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Jack Ü is Diplo and Skrillex.

Winners of the 2016 Grammy Award for Best Dance/Electronic Album (Skrillex and Diplo Present Jack Ù) and Best Dance Recording (Where Are Ü Now featuring Justin Bieber) 

Jack Ü Apparel: http://jackustuff.com

SKRILLEX AND DIPLO PRESENT JACK Ü
iTunes: http://smarturl.it/PresentingJackU
Spotify: http://smarturl.it/S_PresentingJackU
Beatport: http://smarturl.it/B_PresentingJackU

The Official Regina Spektor Soundcloud Account

Kendrick Lamar Duckworth (born June 17, 1987) is an American hip hop recording artist from Compton, California.[1] Lamar embarked on his musical career as a teenager, under the moniker K-Dot, releasing a mixtape which garnered him local attention and led to him signing with Carson-based independent record label, Top Dawg Entertainment (TDE). Lamar began to gain major recognition in 2010, after his first retail release, Overly Dedicated. The following year, he released Section.80, his first independent album, exclusively through iTunes. The album spawned Lamar's debut single, "HiiiPoWeR" and was instantly ranked as one of the top digital hip hop releases of the year.[2] By that time, Lamar had amassed a large Internet following and had already worked with several prominent artists in the hip hop industry, including The Game, Snoop Dogg, Wiz Khalifa, and Busta Rhymes.

Lamar would later secure a recording contract with a major label in 2012, when he signed with Aftermath and Interscope Records. His major-label debut album, good kid, m.A.A.d city, was released in October 2012 to widespread acceptance. The record contained the top 40 singles "Swimming Pools (Drank)", "Bitch, Don't Kill My Vibe" and "Poetic Justice". Upon its release, the album debuted at number two on the U.S. Billboard 200 chart and was later certified platinum by the Recording Industry Association of America (RIAA). In early 2013, MTV named Lamar the No. 1 "Hottest MC in the Game", on their annual list.[3] He also received a total of seven nominations at the 56th Annual Grammy Awards (2014), including Best New Artist, Album of the Year and Best Rap Song. A year later, at the 57th Annual Grammy Awards (2015), Lamar won Best Rap Performance and Best Rap Song for his single "i". In March 2015, Lamar released his third studio album, To Pimp a Butterfly, which incorporates elements of funk, spoken word poetry and jazz. It topped the charts in various countries, including the U.S. and the UK. Apart from his solo career, Lamar is also known as a member of the West Coast hip hop supergroup Black Hippy, alongside his TDE labelmates and fellow South Los Angeles-based rappers Ab-Soul, Jay Rock and Schoolboy Q.[4]

OFFICIAL BIO
Regarded upon his 2006 arrival as a promising beatmaker looming in the shadows of J Dilla, Madlib, waterfalls and Dabrye, Steven Ellison -- known as Flying Lotus -- nullified all comparisons only two years later with Los Angeles. On that album, his first of five for the Warp label, Ellison distilled a uniquely crisp, spasmodic, and heady sound with elements of hip-hop, avant-garde jazz, IDM, and dubstep. While the abovementioned producers fueled Ellison, he had also been excited as a youngster by the '90s West Coast rap classics that combined programming and live instrumentation. His sound continued to develop as he put his own twist on the approach, recording with a crop of jazz musicians including the indispensable likes of bassist Thundercat and strings master Miguel Atwood-Ferguson. This process began with the turbulent 2010 set Cosmogramma and peaked in terms of acclaim in 2014 with You're Dead!, which crashed the Top 20 of the Billboard 200 and spawned the Kendrick Lamar collaboration "Never Catch Me," a Grammy nominee for Best Dance Recording. Ellison devoted a few years to various forms of film work and the operation of his revered Brainfeeder label, and returned in 2019 with Flamagra, his second consecutive album to top Billboard's Dance/Electronic chart.

Sound & Color – the follow-up to Alabama Shakes’ Gold-certified debut album, Boys & Girls, which earned the group three GRAMMY® nominations, including a nod for Best New Artist – will be released in North America on April 21 by ATO Records. Rough Trade will release the album in the UK/Europe on April 20. 

Sound & Color demonstrates the tremendous strides made by Alabama Shakes since the release of 2012’s Boys & Girls. From the gently swaying, chiming title song to the garage-rock freak-out on “The Greatest” to the psychedelic space jam “Gemini,” Alabama Shakes build on the soulful blues-rock base and map a surprising, innovative new direction. 

“We took our time to write this record, and I’m really glad we did,” says lead singer/guitarist Brittany Howard. “We were able to sit down and think about what’s exciting to us. This record is full of genre-bending songs.”

Sound & Color was recorded at Nashville’s Sound Emporium studio. The band co-produced the album with Blake Mills—a young guitar wizard who has helmed sessions by Sara Watkins and Sky Ferreira, and played alongside everyone from Norah Jones and the Dixie Chicks to Lana Del Ray and Kid Rock. 

The success of Boys & Girls paved the way for Alabama Shakes – comprising lead singer/guitarist Brittany Howard, guitarist Heath Fogg, bassist Zac Cockrell, drummer Steve Johnson, and touring keyboard players Ben Tanner and Paul Horton – to become one of the most celebrated live acts in the world, as they delivered unforgettable performances everywhere from “Saturday Night Live” to the main stages of festivals like Bonnaroo and Glastonbury. Boys & Girls charted in the Top 10 in both the U.S. and the U.K. and "Hold On," the Gold-certified lead single, was voted the #1 Best Song of 2012 by Rolling Stone.


The Florida-bred swamp rockers have been bending genres, partying hard, touring the world, and leaving tales of joy and destruction in their wake. Founded by high-school buddies and co-lead vocalists Dominic Maresco (drums) and Scott "Skart" Suldo (guitars), the Supervillains' patented harmonies and hooks have permeated through many scenes while managing to stay true to their collective roots. Huge, ground-moving bass lines provided by Daniel Grundorf with multi-instrumental solos and melodies from Tom "T-Rex" Moulton compliment the combo's penchant for formulating unique arrangements, drawing from a wide range of influences. Southern vocal harmonies accompany undeniable reggae beats, tasty ska rhythms, and all-out punk rock insanity from a band that truly resembles the cultural melting pot of their home state.

After selling over 100,000+ records independently, the Supervillains successfully opened their own label RAH RAH RAH RECORDS in 2011, enlisting quality acts as well as themselves to be marketed to the band's fanbase and beyond. Long considered one of the most solid support acts to the biggest names in the genre (Pepper, Reel Big Fish, Slightly Stoopid), the Supervillains have taken the reins the last few years embarking on multiple headlining tours across North America and the Caribbean.

"Although the band themselves have grown beyond the conventional sound of ska, I could see no better example of
true scholars of this style of music and this culture,” BERKLEE GROOVE (Berklee College of Music - Boston, MA).

"The Supervillains are easily one of the most progressive bands in the scene..." ThePier.org

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Glass Animals are a Grammy and BRIT-nominated British band whose genre-blending sound and cult-like fandom have made them one of the most exciting acts in global pop. Their third album Dreamland became a cultural multi-platinum selling phenomenon and spawned Heat Waves, the record-breaking single that topped charts worldwide and made history as the first UK band to reach #1 on the Billboard Hot 100 in nearly 30 years. Last year, the band released their fourth critically acclaimed album I Love You So F**ing Much, a sci-fi-infused odyssey about love, connection, and what it means to feel real in a surreal world. It arrived alongside a 44-date world tour that included headlining The O2 Arena in London and Madison Square Gardens in New York. Frontman Dave Bayley — also one of pop’s most in-demand producers — writes and produces every song, often with an experimental DIY edge that blurs the lines between music, tech and visual art. This experimental production is particularly evident in the band’s Fresh Fruit series. Bayley uses these standalone singles to bring in guests and collaborators, giving himself space to play with new sounds. Their live shows are euphoric and surreal, driven by a deep connection with fans built through open-source creativity and unexpected digital drops.

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