2021 The Ox Year Epic Moments

19.10

26.2

full broadcasts from etc radio, datafruits.fm + sphere radio + wax n' cats twitch ( + wax n' cats blast radio + internet public radio + wnur-fm + main drain studios youtube + groove cafe + intergalactic-fm + terry radio + sutrofm; in the past)

@sphere_radio | twitch | @datafruits | wax n cats | @wnur | digfm

etc radio

On the 11th of November PERLON & LOFAR present 'GET PERLONIZED':

 

Lofar continues to celebrate its Deutschland connection with the first 'Get Perlonized' event on Dutch soil.

The Berlin-based label Perlon's unique approach to promoting and producing music has has taken

their catalogue beyond the 50th release mark; sampling, dissecting sounds, never losing focus on that

perfect dance floor 'hook',  and featuring the following rather infamous and talented artists:

Ricardo Villalobos, Mathew Jonson, Luciano, Baby Ford & Benjamin Wild [amongst others].

 

On the 11th of November at club NL, legendary Perlon label founder/producer Zip [aka Dimbiman] will most 

certainly rock & entertain, followed up by a slice of live stripped-down-ultra-deep-house by Melchior Production Ltd;

expect sounds and purification towards the essence of soul!

 

Line up: Melchior Productions Ltd, Zip, Ramchez, David Labeij

Date: 11-11-2005

Time: 22.00 - 08.00[!]

Get Perlonized Part 3 | 11-11-05 Club NL Amsterdam | Zip & Melchior

full broadcast

http://m50.net/playlists/2021.08.06.html

@nick-craddock...
Domenique Dumont - People On Sunday (Leaf)
Serwed - Shade Lyra (West Mineral Ltd.)
Queniv - Unfold (De Lichting)
Kevin Murning - Crimson Sphere (Quit Safari)
Bitstream - Stream One (Modern Love)
Multiplex - Vortak (Toytronic)
Bedouin Ascent - Crouched On Broken Glass (Rising High)
Barker - Models Of Wellbeing (Ostgut Ton)
Autechre - Piezo (Warp)
Sonic - 8082devast8 (Western Lore)
Late Night Approach - Overbridge (Klakson)
Urban Tribe - Micro Manager (Planet e)
Cyan85 - Data Lag (Voitax)
The Exaltics - The Truth (Solar One)
DJ Stingray - Disinformation (Presto!?)
Dettinger - Untitled (Kompakt)

@snad...
no setlist

@m50...
Dam Ru : Idafa : Too Many Voices : Temporize
Perfume Advert : Mad Downer : 06 : Cong Burn
Facta : Doves : Doves : Wisdom Teeth
Fasme : Sweet Flux : Stretched World : Nocta Numerica
Legowelt : Transit : FWD: Dedication : Eat This
Otik : Silhouetta : Zero Sum Game : Shall Not Fade
Tornado Wallace : Soft Light : Circadia : ESP Institute
Caustic 14 featuring Mike DMA : Lost Generation : 12 : Basic Moves
Rawell : Berlin Intern : Berlin Intern : WMF
Derek Carr : Ceres Station : Guardians Of A Kids Society : Childhood Intelligence
Earthen Sea : Venus : Mirage : Lovers Rock
Pub : Vilees Wideoo : Do You Ever Regret Pantomime? : Ampoule
Lutto Lento : Whips : Whips : Where To Now?
Capablanca : Less Dance : Lap Top Less Dance : Discos Capablanca
MM/KM : Pizza Auf Der Piazza (Part 2) : At Kardamom : Travel By Goods
Nick Malkin : Into The Light '93 : A Typical Night In The Pit : Soda Gong
Theo Parrish with Maurissa Rose : This Is For You : Wuddaji : Sound Signature
Cobblestone Jazz : Gumbordinary : The Live EP : Itiswhatitis
Sensorama : Airplane City : Love : Ladomat 2000
Vakula : Interpratation : I'm Starting To Feel Ok Vol 5 Pt 2 : Endless Flight
Scott Grooves : Prove Myself Deep : Technique : Natural Midi
Simon Hinter : Alright! (KRL remix) : Wanna Make Love : Quintessentials
Bella Boo : Rain On Me : Let's Go Out : Studio Barnhus
Hoavi : Squarecubelaw : Until Tomorrow : Minor Notes
Rai Scott : Anahata Nada : Anahata Nada : Chateau Chepere
Andrew Haines : Bluenight

streamed live at
@datafruits, ICN
@internetpublicradio, GDL
Sphere-Radio, LEJ
Wax n' Cats, CHI

Nick Craddock + Snad + m50 @ etc 2021.08.06

Resident Mihail P inviting over Timbomix in the first half of the show! Delivering a smooth deep house mix to get you going, before Mihail P takes over the second hour. Enjoy!

www.amokradio.co

Sonic Soup - Mihail P & Timbomix (07.10.21)

The mysterious Ulf returns with another progressive and tripped out deep techno set for the Lambda Series - guest recordings for VR inspired by colour and light



Earthen Sea /Our Bloods (Silent Season)
Hiver /Time Lapse (On Board Music)
ASC & Semblance /Simulacra (Auxiliary)
O.utlier /Superoperator (Appian Sounds)
Anton Kubikov /When Is Deep? [Dot Remix] (Æ Recordings)
Forest Drive West /Hidden Past (Mantis)
A Positive Life /5am Warehouse (Re:Discovery)
Donato Dozzy & Anna Caragnano /Parola [Rework] (Spazio Disponibile)
Skee Mask /Larus Canus (Ilian Tape)
H.O.M /Unathi [Haute Couture Euphoria] (House of Mora)
Feral /Chiromanzia (Aube)
Artefakt /Icarus (Delsin)
Petrichor /Blota (Soma)
Inigo Kennedy /NGC5128 (Token)
Nthng /Remember Us (Mörk)
Truncate /Swerve (ARTS)
Robert Hood /Towns That Are Disappearing Completely (M Plant)
Jeff Mills /Cycle 30 (Axis)
Dino Sabbatini /Ritual (Prologue)
Luigi Tozzi /Deep Blue (Hypnus)
Boston 168 /Psy Waves (ARTS)
Edanticonf /A New Life (Further Electronix)
Sam KDC /Captured (Veil)

VR November 2021

Lambda Series_009_795_Ulf

Mixed & recorded live at Hoppetosse, Berlin

AW on Bandcamp >>

AudioWernerDJ@Hoppetosse/TuneIn_03.12.2017

For our 31st appointment, we have invited Brouqade head Dana Ruh, for an exclusive 75mins of powerful music, recorded live at Club der Visionaere during her latest label showcase.

Based in Berlin, Dana use to tour around the globe as a Cocoon resident. She also performs for several international promoters and, few times per year, she run label showcases, mainly in the German capital and in Ibiza. 

Her amazing experience, combined with her instinct in discovering talents to onboard on her label and her refined selection, makes Dana the perfect multi-tasking artist, reason why we are super pleased to have her with us.

Tune in!

Trommel.031 - Dana Ruh

Fresh goods all the way from Nantes, France for this episode.

We met Thomy and the Voiceless fam a while back in Leeds on their travels. These guys are likeminded characters and have a mutual love for the weird and wonderful, so it's a perfect recipe. We've got an hour of bumpin' bleeps and beats here for you to sink your teeth in to. Enjoy!

BSU 053 - Thomy (Voiceless)

One of our favorites and a regular at our partys for many years. 
Maayan Nidam with a special house set. Recorded live at Robert Johnson at our label night on 18.10.2019.
https://www.pressuretraxx.com
https://www.facebook.com/MaayanNidam/

PTX Cast 010 - Maayan Nidam

Rinse FM Podcast

Luca Lozano - 22 December 2019

We are happy to see in our series of “live recordings” Lamache, boss of the Discobar label. He played at our party with the French company Yoyaku, which was held in Mutabor on February 22, 2020. Enjoy the moment to hear unique grooves from his collection.

Follow artist:
on Facebook: facebook.com/lamache.music
on SoundCloud: @lam-ache-or-lettuce

Follow Yoyaku:
on Facebook: facebook.com/yoyaku.fr
on SoundCloud: @yoyaku

Lamache - Slwdnc x Yoyaku at Mutabor . Moscow [22-02-20]

It's with great pleasure to welcome long time dear friend Jonny Nash (@jonnynash) who in 2019 released 'Make A Wilderness' with us (MFM037). Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hey Jonny, welcome to the series. So, it's already been over a year ago since Make A Wilderness came out. How do you look back on that now? 

JN: In many ways Make A Wilderness marked the start of a new chapter for me, the first steps into new territory - a wilderness you could say! That record was really about exploring a simple question - what kind of sounds resonate with me, and why. I think the record was primarily an exercise in sound, and not necessarily in arrangements or songwriting. I felt it was necessary to open the doors to new sounds in this record, and I feel like I got pretty close to creating the album that I wanted to make. 

MFM: You went to different places to record specific instruments and in certain environments. Why? 

JN: It took me a long time to make the record, not in terms of actually writing the music, but determining what the instrumentation should be. I wanted a finely balanced mix of alien, unfamiliar sounds and organic human sounds, to somehow express a feeling of “ancient future”, the sense of floating in some timeless space that could be millions of years in the past or in the future. I found that the Cristal Baschet, was perfect for expressing this feeling of “deep time”. Capable of beautiful harmonics and also wonderful atonal textures, it was a central part of the album. I contrasted these sounds with familiar instruments such as piano, vibraphone and voice. It was very important to have some sparse elements of voice in the record to somehow keep it grounded on earth. 

MFM: Have you always been that interested in sound and sound sculpturing?

JN: Well, I’m a naturally curious person and I think my brain and also my ears are always developing and learning new things. I think that I am able to hear sound in a different way than I did a few years ago. A big switch from focussing on melody as the dominant element that catches my attention. Of course, melody is still a central element for me but I now spend alot of time thinking about timbre, the colour of the sound and how the distinctive character of a sound sits in context with other sounds in a given composition. New ways of hearing influenced the record and took me to a place where “sound sculpting” was of equal importance as deciding what chords and melodies to choose. 

MFM: You mentioned earlier that the past couple of months your label Melody As Truth got a lot support through digital sales. Does that have effect on your label vision and strategy?

JN: The switch towards digital and especially streaming does undoubtedly have an effect on how I think as a label owner. It is pretty clear that this is an important area of growth and although there are lots of issues with certain platforms and revenue models, I find it important to keep on top of what is going on and try to adapt. In the future I can see the label experimenting more with digital only releases, I think there are interesting areas to explore here. Quiet dynamic music cut on vinyl in 2020 often sounds worse than a WAV file to my ears. I also buy hardly any vinyl myself these days, it is expensive, taxing on the environment and often a form of object fetishism. The other side is that a physical object looks amazing, can sound great, gives full importance to the artwork and design, can be treasured and won’t be lost. So a physical object is almost like an insurance policy for not losing the music too. I guess I’m sitting somewhere in the middle.

MFM: Thanks for contributing your mix. Can you tell us a bit about it?
 
JN: The mix is pretty much a selection of music I have been enjoying or discovered this year. A few older favourites too. I had no idea except to make something that I would enjoy listening to whilst having a walk or reading in the morning.

MFM Mix 020: Jonny Nash

Mix 21 comes from the hands of Potato Head resident and Second Circle affiliate Dea Barandana (@dea-barandana). Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hi Dea, welcome to the series. How have you been lately? How are you spending your days in Bali?

DB: Hi!! Thanks for having me. I’m actually doing well, i’ve been living in Jakarta for the past 3 months. I moved to Jakarta in order to work in the music industry, which is more alive here, where in Bali 93% of the income are coming from  tourism.

MFM: I assume dance floors in Indonesia have been closed for a while too, right? As a resident of Potato Head, do you fear for what will become of nightlife after all this is over or do you extract positive energy from it too maybe?

DB: It is pretty much dead regarding club scene in Indonesia, but there are still nightclubs open illegally here and there. I don’t want to think about too much, I just hope the best for everyone who work or involve in anyway with this industry to survive this pandemic situation.

MFM: Can you tell a bit more about how you initially got involved in becoming a resident for Potato Head?

DB: It was all started on 2012, which is pretty much day 1 . Back then I was only a resident DJ and soon it progressed to managing their audio engineering thing, setting up all their music venues such as Studio Eksotika, Kaum Jakarta, etc, even involve in designing room acoustic for them. So pretty much I’m doing almost everything related to sound and music in that company. And the actually gave me a cool title as AUDIOPHILE DIRECTOR hahahahha..

MFM: You were a musician at that time too already, right? What's the balance like in between all those roles?

DB: I wouldn’t say I’m a musician, I do play instruments but I don’t consider myself as a musician. I see myself more as an audio engineer and a sound designer. DJing is not my main income, I did it just because of my obsession on collecting music in any physical form, and I like to share it to others. DJing is just one of many ways to do so. But yeah 70% of my income comes from music or audio work related.

MFM: Exactly one year ago your first release as part of Zatua came out via Second Circle, as result of a live improvisation of 4 members. What can you say about how the EP was recorded?

DB: It’s recorded live, I don’t use any samples. My role in the band is the rhythm section. I wrote most of the bass line, both acoustic and synth based. I also wrote melodies and ideas for pretty much everything.

MFM: It initially was never a planned project, correct? Now that the first release is a fact, do you have more future ideas and plans for it? 

DB: For now, I’m more focusing on working with my other band than Zatua. The band are called White Shoes and The Couples Company, it’s one of the biggest independent group here in Indonesia and I'm in charge of the production of their 3rd album, I wasn’t part of the group but I took full responsibility on their recording process. It's different from my usual style but its more applicable for Indonesia local market. I supposed to release 2 mini album of my solo project this year, but it got postponed because of the pandemic. For Zatua itself, hopefully we can record a new album by the end of the year.

MFM: Thanks a lot for sending in your contribution to our mix series. What can tell about the mix? 

DB: I’m just let it flow. I don’t think to much when I play records.

MFM Mix 021: Dea Barandana

2020, in my opinion, was an amazing year for ambient music. I don't know if it was simply the right conditions due to the pandemic and producers being stuck at home, or if I'm just starting to notice stuff more, but I ended up buying more ambient than I ever have. I have loads of it on wishlists for future purchases as well on Bandcamp and record store sites. 

For this mix, I compiled some of my favorite ambient tracks that I bought on vinyl this year, all of which I believe were released this year. There are so many good ambient releases that aren't released on vinyl, so I wouldn't necessarily consider all of these my top favorites of the year, but they're all certainly up there. 

Anyway, I hope you enjoy it, and let's hope 2021 is a better year altogether ;). Happy New Year!

TL:
Bartosz Kruczyński - IV [Emotional Response]
Nikolaienko - Jazz Tape [Muscut]
Piper Spray - First Snow [Gost Zvuk]
Gia Margaret - Apathy [Dalliance Recordings/Orindal Records]
Vera Drale - Sirutumine [Good Morning Tapes]
Eden Burns - Kelly 1 [Public Possession]
Robert Merlak - Skele [SWIMS]
Evano - Grandel_s Musyc [Voiceless]
Todd Mattei - Lake Charles [Standards & Practices]
Pontiac Streator - Trizlang Gem ft. Ulla [Motion Ward]
Folder - Smaze [Experiences Ltd.]
Haji K - Black Against An Orange Line [Daisart]
J. Albert - Skitter [anno]
Ben Bondy - Flejlern [Experiences Ltd.]
Ulla - New Poem [Experiences Ltd.]
Kaiji - ჭოლევი [Kimochi Sound]
Exael + Arad Acid - My Love Is An Extension of You [Motion Ward]
Axel Boman - Echoes Of My Mind [Studio Barnhus]
Ben Bondy - Suelti [West Mineral Ltd.]
Grand River - Equations For A Falling Body [Editions Mego]
Ura - Neo Piano (Unextended Version) [NAFF]
Echium - Yellow-Flowered [Sferic]
Arv & Miljö - Fireworks In The Sky [Discreet Music]
Pontiac Streator - Triz Cohors Pt. 3 [Motion Ward]
Broshuda - Airlite DMV [Soda Gong]
DVL - Hotel Vibes [ÆX]

Alex Steiner - Best of Ambient 2020 Vinyl Mix

Kenyan artist KMRU records a deep, transportive mix of ambient electronics, rustling beats and found sounds for the Fresh Kicks series

Interview & tracklist: https://djmag.com/features/fresh-kicks-147-kmru

Fresh Kicks 147: KMRU

If you dig this content please consider supporting the performer/artist if you can spare a few pennies > https://www.paypal.com/paypalme/templeofvinyl
Recorded Live at the Lion and Lamb Pub, London on February 8th 2020 for Ornate Music presents: 
Miles Atmospheric
'The Quadra EP Release Party'


@alex-downey
www.residentadvisor.net/dj/alexdowney
www.facebook.com/AlicksDowney
www.instagram.com/alyxdowney
Interview: www.untitled909.com/alex-downey/
www.facebook.com/brainsurgeryhq/

Ornate Music presents The Quadra EP Release Party

Alex Downey Live at The Quadra EP Release Party 2020-02-08

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Our cabin attendants are superbly designed, but there's only one problem: when they've served on so many long journeys, fatigue begins to set in. For example, they might want to laugh, but the smile would be slow to come. They might want to cry, but the tear wouldn't well up till the next day.

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"$" link above goes to my Patreon page. Thanks to all of the supporters there, this Soundcloud archive is back online! Subscribe to the Patreon page if you want bonus goodies, early access, and behind the scenes info. Special thanks to @aka_r-ss @cahlsel @sug_online @whosdjk @petrasounds kujuak @programspace @mascrujiente @lexstein @firedrill @vertical-cat ray_rod @2012afterlife rytis @simonswain

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