant and you risk imprisonment, torture and death. Yet that's what we must do, all of us. We must protect our right to tell the truth."
"The war in Ukraine is nonsense, based on a lie. If we swallow that lie, the lie will eat us. The lie is terrified of the truth."
++++++++++++++++++++++++++++++++++++++
"L'alternativa alla democrazia è un incubo... Tutta la tirannia si basa su una menzogna. Maggiore è la tirannia, maggiore è la menzogna".
"Non essere d'accordo con il tiranno e rischi la prigione, la tortura e la morte. Eppure è quello che dobbiamo fare, tutti noi. Dobbiamo proteggere il nostro diritto a dire la verità".
"La guerra in Ucraina è una sciocchezza, basata su una bugia. Se inghiottiamo quella bugia, la bugia ci mangerà. La bugia è terrorizzata dalla verità".
"Non dobbiamo perdere questa battaglia".
++++++++++++++++++++++++++++++++++
Se continui a fingere che non stia succedendo nulla, l'umanità affronterà tempi difficili.
Sting al concerto dal vivo di sabato a Varsavia
"We must not lose this battle."
++++++++++++++++++++++++++++++++
If you keep pretending that nothing is happening, humanity will face difficult times.
  Sting at Saturday's live concert in Warsaw

Daria,may you return to God  🌸

Anyone interested in performing/recording any of the works posted here please send me a message.

Joe

There is a great community here. I really enjoy listening to your music. I'm also happy when someone listens to mine :)

I am a composer and producer of instrumental music in several genres, including ambient soundscapes, electronica, orchestral and chamber music.  

Musical influences include John Coltrane, Igor Stravinsky, Gustav Holst, Claude Debussy, Maurice Ravel, Tangerine Dream, Robert Prince, Frank Zappa, Brian Eno, Heinrich Ignaz, Franz von Biber.

My Method of Composing and Producing
------------------------------------------
I'm sharing my method of composing and producing music recordings in case other composer-producers like me might find ideas worth exploring in their own work. I use this method for Classical, Avant-Pop or Neo-Folk Instrumental genres, not for Ambient and Soundscape pieces. Non-composers might find this explanation interesting, but having a bit of music theory background will definitely help. I consider myself a humble learner when it comes to music theory. 

I owe a debt of gratitude to British musician and educator Gareth Green, whose Music Matters online courses and free YouTube lessons have taught me so much over the past few years. Thanks to his instruction, I’ve moved from struggling to compose music by trial and error to something more enjoyable and productive. The knowledge I've gained has taken my work in new and expanding directions. As the saying goes, “Theory is not a cage — it’s a map. It doesn’t make the journey for you, but it keeps you from getting lost.” 

When I start a new piece, I begin by choosing a key, and picking a scale drawn from one of these sources:
 
1) Western Tonal / Functional Harmony - major or minor chords I II III IV V VI VII
2) Modal Harmony - Dorian, Phrygian, Lydian, etc.
3) Slonimsky's "Thesaurus of Scales and Melodic Patterns" 
4) Messiaen’s "Seven Modes of Limited Transposition" 

For many pieces, I also decide on a progression, one as a simple as I IV V, or something more elaborate.  

Next I create a "scales and progressions" piano track in my DAW (digital audio workstation software) and enter the chords I to VII in my chosen key. These harmonized scales serve as a basis for writing multipart harmonies and finding pivot chords for key modulations. 

At the start, I know what instruments I want to use, making adjustments along the way. I tend to write chord parts first, then melodies created through a mix of improvisation and direct input in the DAW. Sometimes I start with a melody.

I develop melodies and variations of a phrase by some combination of: a) passing it from one instrument to another, transposing it by an interval that sounds pleasing, b) reversing it, c) inverting it around the tonic (first) note of the scale. These are well-known methods. 

After completing a section, I choose another scale and maybe a new key and repeat the process until I have a draft of the entire piece. Then I export a recording and listen to it “offline”, take notes of errors and new ideas, and incorporate them back into the piece. Often this “compose / listen / compose” cycle is repeated many times. These iterative cycles include adding new ideas, polishing transitions between sections, changing the arrangement, and incorporating expressive details like accents, and articulations (staccato, sustain, portato etc.). I’m often working several different pieces at once. 

Last is mixing and mastering: balancing the loudness between instruments and adjusting elements like reverb, compression, and equalization. I tend to mix as I compose, even though many producers frown on that approach. I find mixing as I go helps me envision the completed piece and make adjustments to the choice of instruments; it self-inspires me when the piece is starting to sound good.  At the end I do a final mix, but as the saying goes, “A mix is never finished — it’s surrendered.”

In the end, this method gives me a basis for exploration and creativity and helps me stay focused. The goal is always to make a piece of music that feels expressive, cohesive, and emotionally resonant.

Dragon of the Ivy is  a company owned and managed by Jane Johnson. Presently, all music is contracted through NorthStar Music Publishing for music library purchase and/or distribution through all music platforms worldwide.  Thanks to all for listening!!!!

Greetings.. Thanks for listening..Born in Holland, came to the US when I was 10 years old.. I've Been playing, composing, writing, arranging, recording, mixing, mastering, engineering, producing music of all genres..Playing electric guitar, Slide, Dobro, Nylon Guitar, Bass, Accordion, Flute, Keyboards, Piano, Organ, Synthesizer, Vibraphone, Harmonica, Drums & Percussion since I was 10 years old, self taught.. many different styles and genres to choose from. These songs are the representation of a lifetime's work! 
Superior recordings.. using the best Microphones, Neuman U-87's, Dynamic Microphones, Ribbon Mics, Shure SM-57 & SM-58, and a variety of dynamic and condenser microphones used in these recordings with today's latest software, Pro-Tools, Mastering Labs,  Reaper, Audacity and various hardware and software products from Germany, Australia, France, and various places from all over the globe. 48 Channel Mixing console, Various outboard effect units...Thank you for listening!

INSTA: @renanbrandolini
MAKE MONEY 📬 ⬇️
Prod.
Beat
Mix.

Thank you for listening and for your comments.
Music is Magic:)
Thank you soundcloud 20.08.13. for SCOTD http://soundcloud.tumblr.com/post/58744738434/soundclouder-of-the-day-oddrun-eikli-if-theres 
.....................................................................
Biografi
Oddrun Eikli is the singer in Loops and Bridges. A project headed by Oddrun Eikli and Arne Hiorth. Oddrun Eikli sings, composes the melodies and writes the lyrics , Arne Hiorth does the arranging trumpet work and studio engineering.
Loops and Bridges released their debut album in jan 2010 (mtgmusic)
http://www.mtgmusic.no/artist/73/Arne-Hiorth-og-Oddrun-Eikli
Doors And Windows released september 2014.



New cd out mai 2013:
SPIRALI
massimo berizzi: trumpet & electronics 
oddrun eikli: vocals & lyrics
alessandro monti: bass

 CD RELEASES AUTUMN 2012:
"ENDRING" WITH Raphaelgtr and
 THE INTERNATIONAL  JAZZ CD  "FLOW"

"FLOW":
http://www.youtube.com/watch?v=DtaKeETfQ4g
The musicians on the "FLOW" album are:
Cheryl Pyle (New York City) - flute, Oddrun Eikli (Oslo) - vocals, Arne Hiorth (Oslo) - trumpet, Stanislav Zaslavsky (Kamensk) - piano), Sean O'Bryan Smith (Nashville) - bass, and Axel Weiss (Obernbreit) on guitars and art.

"ENDRING":
Raphaelgtr & Oddrun Eikli
http://www.youtube.com/watch?v=ghdVeFgfPIA

ODDRUNS COLLABS. AT SOUNDCLOUD:
you can find my collabs. in these sets:



with Arne Hiorth:
https://soundcloud.com/oddrun-eikli/sets/oddrun-eikli-and-arne-hiorth
with Axel Weiss
http://soundcloud.com/axelweis/sets/oddrun-and-axel/
with Vicente bueso:
https://soundcloud.com/oddrun-eikli/sets/vicente-bueso-and-oddrun-eikli
with Raphael GTR and Massimo Berizzi
https://soundcloud.com/oddrun-eikli/sets/raphael-gtr-and-oddrun-eikli
a set with many of my souncloud-collabs:
http://soundcloud.com/oddrun-eikli/sets/collabs-with-my-sc-friends/

Thank you. :) Thank you to you all !:)

Guitarrista ,cantante. Me gusta crear arreglos para guitarra y componer. .Desde los 5años de edad,empece a tocar la guitarra.Gracias por sus comentarios y todo su apoyo todo este tiempo,su amigo Jesús  Flores Guitarrista 

Composed, produced & performed Srouly Frank
Nothing liberates more than joy!
About: Pianist-composer. SACEM member.

🐳Thank you for your support. It's very encouraging.🪼
🐱I do not use AI in my music.😊
🌺Have fun! Bandcamp!💞Thank you for your purchase!💞

Daria,may you return to God 🌸

Luppi Davide Como 🎹