🎙 #StudioDressing ::
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#StudioDressing

Pandemic Première’s

New Life Music

Zesupaplayliste

The Documentary

Hate It Or Love It (feat. 50 Cent)

SonReal - Can I Get A Witness

Pace by Close Talker

Find the song here:
https://ffm.to/pace

© 2019 Slow Weather Music and Sinnbus Records

Pace

Kiss You

Ride

White Sky

Support the Original song here: 
https://youtu.be/zNl00mOSnJI

FOLLOW DJ KING DEE

FACEBOOK: https://www.facebook.com/djkingdeepage/
TWITTER: https://twitter.com/DjKingDee
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SOUNDCLOUD: https://soundcloud.com/dj-king-dee

FOLLOW BADSAM

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SOUNDCLOUD: @djbadsam

Download for free on The Artist Union:
https://theartistunion.com/tracks/bab9e3

THE BIG BASTARDS KLUB

Download

Dj Snake & J. Balvin - Loco contigo (Badsam & Kingdee Remix)

SHEAFS - Care Less

After the successful "Lupita" 7inch in April 2020, Matasuna is delighted to reissue another Latin gem from "Nico Gomez And His Afro Percussion Inc.". "Baila Chibiquiban" is also a killer cut, which is now finally available again on 7" single. The original version is complemented by a great edit by Frenchman "Tonton Boom" (aka "Mr. Boom"), who had already attracted attention as a digital promo some time ago. For this official release, his version got a new analog mix at "Microgroove Studio" in Toulouse to sound better than ever. Another essential 7inch for every record collection.

"Joseph Van Het Groenewoud", who would later become known as "Nico Gomez", was a musician & composer from the Netherlands. He spent his youth in the Antilles, Cuba and other islands of the Caribbean, which had an unmistakable influence on his music. As a passionate musician and skilled guitarist he was familiar with the typical rhythms and melodies of this region. Later he returned to the Netherlands, before fleeing from there to Belgium in 1946 to escape from serving in the Dutch army in Indonesia. From then on he called himself "Nico Ooms". It's said that he was so obsessed with Cuban music that he changed his name to "Nico Gomez" - in any case, the name fit better with the Latin American music he brought to the stage. He had made a name for himself as a composer and arranger for various artists and orchestras – e.g. he wrote for "Los Chakachas", a well-known Belgian Latinsoul combo. But he also conducted the "Nico Gomez Orchestra".

One of the most sought-after recordings was the 1971 album "Ritual" by his band "Nico Gomez And His Afro Percussion Inc.". It is considered one of the best Afrolatin albums of the 1970s - especially once this masterpiece was (re)discovered by Djs and its popularity soared. The album is a tasty mixture of Latinfunk grooves, deep Afrosoul and Chicano rock influences like fuzzy guitar and heavy organ.

The original version of "Baila Chibiquiban" on the A-side is a killer latin psych funk tune written by Nico Gomez. A distinctive bassline, fuzz guitar, deep rhodes, tons of breaks and soulful vocals make a funk monster that burns everything down.

Mr. Boom's version on the B-side takes the original even further, to underline this not only on the percussive side. His new arrangement continuously heads towards the climax, which is interrupted by a break to create new tension. Already successfully tested, this edit - which was longed for by many on 7inch - will get a permanent place in record bags and make dancefloors explode.

Nico Gomez And His Afro Percussion Inc. -  Baila Chibiquiban (Original)

#StudioDressing (YoutubeSerie) ::
https://www.youtube.com/playlist?list=PL6_DRggX6_e536RmGtsTyvsRey5XbiPXE

My Energy (GuitarVersion w/ Max from Smokin' Jive)

I'm Breaking Bad (w/ Jessy Fuchs)

Click and Dance (w/ MMK)

C๏sʍ๏tunes ★ 28  - @kaob
Tibau Tavares - Morena Guitarra (Kaöb Edit)
Release date: June 5, 20 | 2020
Label: @cosmovisionrecords
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About this edit : 
'' Passionate about travel, music and cultures of the world, especially African and South American, I discovered this original in 2017 when it was released.
This edit is a tribute to the Afro-Brazilian culture in which I spent 3 years of my life, including 5 months in Sao Paulo in 2013. I found the original by chance in my playlist, it gave me smile and joy. During these 2 months of confinement, I started playing the guitar again and replay some pieces of my adolescence.
I missed this relationship with the instrument and reminded me of my beginnings of passion for music and creative freedom.
Music is a powerful bridge between the souls of this world. May it bring you beautiful energies and vibrations '' @kaob
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About @kaob :
Co-founder and resident DJ of the Parisian Collective/Label O'Tawa, he is recognizable by his singular universe, inspired by his travels around the world.
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Buy and listen to the original song here
https://tibautavares.bandcamp.com/releases

FREE DOWNLOAD

FREE DL : Tibau Tavares - Morena Guitarra (Kaöb Edit)

Collab' w/ Gotham City Swing

Brother

On And On (FULL Version)

Track exclusive en collab avec Degiheugi pour la compilation "Maelström", by Trip-Hop.net : https://trip-hopnet.bandcamp.com/album/maelstr-m?fbclid=IwAR3BmBD7kzaYEEUi705CNaxkAorHvffck4uUndSefZITbeI91xT9tx05rcs

Cover : Mim's sauvage

Degiheugi (feat. Zackarose) - Favelas

With the help of a Lisbon friend, Matasuna Records has managed to reissue two outstanding songs from the debut album of Angolan musician "Chalo Correia" on a hot & fiery 7inch. Although the album was originally released in 2015, only a handful of people outside Portugal were lucky enough to get their hands on one of the coveted copies. This is unfortunate, as Correias music uniquely combines traditional Angolan styles with new melodies, creating a intoxicating & exotic mix. For this release the tracks were remastered and the title track was even completely mixed again to achieve the best possible sound.

"Chalo Correia" is a talented singer and songwriter born in 1968 in "Luanda", the capital of "Angola". He grow up in the most intense and blazing musical period of Angola - the 70s. In a time when musician fought for independence, reinventing the Angolan sound in order to re-establish their identity. In his late youth, Chalo met musicians from revolutionary bands like Os Merengues and Os Kiezos, who would influence his future music.

In the early 90s Chalo moved to Portugal, where he practiced guitar and harmonica. Far away from his country, music was the only way to connect with his roots and so he started to create original songs based on traditional & urban music styles of Angola and on early childhood memories. During the last 20 years his music went through a long process of maturation, which resulted in the recording of his debut album "Kudihohola" in 2015. In 2016, this album was nominated as one of the best popular music album at the Angolan Music Awards.

Chalo is a very versatile musician: you can find him with his explosive 5-piece band at concerts in Europe, Brazil and Africa, prestigious world music festivals, or mixing a Portuguese guitar from the traditional Fado with Angolan music in his trio. But you can also meet him at a tireless one-man show, where he plays traditional Angolan guitar chords, handled by syncopated and percussive complex rhythms like Semba - the precursor of Brazilian Samba - among other traditional urban Angolan styles like Massemba, Kilapanga, Rumba, Kazucuta, Kabetula and RebitQa. His vigorous voice sings about the Angolan daily life stored in Chalo's childhood memories, combined with his life experience as an Angolan immigrant in Lisbon. The harmonica joins his instrumental compositions with energetic melodies that fit perfectly with his new music, combining an old, festive flavored style with a contemporary way of songwriting.

The A-side of the single starts with the title song "Kudiholola". Kuhohola (correct term in the Quimbundu language of Angola is Kudiholola) which means to heal from a hangover, but where Chalo Correia, takes the title as a restart and a return to the traditions and roots that had been stuck in the past. The melody is embedded in the Angolan Kazukuta style that manages to give life and brilliance to this instrumental where the harmonica fills the contours of the music. Kudihohola is an imaginary microcosm of Angolanity in terms of culture in general, but also the image of interpersonal relationships.

"Chercher Crioula" on the B-side, sung in "Quimbundo" and the choirs in "French", reports an incessant search for a love that insists on not appearing. This search is not limited to one country or continent but to many places in the world, which makes the author adapt to the places, as time prolongs that same search.

On And On (FULL Version)

LYRE LE TEMPS