hear it again -realy good --einfach ein super sound 🤩

Wonderful. Next years entry for eurovision from germany.

Excellent fun song love it! Great collaboration!

sounds like our minds may travel in similar realms haha I hate it when mine travels without me though which happens from time to time, i need a better leash

Thank you and thanks for all the likes and reposts! The lyrics and melody to this track were written by Clay Young, check him out

Hands

In The Corner Of The Night

Brian Butts - Guitar, Drums, Bass, Keyboards, Main Mix
Nigel Manning (The Windscale Blues Experiment) - Saxophones, Saxophone Arrangement https://soundcloud.com/windscaleblues?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Reification

Bandcamp

Spark (feat. The Windscale Blues Experiment)

https://www.youtube.com/watch?v=xdBV5lU7qXw
https://soundcloud.com/clay-young-360347153
Lyrics, main vox, some percussion: Clay Young
Backing Trax, backing vox, some more percussion: Dorian Lydia Elsewhere

Driving down the Autobahn
I don't have my Pants on

Going to the Sausage store
German chocolate Cookie boy

I dig Dusseldorf
Eating bratwurst With a spork
I dig Dusseldorf
German beer and Sauerkraut

Dancing at the Discotheque
Red high heels And black spandex

German Mustard on A Pretzel
I like Kraftwerk And a Schnitzel

I dig Dusseldorf
German beer And Sauerkraut
I dig Dusseldorf
Drinking Jäger
Meister Shots

One Two Three
Touch my monkey In a tree
Eins Zwei Drei
Barbi Doll From Germany

I Dig Dusseldorf - Clay Young & Lydia Elsewhere - VID in description

This is a song that started as a stem with which Ian (IPG1) let Tez and I play. Tez made the riddim and added the guitar, producing a chord structure with which for me to work. I added bass, piano, synth, and sitar. Tez produced and mixed the whole thing. Ian's rapping is the centerpiece of the whole thing, though. Both of these guys are very special and talented. We hope you enjoy the song.

Bouncing Off The Bass (with IPG1 aka Lou and Llanpsych)

Allusive Session

Composed, arranged, performed, and produced by:
Carlos Vivanco

In music, the acoustic scale, overtone scale, Lydian dominant scale, Lydian ♭7 scale, or the Pontikonisian Scale is a seven-note synthetic scale.
This differs from the major scale in having an augmented fourth and a minor seventh scale degree. It is the fourth mode of the melodic minor ascending scale. The term "acoustic scale" is sometimes used to describe a particular mode of this seven-note collection (e.g. the specific ordering C–D–E–F♯–G–A–B♭) and is sometimes used to describe the collection as a whole (e.g. including orderings such as E–F♯–G–A–B♭–C–D).
The acoustic scale appears sporadically in nineteenth-century music, notably in the works of Franz Liszt and Claude Debussy. It also plays a role in the music of twentieth-century composers, including Igor Stravinsky, Béla Bartók, and Karol Szymanowski, who was influenced by folk music from the Polish Highlands.[8] The acoustic scale is also remarkably common in the music of Nordeste, the northeastern region of Brazil[9] (see Escala nordestina). It plays a major role in jazz harmony, where it is used to accompany dominant seventh chords starting on the first scale degree. The term "acoustic scale" was coined by Ernő Lendvai in his analysis of the music of Béla Bartók.
The name "acoustic scale" refers to the resemblance to the eighth through 14th partials in the harmonic series (Play (help·info)). Starting on C1, the harmonic series is C1, C2, G2, C3, E3, G3, B7♭3*, C4, D4, E4, F↑4*, G4, A13♭4*, B7♭4*, B4, C5 ... The bold notes spell out an acoustic scale on C4. However, in the harmonic series, the notes marked with asterisks are out of tune: F↑4*  is almost exactly halfway between F♮4 and F♯4, A13♭4* (Play is closer to A♭4 than A♮4, and B7♭4* is too flat to be generally accepted as part of an equal tempered scale.

The acoustic scale may be formed from a major triad (C E G) with an added minor seventh and raised fourth (B♭ and F♯, drawn from the overtone series) and major second and major sixth (D and A). Lendvai described the use of the "acoustic system" accompanying the acoustic scale in Bartók's music, since it entails structural characteristics such as symmetrically balanced sections, especially periods, in contrast with his use of the golden ratio. In Bartók's music, the acoustic scale is characterized in various ways including diatonic, dynamic, tense, and triple- or other odd-metered, as opposed to the music structured by the Fibonacci sequence which is chromatic, static, relaxed, and duple-metered.

Another way to regard the acoustic scale is that it occurs as a mode of the melodic minor scale starting on the fourth degree. Hence, the acoustic scale starting on D is D, E, F♯, G♯, A, B, C, D, containing the familiar sharpened F and G of A melodic minor. The F♯ turns the D minor tetrachord into a major tetrachord, and the G♯ turns it into Lydian. Therefore, many occurrences of this scale in jazz may be regarded as unsurprising; it shows up in modal improvisation and composition over harmonic progressions which invite the use of the melodic minor.

Heptagram

Lydian Dominant

eleventh hour

Only a love song. Not more, not less.
A very easy song, very easy to play, very easy to sing, perhaps a song to sing along? We composed this music, what could you do with this? It developped into a love song, what else could this music be? We usually don't write ordinary love songs, but why not occasionally...

Time With You Began

This a song for all the young Irish Guys and Girls who have had to emigrate to Australia, New Zealand, Tasmania, Canada and the Sahara Desert, I know how you feel just wanting to back in Ireland in the Cold & The Rain. ha ha 
Enjoy. It's a fun song to listen to when your drinking your cool beer.
Written, Performed and Mastered by : Johnny Mc .

So Hot

Blastoid (Loop) 140

Skatepunk Cosmonaut, migrating to youtube. Subscribe to me there!

2024-04-18: Bathed in Starlight
https://www.youtube.com/watch?v=RZbkpVrlLtk

2024-04-17: Otherworldly Visitors
https://www.youtube.com/watch?v=auDV8HYMyfY

I Dig Dusseldorf - Clay Young & Lydia Elsewhere - VID in description

Lydia Elsewhere

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