Verdi: La Traviata

Act 1: Ah! fors'è lui (Violetta) (Live) [feat. Renée Fleming & Lyric Opera of Chicago Orchestra]

Act 1: Che è ciò? (Chorus, Violetta, Alfredo) (Live) [feat. Lyric Opera of Chicago Chorus, Renée Fleming, Matthew Polenzani & Lyric Opera of Chicago Orchestra]

Act 1: È strano! (Violetta) (Live) [feat. Renée Fleming & Lyric Opera of Chicago Orchestra]

Preludio (Orchestra) (Live) [feat. Lyric Opera of Chicago Orchestra]

Act 1: Ebben che diavol fate? (Gastone, Violetta, Alfredo) (Live) [feat. David Portillo, Renée Fleming, Matthew Polenzani & Lyric Opera of Chicago Orchestra]

Act 1: Libiamo ne' lieti calici (Alfredo, Chorus, Violetta) (Live) [feat. Matthew Polenzani, Lyric Opera of Chicago Chorus, Renée Fleming & Lyric Opera of Chicago Orchestra]

Act 1: Dell'invitato trascorsa è già l'ora (Chorus, Violetta, Flora, Marquis d'Obigny, Gastone, Alfredo, Baron Douphol, Dr. Grenvil) (Live) [feat. Renée Fleming, Buffy Baggott, Phillip Dothard, David Portillo, Matthew Polenzani, Philip Kraus, Paul Corona 

Chicago Symphony Orchestra
Riccardo Muti, conductor
Stefán Ragnar Höskuldsson, flute

Beethoven Symphony No. 7 In A Major, Op. 92

MAURICE RAVEL ~ Bolero
(Radio Symphony Orchestra Ljubljana - Direttore Samo Hubad)

Boléro
From Wikipedia, the free encyclopedia

Boléro is a one-movement orchestral piece by Maurice Ravel. Originally composed as a ballet commissioned by Russian ballerina Ida Rubenstein, the piece, which premiered in 1928, is Ravel's most famous musical composition.[2] Before Boléro, Ravel had composed large scale ballets (such as Daphnis et Chloé, composed for the Ballets Russes 1909–1912), suites for the ballet (such as the second orchestral version of Ma Mère l'Oye, 1912), and one-movement dance pieces (such as La Valse, 1906–1920). Apart from such compositions intended for a staged dance performance, Ravel had demonstrated an interest in composing re-styled 
dances, from his earliest successes (the 1895 Menuet and the 1899 Pavane) to his more 
mature works like Le tombeau de Couperin (which takes the format of a dance suite).

Boléro epitomises Ravel's preoccupation with restyling and reinventing dance movements. It was also one of the last pieces he composed before illness forced him into retirement: the two piano concertos and the Don Quichotte à Dulcinée song cycle were the only compositions that followed Boléro.



MAURICE RAVEL ~ Bolero

Chicago Symphony Orchestra
Jane Glover, conductor
William Welter, oboe
Paul Jacobs, organ

Mozart Symphony No. 29 in A Major, K. 201

Chicago Symphony Orchestra
Lahav Shani, conductor
Beatrice Rana, piano
Daniel Barenboim, conductor