OTOPIA is a new project by Avishay Mishali and Yossi Hamo — two longtime friends and producers from Israel.
We've both been making music on and off for over 20 years, and after a long break, we decided it’s time to create something together.

Our sound is kick-driven, trancey, and emotional — mixing old-school vibes with modern production.
We’re not here to chase trends. We’re here to make music we believe in, and hopefully get some dancefloors moving along the way.

My album ‘Childish Design’ is streaming on Spotify. https://open.spotify.comalbum3H9qx8UuRg0OQOsHdL70i8si=9kSfYOSwTo2HcoWjbv5f6g

Music Videos
https://youtube.com/channel/UCcYxcp_B3M-l_y64-F5CTvw

Voltaroxx is the sound of forgotten futures, midnight circuits, and dust-covered dreams rendered in rhythm and noise. Born from the flicker of CRT screens and raised on a steady infusion of cyberpunk cinema, glitchy game consoles, and VHS fuzz, he builds music that’s less about genre and more about atmosphere—audio collages from the back alleys of the imagination.

Growing up, Voltaroxx was glued to the glow of Blade Runner, Akira, Ghost in the Shell, and obscure sci-fi anime taped over Saturday morning cartoons. The worlds were bleak but beautiful, eerie but electric. At the same time, he was living inside the soundchips of machines like the ZX Spectrum, NES, and Mega Drive—systems that hummed, beeped, and crackled with strange life. Those early sounds never left; they just evolved.

His music doesn’t follow rules or trends. One moment it's dusty lo-fi techno, the next it’s eerie ambient, then suddenly it's chaotic 160 BPM jungle with warped pads and broken memories. Tracks like VizzerLine show just how deep the time capsule goes—an atmospheric 90s jungle homage that blends ghosted-out pads with rolling breaks and a dreamlike energy..

Voltaroxx doesn’t believe in “sticking to one style.” He follows moods, fragments, old files, and the static of ideas half-remembered from forgotten arcade cabinets or the background hum of a tube TV. Some days it’s electro with a sci-fi edge. Other days, it’s decayed ambient or synth-heavy jams with melodies that loop like a corrupted memory card.

He never really thought anyone would listen. These tracks were, and still are, made mostly for himself—just an outlet, a way to exorcise digital ghosts. So when people started listening, following, commenting—it was surreal. It still is. Every play, every follow means a lot. No PR machine. No hype. Just raw sound from a bedroom somewhere, echoing into the void and somehow landing in your headphones.

Thank you for tuning in. Really.
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Welcome to the alternative reality that is the Dragonsail Puppets! We have a YouTube channel with cagey comedy and spirited music videos as well. Please feel free to check it out and join us on this party boat!

See their music videos and YouTube comedy series!:
https://www.youtube.com/channel/UCVBel-tzj24Gj9QR8RTRpow

On Earth One, all of the music and lyrics are written by Dragonsail, aka Greg Hester. Likewise, all of the playing and vocal performances and recording and mixing are done by Dragonsail as well. But that's not as interesting as what's happening on Earth Two.

On Earth Two, these songs are created and performed by a scheming diva named Surrenda and her enthusiastic but clueless dog sidekick Bruce. Additional songwriting is provided by their septuagenarian feline keyboardist, Catatonia, and Onree - the sweet pup with the mean shaker. There's also some old geezers in the band who've been with Surrenda for a couple of decades who actually play real instruments, but they mostly loom in the shadows.

The range of styles in their music includes funk, psychedelia, hard rock, prog rock and disco, which they tear away at with whatever instruments and found objects they have stowed away with them aboard their ship, the Club Dragonsail.




🎹Synthwave, Retrowave, 1980s@
2024 update: /9 april. : Currently trying to
make new studio and record. /Zypnix

Luvolin is following