In the diverse world of electronic music, Belgium-born Aytiwan has carved a unique niche, seamlessly blending the rhythmic intricacies of Afro House and Afro Tech. Beginning his musical journey as Nico P, Aytiwan has continuously evolved, always staying attuned to the latest trends and maintaining a deep passion for his craft.

A defining moment in Aytiwan's career came when the renowned artist Black Coffee showcased Kususa's remix of Aytiwan & Idd Aziz's collaboration, "Iphathi," at the iconic Madison Square Garden, accompanied by a 12-piece orchestra. Black Coffee's admiration for "Iphathi" was further highlighted when he played it at premier events in global destinations, such as Ibiza, Mykonos, Milan, Saint Tropez, Dubai, Las Vegas, and Miami. Adding to the track's accolades, it was featured on the official Spotify playlist of Hï Ibiza—the world's #1 club—and was also incorporated into Black Coffee's own curated Spotify playlist.

"Iphathi" has received widespread acclaim from the music community, with eminent artists like Roger Sanchez, Djeff, MoBlack, Shimza, Enzo Siffredi, Angelos, Desiree, Themba, and Kasango endorsing the track. Its allure has secured it a spot at major events like Tomorrowland, Keinemusik at Brooklyn Mirage, and Extrema Outdoor. On the charts, various versions of the song have climbed the Beatport Afro House rankings, with Kususa's remix notably securing the #22 spot and attaining the rank of the #83 most Shazamed electronic track.

Endorsements from industry titans such as Black Coffee, Bob Sinclar, Roger Sanchez, Angelos, Shimza, Djeff, MoBlack, Desiree, Enzo Siffredi, Themba, and Kasango have solidified Aytiwan's global prominence. This widespread recognition continues to inspire Aytiwan, fueling his fervor and resolve to reach even greater heights in his musical pursuits.

Originating from Belgium, known for hosting iconic festivals like Tomorrowland, Aytiwan draws inspiration from the vibrant local music scene. Influenced by artists like Enoo Napa, Kasango, &Lez, Simone Vitullo, and Themba, his sound deeply resonates with listeners. "Ilanga," which features the enchanting vocals of Nes Mburu, is a testament to his versatility, with renowned artists like Enoo Napa and Klaudius providing remix interpretations.

At the end of 2024, Aytiwan released "Mayenzeke," a collaboration with G-Wash10 and Tabia, on the prestigious world top Afro House label, Madorasindahouse. With the release of his projects featuring Lizwi and Nomvula, Aytiwan continues to exemplify his unwavering dedication to Afro House and Afro Tech. Currently, he is working on exciting new collaborations with Starving Yet Full, Mavhungu, and Oluhle.

Aytiwan's recent foray into remixing has also garnered significant attention. His adaptations of tracks such as "Da Lee LS - The Surge," "PA NGU feat. Lhue Ntuza - Luthando," and "Jabzz Dimitri, Korie Minors, Idd Aziz - Kwema" have earned commendations on the Beatport charts. Of special note, his remix of "Kwema" piqued the interest of techno legend Laurent Garnier.

Holding a genuine belief in the unifying power of music, Aytiwan produces tracks that engross listeners in a tapestry of emotions and narratives. His regular appearances on the Belgian national broadcaster RTBF – Tipik further enhance his reach within the music community.

In collaboration with Amerlegna, Aytiwan plays a pivotal role in the Deep House Belgium and Deep In Your Soul labels. As he looks to the future, Aytiwan remains committed to his journey in the Afro House and Afro Tech genres, perpetually seeking to evolve, innovate, and connect.

With a career spanning over a decade, Shur-i-kan is undoubtably one of the heavy hitters of the deep house world.

An accomplished keyboardist and part-time member of dance improvisional supergroup The Bays, Shur-i-kan's distinctive productions ooze musicality and emotion that has captured the hearts of his many admirers including music legends Kenny Dope, Tom Middleton, Larry Heard, Joey Negro and Ashley Beedle.

A regular fixture in Traxsource's top 10 deep house artists shows his music is as relevant now as when his critically acclaimed debut album Advance was launched on DJ Mag's Best of British award winning label Freerange Records.

With over 50 releases and remixes - his productions have been in constant demand by top dance labels such as Anjunadeep, Simple, Systematic, Z Records, Defected and Lazy Days to name a few.

I am neither afraid of showing my emotions nor to include them in my music - Stimming

Few people bring a truly original sound to house music. At a relatively young age, Hamburgs Martin Stimming did just that, demonstrating a sophisticated yet accessible sound that is beyond his years.

Two years after hooking up with Solomuns Diynamic Music, his 2008 breakthrough hit Una Pena made the electronic world sit up and take notice, and before long acclaimed labels like Freerange, liebe*detail, Buzzin´ Fly, Green and Poker Flat were snapping up his work. 2009 saw him release his immaculate debut album Reflections to great acclaim, cementing his reputation as one of the most exciting new producers of his generation. 

His second album, Liquorice, eschews the normal kick-clap/snare template by and large to explore more interesting and progressive territories, but always with that trademark magpie-like sense of texture, emotion and discovery. 

His productions are filled with a multitude of his own unique, charismatic field recordings, and he never uses the same sample more than once. 

2010 saw him pick up an award for Best Newcomer at the Ibiza DJ Awards, following on from his live show (Stimming does not DJ) stunning the crowds at the islands legendary Pacha, and the finest danceries around the world Πfrom Berlins Panoramabar to Sao Paulo´s D-Edge, Brussels Fuse, London´s fabric and Paris Rex, and plenty more beyond. 

Remixes for the likes of Sascha Funke, Claude VonStroke, Deadmau5, Stephan Bodzin and Tom Novy to name but a few have further spread his influence amongst the discerning house and tech community, and cemented his reputation as one of the scene´s most exceptional producers.

Clearly, Martin Stimming is a precious talent indeed. But then again, not everyone loves liquorice...

Composed and mastered in the Durban’s underground house music
scene and recognized as the country’s most underrated house producer
and DJ, Argento Dust has been gradually on the rise and has materialized
his ambition to become one of Africa’s greatest. His work, which is of
high-esteemed stature has resulted in him being featured by artists such
as Black Coffee.

Having played and performed alongside many prestigious artists and at
various platforms, this pioneer that has been chosen to be amongst the
Super Africans collective appears to be certain, and has no intentions of
deviating from his momentum of being Africa’s next big artists
Argento Dusts’ love to make and play music was provoked back in 2010
when he was part of a music collective known as The House Junkies. In
2018, Argento Dust collaborated with Shimza on a track titled All Alone
which released in Shimza’s Ep titled ‘All lone’. It was
this track that brought upon international eyes on the Argento Dust
brand.

• With 30 years of production & djing under his belt, Rocco Rodamaal belongs to the small club of veterans that remains relevant today and belongs to the House Music Royalty. 
* He played with some of the very best in the game: Black Coffee, Louie Vega, Kerri Chandler, Laurent Garnier, Dj Deep, Derrick Carter, Radioslave, Mousse T, Ben Watt, Karizma, Atjazz, Osunlade, Jimpster, Dj Gregory, Franck Roger, Themba, Culoe De Song, Manoo, Lenny Fontana, Mathias Heilbronn, Dj Spen, Mr V, Charles Webster, Ralf Gum, Jerome Sydenham, Timmy Regisford, Fnx Omar, Pablo Fierro, Djeff, Boddhi Satva, Zakes Bantwini and many more... 
* Rocco remixed artists as diverse as Marshall Jefferson, Kerri Chandler, Laurent Garnier, Louie Vega & Moodymann, Atjazz, Ralf Gum, Todd Terry, Roland Clark, Barbara Tucker, Reel People, Aki Bergen, Dennis Ferrer, Soul Clap, Robert Owens, Erik Truffaz Quartet... 
• Rocco is among the very few International dj’s /producers with a steady and cult following in South Africa, counting many SA heavyweights amongst his fans: Black Coffee, Shimza, Themba, Enoo Napa, Kid Fonque to name a few... 
• In 2022, Rocco had many DJ gigs highlights: Djoon Experience Festival, Liverpool Disco Festival, Suncebeat, Defected Malta, Hi Ibiza with Black Coffee & Themba, Deep Into Soul, 2 South African tours ...

Heading towards their 28th Birthday in June this year, and having been responsible for discovering some of the best up and coming producers in electronic music. It’s safe to say that London-based Freerange Records is one of the most consistent and acclaimed UK indie House labels operating today.

Worldwide Bookings: David at Constellate Talent - do@constellatetalent.com

Jimpster: The UK House craftsman shaping soundscapes with soul and subtlety

If you’ve ever lost yourself in the smooth, rolling rhythms of deep house, you’ve probably had Jimpster to thank without even knowing it.  Behind the decks, in the studio, or even just in the groove of his own life, Jimpster—aka Jamie Odell—is one of the quiet yet crucial architects of the genre, a producer who’s somehow managed to keep his sound fresh while paying homage to house music’s roots.  With releases stretching back to the early 90's, Jimpster’s sonic journey has evolved from the cut n paste, sample-heavy bedroom productions of his early releases to the deep house anthems he’s known for today.  He’s the artist who’s mastered the art of organic warmth, blending digital precision with analog textures in ways that sound both timeless and ahead of their time.  His music often draws from a deep well of influences: jazz, funk, soul, electro and even ambient textures—but it’s always tethered to the dancefloor.  He’s the kind of producer who can make a sub-bass rumble feel like a heartbeat while surrounding it with lush, atmospheric synths and intricate percussion that push his tracks into a hypnotic, almost meditative space.

Jimpster's discography is packed with both original tracks and remixes that make you move without even realising it: there’s the spaced-out, trippy disco allure of “English Rose”, the groove-heavy slo-mo swagger of “The Sun Comes Up” (which is basically the soundtrack to *that* sunset), and let’s not forget the timeless “Dangly Panther.”  Each track feels like a wave—a smooth ride that pulls you along effortlessly but leaves you wanting more.  His remix of Osunlade’s Momma’s Groove has become iconic but he has also offered his golden touch to artists as diverse as Seal, Bob Marley, Kerri Chandler, Josh Wink and Adam Port to name just a few.

But Jimpster’s influence doesn’t just stay in the studio.  As a DJ, his sets are like a carefully curated journey, blending stripped back disco, underground house and the more soulful end of techno into smooth, liquid transitions that captivate without ever feeling rushed.  Whether he’s playing an intimate, low-key club night or a larger festival stage, his mixes retain a sense of control—an ability to weave a narrative out of tempo, tone and texture, always keeping the dancefloor locked in.  From Panorama Bar (Berlin) to Cielo (NYC), Womb (Tokyo) to Fabric (London), Jimpster has pretty much span there and returned with the T shirt.

As co-founder and A&R of Freerange, Delusions Of Grandeur and most recently Cyphon Recordings, he’s helped nurture an entire generation of producers, sharing his deep understanding of groove and sound design with those who came after him.  Despite his three decades in the business and pivotal role in shaping the electronic music landscape, Jimpster remains relentlessly focused on who, or what, will come next, as excited as ever by discovering the freshest new talent and sounds to expose to the world.

Jimpster’s music is a reflection of his unrelenting pursuit of musical depth in club music.  A balance between nostalgic warmth and forward-focussed vision that continues to captivate listeners and dancers alike. For him, it’s not about creating music for the moment, but building sounds that resonate over time, long after the track has finished playing.

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