OF THE "PROTECTION" SAGA ... THE NEW ENEMY IS THE POWER OF THE HUMAN RACE, AND ITS WEAK OUNTE AT THE SAME TIME !! WHO WILL BE ABLE TO UNDERSTAND WHAT WE REALLY NEED TO BRING FORWARD WITH ALL OUR WILL AND WHAT INSTEAD LET GO?

MAGNA OFFICIA

Lets face IT!  Many Faces here lookin @ Y' all ---   End Steppa bonus

Ataraxia

A little symphonic, not especially danceable, but hopefully charming. A duet of digital synths.

Righteous Mayhem

The Trial
A Pico-Operetta for our Times

International Cast

Lady Humanity - Oddrun Eikli - Norway, vocals and lyric on the last song; https://soundcloud.com/oddrun-eikli
Lord Mammon - Peter - England, All poetic lyrics in the operetta, except the last song; https://soundcloud.com/user-264930040/tracks
The Judge - David Dunham - USA, and acoustic guitar in the third song; https://soundcloud.com/david-dunhamuser589535203
Music & Production - Seagull - Sweden, compilation, mixing, sound effects etc; https://soundcloud.com/farout-music-studio

Here you can download all poetic lyrics: https://www.dropbox.com/scl/fi/37k203an5c6azz0ekltvn/The-Trial-Libretto.pdf?rlkey=mope1vjiyqhaeo17b5u74dp2i&dl=0

Synopsis

Following unprecedented worldwide growth in human conflict, an emergency plenary session of the United Nations was convened late in 2023, tasked with finding new approaches to defuse global tension and ease conciliation.  Recognising the abject failure of extant UN jurisdictions and powers, and in a radical restructuring of the international legal and security framework, that session established a new UN institution to sit alongside the International Court of Criminal Justice.  The International Court of Moral Justice was formally incorporated into the UN Constitution on 1 January 2024.

The foundations of this infant organisation and those of the UN itself were shaken when it was revealed that the inaugural case to be heard by the ICMJ was to be a private prosecution brought by greed itself against the defendant, mankind’s innate sense of humanity.

In papers lodged with the court, the protagonist, Lord Mammon has asserted that the fundamental basis for human misery, the creation of discontent, thence envy and hence conflict, is to be found exclusively in false moral goodness and self-righteousness borne of a misplaced sense of benevolence.  The human race survived and thrived, he states, not by moving at the pace of the slowest, or sharing resources with the weakest, but by taking and keeping, for the self alone, much more than is needed for basic subsistence, this being the singular route to strength, individual contentment and thus tolerance of others. 
 
In reply, a broken and demoralised Lady Humanity has been compelled to present her own defence after failing to secure funding for a legal team to counter the advocates ranged in front of Lord Mammon. The case for the defence rests solely on the premise that good comes from within and cannot be created from nothing.  So whilst she may try to bolster the moral cause in her work, she increasingly finds that the human souls she sees have no humanity in them whatsoever for her to strengthen, nothing to work with and as such, concedes that she has failed, but denounces the notion that it was for want of trying.  Devoid of resources, supporters and allies of any kind she single handedly has held the fort against the self-perpetuating, self-reinforcing massed ranks of Mammon.
  
The Lord Chief Justice of the ICMJ along with his bench of associate judiciary adjourn proceedings to consider their findings and in the final act, return to deliver their verdict.

The Trial - A Pico Operetta for our times

This piece of music offers a musical experience that leads listeners away from reality and into the realm of the unknown, as the overlapping sounds in everyone's environment gradually change.

While experiencing the everyday ambient sounds, reaching the threshold of a new dimensional world is a form of resistance against the recent imposition of a seemingly meaningless reality.

The melody played by the piano in the latter part of the piece will indeed serve as a beacon of rebellion.

Pls enjoy;)

Melody Of Rebellion

Composed & produced by Mirjam Keijnemans

Korg LP-380
Keylab 49
Samplitude Music Studio 2020

Enlightened

HünğrŷMän<ïn>ÇațeřpiļlärÇräwļ

I'm here with you tonight, are we the best that we could find
And I'm trying not to say what's on my mind.
Cause I have always said, what was in my head
But you know sometimes some things are better left unsaid.

I tell you lies; I tell you lies, I tell you sweet little lies
I tell you that you mean the world to me.
You tell me lies, you tell me lies, you tell me sweet little lies
You tell me that I am the man of your dreams

Although I’m sitting next to you, we’re both so far apart
Too far away to fill our empty hearts
We’ve been living for the moment but the moment’s long since past
We’re running on fumes and the passion’s fading fast

We had our day in the sun
We had a lot of fun
I think we’d both agree that we’re close to done
Circumstances change 
And what used to feel so right
We were caught in the hunger then we lost our appetite

I tell you lies; I tell you lies, I tell you sweet little lies, 
I tell you that you mean the world to me.
You tell me lies, you tell me lies, you tell me sweet little lies
You tell me that I am the man of your dreams

I think the time has come for the two of us to pack up and leave it
I can’t take this lying anymore
I can’t take this lying any more

Lies

Watch the video on Youtube:
https://youtu.be/5Oq3rRkPnds

Dark Light

Western Edge

PureMichigan

To Have and To Hold is not a biography, a lecture, or a historical reconstruction. It is an imagined world — one you step into to feel your way around an idea rather than to learn it.

The album takes place loosely in early-20th-century Cambridge, at the moment when Western thought was beginning to strain under its own certainty. Science had proved astonishingly powerful at breaking reality into parts, explaining mechanisms, and producing results — yet at the same time it was encountering problems it could no longer fully contain. Probability was replacing certainty. Events mattered as much as objects. Meaning no longer sat still.

Out of this tension emerged process philosophy: the idea that reality is not made of finished things, but of ongoing happenings — that love, time, marriage, and even truth itself are not states you reach, but activities you keep participating in.

The album imagines this moment through a human lens. A mathematician trying to complete a system of logic. A thinker insisting that nothing important is ever truly finished. Proofs accumulating. Years passing. A marriage understood first as a statement, then slowly revealed as a practice. Love appearing not as romance in the foreground, but as something quietly unfolding elsewhere — happening whether it is attended to or not.

Rather than explaining these ideas directly, the songs allow you to inhabit them. You hear bells ring. You feel evenings close in. You sense the weight of unfinished work and the relief of letting something continue without control. The philosophy is not taught; it is lived.

This is a soft documentary in sound — an audio quantum leap into a world. Its purpose is not accuracy, quotation, or instruction, but immersion. By the time the album ends, you may not be able to define process philosophy in a sentence — but you may feel why it arose, what problem it was answering, and why it still matters.

To Have and To Hold is an exploration of commitment not as possession, but as attention.
Of marriage not as a conclusion, but as renewal.
Of understanding not as something you arrive at — but something that keeps happening.

If you listen closely, nothing here ever quite resolves.
But something continues.

HünğrŷMän<ïn>ÇațeřpiļlärÇräwļ

ŞċřëåmîňġÅşÿļům