Miss Anthropocene Out Now  https://grimes.ffm.to/missanthropocene

Download the #GrimesArtKit stems for "You'll Miss me When I'm Not Around" - https://soundcloud.com/actuallygrimes/sets/grimesartkit-remix-project

PRE-ORDER OUR UPCOMING ALBUM "IV" HERE: 
iTunes: http://hyperurl.co/BBNGIV
Vinyl/CDs/Digital (Global): https://badbadnotgoodil.bandcamp.com/album/iv
Vinyl/CDs/Digital (Canada): http://craft-shop.ca/artists/badbadnotgood/badbadnotgood-iv

Management:
matt@peopleschampmgt.com 

Booking:
CANADA
furman@feldman-agency.com 
EUROPE
julesdelattre@theagencygroup.com
USA
josh@montereyinternational.net 


Majestic Casual is a carefully selected collection of things we admire. Discoveries shared with curious minds from around the world.

our artist & talent services company:
https://soundcloud.com/friendsofthenew
https://friendsofthenew.com/

MC/Producer from Washington DC 
dluedtke.mgmt@gmail.com
https://twitter.com/oddisee
https://instagram.com/oddisee
https://www.facebook.com/oddiseemusic




Making Beats & Rhymes since 1995
C2C ・ Hocus Pocus・On And On
・・・・・・
Management :
yann@onandon-records.com

Label :
http://www.onandon-records.com

Lou Rhodes is a singer-songwriter and one half of electronic genre-benders Lamb. Her solo work is more organic and rooted in folk music than her work with Lamb. She has released 3 solo albums including the Mercury-nominated 'Beloved One'. Her fourth solo album 'theyesandeye' will be released in 2016. Lou is also a published author. Find out more at http://lourhodes.com.

Bookings/ inquiries: indaduran@gmail.com

I love to sing and write music, also I love drawing and helping people get in touch with their voice.

Here's my carrd :

https://indaduran.carrd.co/

Cate Le Bon is an artist hailing from Carmarthenshire, rural West Wales. Be it on her more minimalist, acoustic-leaning 2009 debut album Me Oh My or critically acclaimed, liquid-riffed 2013 LP Mug Museum as well as 2016s Crab Day and the Mercury Award nominated Reward, Cate Le Bon’s solo work — and indeed also her production work, such as that carried out on the recent John Grant album, Boy From Michigan, or  Deerhunter's Why Hasn’t Everything Already Disappeared?  (4AD, January 2019) — has always resisted pigeonholing, walking the tightrope between krautrock aloofness and heartbreaking tenderness; deadpan served with a twinkle in the eye, a flick of the fringe and a lick of the Telecaster.

New album Pompeii bears a storied title summoning apocalypse, but the metaphor eclipses any “dissection of immediacy,” says Le Bon. Sonically minimal in parts, its lyrics jog between self-reflection and direct address. Written primarily on bass and composed entirely alone in an “uninterrupted vacuum,” Le Bon plays every instrument (except drums and saxophones) and recorded the album largely by herself with long-term collaborator and co-producer Samur Khouja in Cardiff, Wales.

The songs of Pompeii feel suspended in time, both of the moment and instant but reactionary and Dada-esque in their insistence to be playful, satirical, and surreal. From the spirited, strutting bass fretwork of “Moderation”, to the sax-swagger of “Running Away”; a tale exquisite in nature but ultimately doomed (The fountain that empties the world / Too beautiful to hold), escapism lives as a foil to the outside world. Pompeii’s audacious tribute to memory, compassion, and mortal salience is here to stay.

lwahn is following