IT FLOWS

You Are The Reason - Calum Scott (piano)

08 Will You Marry Me?

The Light shines. in the darkness, but the darkness could not overcome it.

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Jesus Holds My Hand

Pre-order 'Trance Frendz' on LP/DL: www.erasedtapes.com/store/index/ERATP081
or digitally iTunes: snip.ftpromo.net/trancefrendz

Having been available exclusively as the second disc to 2015's 'Collaborative Works', Ólafur Arnalds and Nils Frahm's improvised audio recordings 'Trance Frendz', taken from their 45-minute studio film of the same name, have been given their own vinyl release – out March 4th, 2016.

Prior to a string of collaborative Erased Tapes releases, which include 2012's 'Stare' 10” and last year’s 'Life Story Love and Glory' 7” and 'Loon' 12” – compiled on the 'Collaborative Works' 2-CD set, Ólafur Arnalds and Nils Frahm spent many hours together in their studios across Berlin and Reykjavik. Both have carved out genre-defying musical careers and formed unique live shows, creating a fan base loyal to their prolific output.

During a session at Durton Studio in Berlin last summer, Nils and Ólafur invited Alexander Schneider and his camera to document it. The recording continued long after the first take, stretching out into the next day until, eventually, several new improvisations had been recorded in 8 hours with no overdubs or edits. The unexpected nature in which these pieces had been created was reminiscent of their first on-stage improvisation many years ago. It became immediately clear how special these songs were.

"At the end of the night we had all this music that sounded unfamiliar even to us, loudly asking to be included in this collection.”

Originally made available as a 45-minute film on their joint website (www.arnaldsfrahm.com) last September, 'Trance Frendz' will be available to own on vinyl from March 4th, 2016.

Press for their 'Collaborative Works':

'A particularly joyous wash of slinky percussion and juddering layers' (8/10) – Clash

'An enchanting listen. The bar for a Lads' Night In has just been raised a few notches' (7/10) – Drowned In Sound

‘This is music for slowing down the pace of modern life... An immersive listening experience is guaranteed, while we must hope Frahm and Arnalds go on ‘holiday’ together more in future, and don’t forget to take their musical instruments.’ ★★★★ – MusicOMH

'A collection of gorgeously intimate piano compositions and eye-opening synth pieces, each never aggressive but always powerfully poignant' (8/10) – Under The Radar

'What Collaborative Works offers is something strange: a shared world created by two mad geniuses. Long may Arnalds and Frahm tinker' (8/10) – PopMatters

'Collaborative Works further proves just how natural a fit Ólafur Arnalds and Nils Frahm are together' – Resident Advisor

Trance Frendz

20:17

Buy LP/2CD/DL

Ólafur Arnalds & Nils Frahm – 20:17

The Lost

Otto A Totland - Vates

'roses' is a funeral piece dedicated to my friend’s mother who died from cancer. The ostinato, the repeating single note in the intro, represents her beating heart, and the tumour's presence, sometimes forgotten but still spreading. How do ill people find peace, if they do at all? "roses" is a journey of someone's musical memories, wandering from pop to classical remembrances, concluding on nostalgic harmony. - Jean-Michel Blais (01/25/18)

c‘est une pièce funéraire dédiée à la mère d’une amie qui est décédée d'un cancer.  L’ostinato, la note répétée de l’intro symbolise le battement de son cœur ainsi que la tumeur inquiétante, parfois oubliée, mais toujours présente. Comment les gens malades trouvent-ils la paix, si jamais ils le peuvent? roses est ma tentative de refléter les souvenirs musicaux de quelqu'un, passant de la pop aux souvenirs classiques et se concluant sur l'harmonie nostalgique. - Jean-Michel Blais (01/25/18)

http://jeanmichelblais.com

roses - Single

Jean-Michel Blais "roses"

In between composing, writing, rehearsing, and recording, I have been improvising a lot, and this track is the result of one of those moments. It is very different from what I am working on but, somehow, it holds my essence, and it makes me feel well. Instead of letting it disappear along with many other pieces that I never share with others, I have decided to publish it in celebration of #pianoday2018. I hope you enjoy it.

Composed, performed and produced by Sergio Díaz De Rojas.
Artwork by Seraphina Theresa (http://seraphinatheresa.com/home).

Free Download

Untitled (Piano Day 2018)

We made a video for this track here: https://www.youtube.com/watch?v=u4Uoe8tfsbI
While working on my new album, I began to try to write a track which encapsulated in its sound the feeling of something new and being full of hope with #pianoday approaching. Around the same time I discovered this beautiful old word in a twitter feed from Susie Dent, and it was perfect for the emotion in this track being created. 'Respair' means fresh hope and a recovery from despair.  The Piano is very much celebrated in this piece by it's background role as a continuous, percussive-like sound, providing a platform for the other instruments to dance upon. I also wanted to use the Piano to somehow gently lead the piece through its chord changes, establishing the mood, as an ode to the way I like to work with piano in my music. 

Credits:
Artwork - Pure Romance by TB Ward (2017 oil on linen)
Piano, electric organ, xylophone - Joel Pike
Violin, Viola - Faith Brackenbury
Written, recorded and produced by Joel Pike.
Mastered by Stavros Kokkinos.

Respair

"I think I am the same as an artist and as a person. Music is my way of communication and I see the art, the music as a whole thing, with no borders, divisions, or even genres." - https://soundcloud.com/haniarani

Hania Rani is a pianist, composer and musician who splits her life between Warsaw, where she makes her home, and Berlin where she studied and often works. She has written for strings, piano, voice and electronics and has collaborated with the likes of Christian Löffler, Dobrawa Czocher and Hior Chronik, and released an album with her Polish group tęskno last year. She has performed at some of the most prestigious venues in Europe - from the National Philharmony in Warsaw, to Funkhaus in Berlin, to The Roundhouse in London (where she made her debut at the Gondwana 10thanniversary festival last October) and at festivals such as Open'er, Scope Festival and Eurosonic. Her compositions for solo piano were born out of a fascination with the piano as an instrument, and her desire to interpret its sound and harmonic possibilities in their entirety and in her own way.

'Esja' is her debut solo album and for Rani it is her first, real, personal statement as an artist. "No hiding behind the "collaborations" or "projects" anymore. For the very first time, finally - just me, as I am".

Recorded at Rani's apartment in Warsaw (the piano room has a beautiful reverb and the space has become part art studio and part sound laboratory for Rani) and at her friend Bergur Þórisson'sstudio in Reykjavik, Esja is a series of beautiful melodic vignettes. Sensual, sensitive, rhythmic, atmospheric, free but harmonious, beguiling and hypnotic, collectively they project a sense of unlimited space and time.

Esja

Hawaii Oslo

Hania Rani - Hawaii Oslo (Piano Day 2019)

HIOR CHRONIK – “BLIND HEAVEN”

Worldwide Release date: November 8th, 2019
On 7K! – LP – CD - Digital – Streaming

Seductive drone and post cinematic soundscapes between ambient, indie-neoclassical music. These are the best words to describe the vibes of the new album by the Greek/Berliner composer Hior Chronik, entitled “Blind Heaven” out on November 8th via 7K! - !K7.


There is a dark and cinematic atmosphere that chases throughout the new album by the Greek composer and producer Hior Chronik, a natural sequel to "Out Of The Dust", released on 7K! in 2017. While retaining an ambient and modern-classic dimension, "Blind Heaven" goes in search of new territories to observe and interpret. Sound landscapes made of synthesizers, electronics, strings, woodwinds and above all magical touches of the piano, so minimal as they are brilliant in their being perfectly integrated into the sonic trajectories traced by the Athens-born artist who has lived in Berlin for several years.

“The meaning of everything I do is to share with people something that maybe
will need to listen and make them feel more emotional in their life.
This album is another part of me. It’s my personal demonstration and voice to everything that hurts nature and weak people.”

Track after track "Blind Heaven" reveals itself by involving the listener in a particularly evocative and immersive multi-stage sound journey: Nocturne, crepuscular, foggy, the record moves in neighboring territories without delineating a precise and static form: the sound moves magmatic, it is discovered, it hides, it explodes, it shrinks and once again it frees itself to cross extremely natural and peaceful landscapes, as well as darker, industrial, apocalyptic, noisy and powerful worlds. Storm, then quiet again, but a stillness crossed by splinters and flashes clearly visible in the distance.

“Blind Heaven is the illusion of everyone that live his myth in his own bubble 
without seeing what’s really going on outside.”  

Created between the autumn and winter of 2019 in Berlin, mixed and mastered in Athens by John Valasis (already at the mix for the previous "Out Of The Dust"), "Blind Heaven" confirms Hior Chronik as one of the main names of the scene poised between the electronic-ambient world and that of modern classic minimalism. Proof of this are the prestigious feature of the album: from the Japanese by Erased Tapes, Masayoshi Fujita (vibraphone in "Blanket"), to the Polish pianist Hania Rani, who for a long time accompanied Hior Chronik on tour and whom we see here on the piano in "Words Are Gone", the producer and sound engineer Francesco Donadello, to the modular synths in "One Eternity At The Time", up to the New York artist Amber Ortolano, voice in "Beneath".


CAT Number: 7K016

1.Imitation of life
2.Beneath (feat. Amber Ortolano)
3.Don’t mess with my heart
4.Blanket (feat. Masayoshi Fujita)
5.Words are gone (feat. Hania Rani)
6.One eternity at a time (feat. Francesco Donatello)
7.Through the path
8.Smash and grab  
9.Intimacy of the unknown 
10.Elixir

Trumpet across the album by Christian Grothe

2* Amber Ortolano - vocals
4* Masayoshi Fujita - Vibraphone Arrangement 
5* Hania Rani - Piano
6* Francesco Donatello - Modular Synths

All songs are composed by Hior Chronik
Lyrics on track 2 by Amber Ortolano
Masayoshi Fujita appears courtesy of Erased Tapes
Hania Rani appears courtesy of Gondwana Records

Mixed & mastered by John Valasis
www.johnvalasis.com
Front cover by Narges Aqamiri
https://www.instagram.com/nargesaqamiri/
Back/Inside cover by Hior Chronik.
Layout by Paolo Proserpio
A&R at 7K! Carlo “Jarno” Garrè - www.7k.k7.com

Blind Heaven

The Words Are Gone Feat. Hania Rani

Reconnect with the simplest things: presence, nature, the passing of time; yourself.

MANAGEMENT /// contact@lysten.me
BOOKING /// sylvain@podium.agency and antoine@podium.agency/

IT FLOWS

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