Said What I Said

“How Great You Are” is a soulful gospel ballad filled with spirit, grace, and truth.
A heartfelt reflection on human greatness and divine purpose, it blends warm piano, organ, and choir harmonies in the style of Aretha Franklin and Curtis Mayfield.
A song of humility, hope, and love — lifting the soul toward the light.

“How Great You Are” Gospel

Loop Mode

Wings of Faith

No More Stressing

Nobody But Jesus

what it cost me

We built our fences, brick by beat,  
spoke too loud on borrowed streets.  
Your voice still drifts through midnight air,  
a soft reminder of what we never dared.

We drew our lines on shifting ground,  
truths collapsing without a sound.  
Two tired hearts too dim to fight,  
slipping past each other’s light.

You said “mine,” I whispered “ours,”  
hands full of glass and wilted flowers.  
We sparked a flame that couldn’t stay,  
love too stubborn to find its way.

These quiet divides still hum and breathe
every crack remembers you and me.  
You’re not my foe, just close and near;  
the louder the anger, the deeper the fear.

You call me noise, I call you pride,  
both too fragile to step aside.  
Dreams split open where truths align,  
shaking where your pulse meets mine.

Your shadow moves inside my light,  
we share the dark but guard our rights.  
A war of mirrors, face to face
each reflection asking grace.

You steal my rhythm, I take your rhyme,  
still tangled in our borrowed time.  
Pain echoes down the hidden wire,  
still glowing with the same old fire.

Maybe our borders aren’t steel or stone
maybe they’re fears we claim as our own.  
If I call your name, will you call mine,  
or build your peace one brick at a time?

These quiet divides begin to fade
no debts to settle, no roles to play.  
Let all this noise become our song,  
two worn hearts still beating strong.

We’re neighbors in a world so small,  
no gods, no crowns just walls that fall.

And still
your footsteps linger in my chest,  
soft as truths we never addressed.  
Nights unfold in hollow rooms,  
holding breath and quiet wounds.

Rain taps gently on the pane,  
murmuring your distant name.  
Every drop along the glass  
shows how even broken things can last.

Maybe healing starts with loss,  
a trembling bridge we choose to cross.  
Maybe peace is moving slow  
with hearts that finally let things go.

If you return to where we split,  
I’ll meet the silence where we left it.  
Two silhouettes in softened air,  
finally brave enough to care.

And when the morning finds us whole,  
past the space that fear controlled,  
we’ll watch the last of our walls decline
no borders left between your heart and mine.

🎶 “Quiet Divide” 🎶  
Ava Hart drifts between tension and tenderness  her falsetto gliding through R&B warmth and pop clarity.  
Each phrase breathes like confession, where rhythm meets reflection and melody melts the walls between us.  
Wordless yet deeply human, it’s emotion sung in tone, not speech.  


Divides

Shemaiah On The Beat steps into a new sonic lane with a Pop EDM EP that feels alive, electric, and made for the stage. This project blends festival-level production with urban edge and a trap-love, sexy energy that gives every track both heat and heart. It’s dance music with attitude — polished enough for radio, raw enough for the streets, and vibrant enough to play like a live show in motion.

Front and center is “Butterfly Fly,” the EP’s emotional engine and its biggest anthem. Packed with soaring chords, breathless momentum, and a hook that hits like a spotlight moment, the track captures transformation, desire, and freedom all at once. It’s the type of record that lifts you — hands up, eyes closed, whole room moving.

Offsetting that rush is “Beautiful,” a shimmering, confident, feel-good anthem built with bright pop melodies and a smooth urban undercurrent. The production carries a sexy trap bounce that makes the drop hit harder, while the lyrics glow with empowerment and real-world vulnerability.

Every song on the EP carries that live atmosphere — the crowd-energy builds, the bass shakes the floor, and the emotion stays front and center. Synths shimmer, drums snap, and every melody feels like it’s pulling you into the moment. It’s Shemaiah’s most dynamic and diverse project yet, merging pop, EDM, R&B, and trap into a sound that’s unmistakably his.

Turn up the speakers loud.

Healing Love Master

Lyrics 100% written by me, vocals produced with AI. Looking to work with real singers and other songwriters so let me know if you’re interested. Let me know what you think in the comments. 

My Baby

Unknown Caller

 contemporary R&B track with a moderate tempo and a sensual, late-night vibe. The instrumentation features a prominent, clean electric guitar playing arpeggiated chords, a smooth bassline, and a hip-hop influenced drum beat with a strong snare and hi-hat presence. Synthesizer pads provide atmospheric backing. The female lead vocalist has a clear, breathy tone, utilizing a mix of melodic singing and spoken-word delivery. Her vocal performance includes subtle ad-libs and harmonies, creating a layered texture. The song is in a minor key, contributing to its alluring mood. Production elements include reverb on vocals and some instruments, creating a spacious soundstage. The song structure follows a typical verse-chorus format with a bridge and outro. The melody is largely diatonic, with a focus on smooth transitions between notes.

Date Night - Deep House Hip-Hop

Lyra Noel turns heartbreak, loyalty, and late-night thoughts into Trap R&B confessionals that hit hard and heal slow. Blending the smooth soul of H.E.R. with the edge of Tink and Coco Jones, Lyra’s voice carries the weight of real love stories—unfiltered, unapologetic, and Black woman raw. Every track feels like a diary entry with bass, a reminder that vulnerability can still have bite.

Welcome to her world—where truth sounds like rhythm and pain turns into power. 🎙️💔

what it cost me

Lyra Noel

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