To contact me : adrianstrom.music@gmail.com

https://odesza.co/tlg-albumSo

Americas Booking: 
jmoss@teamwass.com

Europe / UK Booking:
James.whitting@paradigmagency.com

Rest of World Booking:
jmoss@teamwass.com / James.whitting@paradigmagency.com

Mgmt: 
adam@redlightmanagement.com

After Master at IL EST OU L'AFTER
SWARM Agency
RISE Project
ROCK TO THE BEAT RECORDS
BASED IN MARSEILLE
Contact : 
ortcemusic@gmail.com

Contacts
 
For Management Enquiries:
Aude Malhere
aude@nowadaysrecords.com

For Booking Enquiries : 
Vincent Cron
vincent@bleucitron.net

Bio 
Fakear's electronic collages are inspired by influences as divergent but inspiring as the post-dubstep scene in London, and the films of Miyazaki. 
Having established a fervent fanbase in his native France, Fakear has gifted his globally-tuned dance music to an even larger audience after dates supporting Bonobo and ODESZA across the US and Canada. He’s made waves in the UK as well, garnering deserved notice from a consistently attention-catching figure herself—M.I.A.— who tapped the young phenom to produce tracks on her latest record and asked him to perform at her Meltdown Festival in London. His last record "Talisman" sees him tap in his old influences, but with the experience and techniques of his 10ish years experience in music producing.

The Italian-German composer, DJ and founder of the record label 99CHANTS. He has been releasing music since 2010, but it took self- evaluation and a re-examination of his priorities for August to lean towards the future and follow his most experimental inclinations.
In 2023, his output is harder than ever to define, stretching across genres and disciplines to chafe the heart of the human experience.

OXIA (Diversions Music - France):

With a career spanning over two decades and touring all continents, OXIA stands as one of France’s most respected DJs and producers. His impressive discography includes releases on renowned labels such as: Knee Deep In Sound, Sapiens, All Day I Dream, Hot Creations, Bedrock, Warung... Alongside his own imprint, Diversions Music.
Over the years, the French artist has delivered numerous remixes for esteemed names like Moby, Agoria, Joseph Capriati, John Digweed, Butch, Popof, among others. 
He has also collaborated with artists such as Miss Kittin, Agoria, or Nicolas Masseyeff, with whom he co-founded Diversions Music in 2016. To date, OXIA has released 7 EPs on the label.
His discography also features two studio albums: 24 Heures (2004, Goodlife) and Tides Of Mind (2012, InFiné Music). His long-awaited third album is now complete and scheduled for release in fall 2025.

In 2017, his timeless anthem “Domino” (originally released on Kompakt) was reissued on Sapiens, and came with a number of successful remixes. The track accumulated to date more than 100 million streams.

OXIA continues to tour the globe, from nightclubs to mainstage festivals and everything in between. In 2019, his live stream for CERCLE exceeded one million views in a few days. Meanwhile, he has steadily released tracks and remixes, notably on Diversions Music, reaffirming his place in the electronic music scene.

2023 saw the release of an EP on Warung Recordings, the label of the iconic Brazilian club. Then, OXIA revisited his own remix for French electro-pop artist Delaurentis,  crafted a remix of "Double Visage" from Nicolas Masseyeff’s album on Systematic, and contributed the track “Evidence” to a split EP on the Spanish label DSK Records.
2024 starts with a remix of the track 'Kilamba' from Dorian Craft's album on Diversions Music. OXIA continues on Diversions, with two-track EP, 'Runway EP', out in early June. In October, he releases a remix of "Continuum" taken from Teho album ‘Shifting’.    OXIA ends the year by collaborating with his longtime friend Kiko on the track 'Vertige', featured on Kiko's album 'Digital Family’.

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BOOKING:
World & general: Kazz ema / Toon Janssens - toon@kazz.be
Spain: Dskonnect / Marc Marcelo - marc@dskonnect.com

MANAGEMENT: ghayath@form-music.fr

For Rune Reilly Kölsch, Kompakt has become a great label to call home. In 2013 the German imprint celebrated 20 years of record releases at the cutting edge of electronic music, championed in June by one of the most genre re-defining albums and personal music projects for an era: Kölsch’s landmark long player, ‘1977’.

A melodic autobiography on black wax, the Kölsch project has seen 36/37-year-old Rune take stock of a diverse and successful production career and draw upon his own personal beginnings: a nostalgia for childhood, family, friends and the confusion of applying his split-cultural heritage to what it means to think of ‘home’. As Rune freely admits, “being half Irish, half German and living in Denmark – it was all one big messy period of my life.” 

Born to hippie parents in the freetown of Christiania (a commune-like autonomous borough of the Danish capital Copenhagen) his childhood was spent surrounded by creativity. His mother was an artist whose family had roots in German politics and his father a singer songwriter who travelled through Asia playing music in the early 70's. Kölsch, however, did miss out on building friendships and found solace in making up “this imaginary world that I would spend days in,” before the family moved to Germany – a period of memories, relations and characters from which ‘1977’ derives its titles.

For Rune, the tracks he began building from 2010 took in this personal reflection, his being “completely locked in to reminiscing about what shaped me as a kid and into the individual that I am now” – contemplating his unique past to form the brickwork of ‘1977’, one of the most future-facing techno albums of recent years.

Influenced by hip hop, pop and the incredible legacy of Jeff Mills and Derrick May, Rune started producing in 1995, embarking on a string of success stories. In 2003 he released the multi-million selling, saxophone-infused ‘Calabria’, that saw collaboration requests pouring in from artists as diverse as Nicki Minaj, Shakira and Flo Rida. He then set up Tattoorecs – releasing pioneering underground tracks with no titles, just tattoos for artwork, that garnered critical acclaim and support from minimal and techno trailblazers such as Sven Väth, Richie Hawtin, Magda, Tiefschwarz and Ricardo Villalobos.

This appreciation of the complete musical spectrum has gifted Rune with a devotion to groove and melodics and with it the dexterity to input real creative change to the genres he reveres, not least his beloved techno. “2010 was the year of the ketamine house wave, where the music was 118 bpm and everything was extremely boring”, reflects Rune. “I wanted some melodic techno, some energy back in this scene. People needed the energy to express themselves and go crazy for a bit.”

This notion faced opposition, even from within Rune’s close circles. But it was Kompakt founder Michael Mayer who had the insight to see what Kölsch was trying to achieve. Rune’s conviction that vibrations and melodics are the key to human response had tipped the balance, underlined by his experience as a hip hop DJ where he “needed something to catch me and drag me in. And that’s what techno should do!” Here too he drew on his love of Jeff Mills and Derrick May, recalling how “they used to make mistakes all the time. It would be a big mash of all kinds of stuff, but at least something was happening. That’s what I was missing and that’s what I’m trying to change with the Kölsch project.”

The result is ‘1977’, a personal collection of dancefloor destroyers that are continuing to send clubs and festivals across the globe into melodic supernova. Take this video of Kölsch’s set at Belgium’s I Love Techno festival, one of Rune’s 2013 highlights, where “people were doing sit downs, singing along to all the tracks”. Watch it. It puts the hairs up on the back of your neck. “The response was overwhelming,” said Rune in a recent interview with Mixmag (who named Kölsch as one of their ‘Stars Of 2013’), as “when you think about it, it was just a bunch of childhood memories with a kickdrum underneath.” 

Elsewhere he’s ripped up the airways with an acclaimed Essential Mix for Pete Tong on BBC Radio 1, delivered his incendiary soundscape to Singapore’s world-renowned ZoukOut Festival, boomed his live show through the heaving basement of London’s XOYO and played the hallowed Space Terrace – in his words “a boyhood dream since I started going to Ibiza in 1999. That was what I wanted from life!” So opening Amnesia in 2014 with Joris Voorn will be a bonus then...

While these are reasons enough to keep the beaming smile beneath Kölsch’s trademark black fedora, his humility remains just as striking. While tracks like ‘Goldfisch’ have taken pivotal positions in the set lists of world class DJs from across the dance music spectrum – traversing the underground with Seth Troxler, while simultaneously providing credible new euphoric highs for the likes of Axwell – Rune remains joyously down to earth. All despite producing, with ‘1977’, an album that has crossed as many cultural and musical boundaries as his own childhood past.

From the face-twisting melodic drive of ‘Opa’ and ‘Bappedekkel’, to the chord-surfing piano groove of ‘Der Alte’ and the euphoric crescendos of ‘Lorely’, ‘Oma’ and ‘All That Matters’ (all hits in different countries), the fact remains that whether in your living room, on the dancefloors of the world’s greatest parties, or simply in your headphones on your way home, Kölsch’s ‘1977’ has re-defined techno and become an achievement that speaks for itself. 

Words: Phil Dudman – Clubs & Live Music Editor, Mixmag


In the trend-driven universe of electronic dance music, Gregor Tresher is the rare artist who transcends such cycles. His secret? A relentless focus on melody and timbre, timeless musical elements that other producers often undervalue. Just as a painting or a photograph appears to move if one stares at it long enough, close listening to the stratified grooves and melodies in Tresher's music reveals an organic universe of shifting sound.

Mélanie Macquin is following