very limited quantities of cds available this week on daisart.bandcamp.com

2022
@opensecrets
@daffyscanlan
@babykaho1
@jsajsajsa
@user-943265807
@prodiv
@ah_audio

artwork by @user-29348158
mastered by @theodoreschafer

'popcorn'

@visi00, AKA Nicola Tirabasso, skirts the periphery of baroque aesthetic, hauntology and electronic abstraction. A recent Haunter Records debutant, the London based musician and visual artist repurposes classical imagery to his own beguiling design. 

‘Privacy Angels’ placed a glitched-out approach to baroque classicism in the same abstract space that most HR releases reside. It calls to mind the folk inflected interzones of Wojciech Rusin, and hot on the heels of its release, Tirabasso contributes to our podcast series with a typically mind-bending mix.

“It’s a slow, ethereal, dark, colourful and bright selection, fading into nostalgic tunes and stretching the present toward an hallucinatory dream-state.” – VISIO

Tracklist:

David Toop - Sea Slug
City & i.o - Bomb-blasted Stack (with vvilms)
J. Carter - A Few Freed Memories That Lay Bare (ft. Kelby Clark)
Current 93 - The Darkly Splendid World
mea0u - closer
SSIEGE - Unreleased 
Bvdub & Loscil - Moirai
Leo - Unreleased
Ghost Lemurs Of Madagascar - Gorilla Glue
ssaliva - terrain
Lizzitsky - Unreleased
QOW - Morr
Adios Adios - In Mud, And Mud, And Mud
Remigio Ducros - Magia Del Calcio
BIG GAY IDIOT dj - TF RIH FACEWASH 'D
OOBE - SFTCR XX
Polvo - Enemy Insects
Racine - Mon amour je ne guéris jamais
Torus - Sound Of The Drums
angelo harmsworth - Drip Motion
Dis Fig - Landslide [LOST ALONE]
Nuno Canavarro - Untitled

Discover More

If-Only Podcast #114: VISIO

Some thing just flies Like 

something just flies 
And / Like
- birds

Like birds I dont know And
Things I cannot name And

There is some thing
There’s something

- Some thing is here

Something is here 
 And I cannot name it


The Hague, nov 22

something I cannot name

@angelinanonaj

Tracklist
 tshhx
 Im starting to record
 She broke ur arm 
 A dreams
 I just want u 2 know 
 theatre, crazy, ppl
 wet mute space
 I’m Ffffff
 things to ask to my sub 

from the many selves that I am:
out-loud-spoken feelings, speculative karaoke, dialogical spokennotes, environmental improv (…)

corecore comes to you with this spoiled and blessed sunday service, which was broadcast on March 12th of 2023 on Radio TNP: an 8+ hour broadcast live from a cabin in Amsterdam Noord and from afar. With 24 times 20 minute live sets, sonic performances, mini-mixes and audio collages, sourced from corecore’s virtual community and beyond.

A community of feelings | spoiled & blessed sunday service

Recorded in Karlsruhe & Almería by @luxxuryproblems & @opus-vivaldi


https://pseudobruitismusafricamus.blogspot.com

SPA #30: luxxuryproblems & Opus Vivaldi for NTS Radio

sabby1 - I just hope you don't fold

k improv

@jiyoungwi

happy birthday, אֲבִיגָיִל

jiyoung wi - antidrama mix I

The soundtrack to 'O Magic Power of Bleakness', an installation at Tate Britain in 2019. Scallies & Fairies become mired under a Motorway Bridge below the M53.

O Magic Power of Bleakness

from forthcoming 'Coatcheck Remixes' compilation, comes out 30 October on Enmossed (https://enmossed.bandcamp.com)

 :)

@floriantmzeisig
@enmossed

Florian TM Zeisig - Aspire (exael remix)

releases November 20, 2020
mastering and lacquer cut :: Mike Grinser (Dubplates + Mastering, Berlin)
mixing assistance on "An Indefinite Lattice" :: Nathan Taylor

all proceeds to NHLC (Honolulu, HI) :: nativehawaiianlegalcorp.org

"Indefinite Lattices, the new 12-inch record by Glyn Maier, is rock music of a very different order. During visits to two mineral-rich sites, Maier collected field recordings of these environments which were then re-synthesized into four extended compositions. At Ringing Rocks in Pennsylvania, a field of boulders make bell-like tones when struck, as well as low-frequency tones that are unhearable by humans. (Scientists have yet to discern why the rocks ring, but believe it may have to do with the freeze-thaw cycle that produced them.) The other site visited by Maier—the fairly remote Kaʻena Point on the coast of O’ahu, Hawaii—was believed to be the departure point for souls leaving this world.

The unstable rhythmic patterns from these spaces, as well as Maier’s tappings, scrapes, and footsteps throughout the two sites, are paired with lullabilic progressions and ghostly effects. Instead of the artist’s personal expressions, the tracks on Indefinite Lattices are envisioned as lithic formations in their own right, as things grown rather than produced. They seem to have peaceful but complex lives of their own. Guided by notions of deep ecology—and an anti-colonialism that recognizes the bloody histories of these two sites—Maier refashions the instrumental utility of electronic music so that the agency of environments is emphasized.

Like watching rocks fall down a cliffside and splashing into a stream, or the humbling calm of a thunderstorm, one is left wondering whether this record is the result of human intention or a combination of natural forces. Treading the line between traditional and experimental approaches to ambient music, Maier edits the contingency of his gear’s electrical signals and the recorded environments into tightly conceived compositions. Indefinite Lattices is documentation of moments in the geological process, but also illustrates the geologic nature of art itself.

---

Glyn Maier is a sound & field recordist and conservationist living in the Unorganized Territory of South Oxford, Maine. He previously released music under the alias Lack. "

jiyoung wi - antidrama mix I

Lynn

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