017 Daniel Pisano

Nearly 4 hours of being so smooth it's slippery. The fun kind of slippery. Sliding you downtempo into Boogie, slowly burning you through streets of Soul, touching you like only RNB can. 

Put down that ruler in your hand, because this mix from Daniel Pisano, we assure you, is very good measure. 

Recorded live @Waxflowerbar

017 Daniel Pisano

Over the last few months we've been quietly archiving all of the amazing music that gets shared at Paradise every weekend and we're now ready to slowly share those magic moments with the rest of the world.

Our inaugural recording comes courtesy of a first time B2B session that occurred between Josh Cheon of @darkentriesrecords and @barparttime's co-founder @jeremy_castillo at the Bar Part Time x Open Ferment afterparty on September 9, 2022.

Enjoy this two hour glimpse into a high vibe / high consumption evening with two of San Franciscos most talented and warm hearted DJs and be sure to check back often for more additions to the archive!

📸: Karli Fahlman

Paradise Archives Vol. 1 with Josh Cheon B2B Jeremy Castillo

SWAYMIX 001 - Telephones

Jura Soundsystem aka Kev Griffiths, the mastermind behind the always on point "Isle of Jura Records" serves up a 90 minute micro vacation triiip to a place we all wish we could escape to. 

ID Requests ~ @jura_soundsystem

1800 triiip - Jura Soundsystem - Mix 052

"2h40m of private soul r’n’b, gangsta hip-hop to electro boogie seasoned with gospel from cassettes, CDs & vinyl digs mixed by Lorem Ipsum and 12manrambo" - @lorem-ipsum-yo + @kickallhabits

B.P.T. Radio 084: Lorem Ipsum X 12manrambo

Sincerly Yours, Just Jaymes

M August & J Castillo "Coast 2 Coast"

"Following up on our first shared endeavor, “Magic Jive” (2020), we are thrilled to continue this journey and introduce you to our first cassette mix, “Matamoros”.

We strived to seamlessly transition from where our previous mix left off, with the former ending “Late Summer Night” echoing at the very beginning of the recording. You will find here a collection of songs that have serenaded our lives over the past three years, mostly re-edited to make them coexist flawlessly.

On Side A “Onda”, you will listen to a light contemplative sailing soundtrack whilst Side B “Costa” depicts what would be our dream setting for a night at a resort park discotheque."

- Linda & Norm @mlle_elle @memorabiliarecords

Linda & Norm - Matamoros (BPT001)

it's been a while... and we're back with a gentle bang a.k.a. a mix of the amazing Sanky @sankywashere!! 
Many of you will have had the pleasure to dive into his selections at other sites. Being a fan for a good while I dared to ask him for a mix and now we installed a window to his universe here at the bin too! As I always enjoyed the variety and finesse of his mixes I asked for his musical background and Sanky was so nice to share this with us: 
"My mother was a piano teacher and sometimes practiced with various classical musicians who were playing at city hall so the house almost always had strange, orchestral sounds emanating from the dusty front room. I can't play a note of piano as my hands don't seem to want to work together as 10 fingers but I can play some wind instruments and loved learning the trumpet, these strange organic sounds are something that I now realize feature heavily when out looking for records, weird sounds seem to mean as much as beautiful lyrics these days. I also think the varied pace of classical from Adagio all up to Presto might have influenced me more than I thought too. I've never really understood music in terms of bpm's but more on feeling. I'm 51 and I feel really lucky to grow up in a pre internet world on rare soul and jazz, boogie, soundtracks, samples and hip hop which provided another view of how incredibly different music really can be. Hearing Colin Curtis screaming down the mic at age 15 playing Margie Evans “Waterfalls” or watching David Mancuso drop “Whole Lotta Love” after Tamiko Jones “Can’t Live Without Your Love’ at 6pm in the afternoon and watch people lose their minds are things I feel truly lucky to have witnessed, genius at work for sure.
 
I just still look out for the oddness, especially on 7” as there is still so much undiscovered music there but also something that sounds familiar even when it’s not. I live in Mexico now and again due to what I hear day to day in the street (not just necessarily music) changes what I collect, the feeling of life here is softer and slower so this mix might have a piece of that in it. I hope you listen to the mix all the way through in a comfortable place you feel happy to be in. It has some of my most favorite records I play over and over…big love.

Let me know if you want to know what any of the tracks are and thanks to the main man Basso who’s been an inspiration for years. 

Cocktails on the beach for all…x

Dedicated to My Mother Kate. RIP."

THANKS SO MUCH SANKY!!!

Sankywashere - Room To Breathe (Guest Mix, 2024)

Next up with magic mix number seventy nine is Danny Bodega @beaton-4

An aussie now based out of London he's runs Gazebo Records which has just reissued and pressed the great Fuemana – New Urban Polynesian album to vinyl for the first time. Go check it if you haven't already.
Elsewhere he's popped up with mixes on Skylab Radio, Under The Apricot Tree and Sanctuary and now he lands here with 'a dog's breakfast' - his own words  ;)

Far from that it's a crisp concoction of cruisers perfect for a sunny evening. Enjoy :)

Links -
https://www.youtube.com/@gazebovinyl
https://gazeborecords.bandcamp.com/

M a g i c a s t - 0 7 9 🎇 - Danny Bodega

Raised in the heart of the Balearic homeland, Dj Aficionado cruises in at the right moment with an appropriately sun kissed selection. Currently based in Berlin, he has found a cosy corner on Refuge Worldwide where he regularly rides the waves with his show Francachela. Pathing his way through the nightlife, he pushes big-room Balearic sounds around town with Orbita, a freshly minted party he runs alongside Llupe. Recorded in a free flowing manner this offering includes Downtempo, Street Soul, Italo and more to wash down an afternoon Cava and bring in that sunset you’ve been waiting for.

@aficionado_dj

LIFE CLASSICS 67 DJ AFICIONADO

London’s Customs duo are connoisseurs of finely crafted garage music, two life long devotees to the sound’s deeply swung rhythms and unifying dancefloor vibrations.

Finessing their take on all things garage (not garage) through their regular spots on Kiosk Radio and at London's Giant Steps, the guys join us with a swinging smorgasbord of 90s and early 00s records from the UK, dabbling in top notch garage and some of the sounds that anticipated broken beat and early grime productions. 

@customs_ldn

Q. What inspiration did you draw upon when combining for this mix, and what kind of setting might you imagine it being enjoyed in the most?

Guy: 

Firstly, thank you Myles so much for sharing this mix. Longtime fans of MDC! Both of us answered “driving” as the best setting, which is funny since neither of us drives. So maybe “riding” rather than driving. Lots of thoughts percolated for me on night drives to inner city Manchester a few months back. Definitely inspired by the All Bad Boy & All Good Girl archive work of Death Is Not The End, resurfacing the sound of Moss Side blues parties like Soul Control. Reading Ed Gillett’s new-ish book Party Lines also gave a push further into alternate UK dance histories, specifically Black club scenes and music that ‘swings’.

Tom: 

I’ve been bingeing on a bunch of old club recordings from the ‘speed garage’ era lately - sets from places like Club Koo and The Colosseum - and I think some of the energy from that early blend of UK and US sounds has definitely bubbled over into this mix.

Q. With the mix showcasing your shared appreciation for deep garage music and its many adjacent styles and offshoots, could you give us a brief insight into your journeys with the sound, and what years, artists or labels have you found to be responsible for the most timeless cuts in your record bags?

Guy: 

It was a nocturnal radio sound for me as a young teenager I guess, largely mysterious, coming largely from London when I was growing up in the north west. But the sampling of R&B vocals from stuff I knew made it immediately accessible. In more recent years, digging in London, I’ve tended to get most excited by either one-off/ white label riddles that are sometimes garage-not-garage, and also alias stuff from bigger name producers across bigger labels in the genre - G-Spot Records, Nice ‘N’ Ripe, Unda-Vybe etc. 

Tom:

I actually started out as a bedroom garage DJ, so it’s a bit of a full-circle moment for me. I had a mate at school who wanted to be an MC, and on Saturdays we used to hit up Music & Video Exchange to pick up whatever white labels we could find before heading back to his flat in Ladbroke Grove to practice a set that nobody would ever hear. Shout out to Nick The Greek, wherever you are! Twenty-something years later, I’m still finding exciting stuff from the same producers we loved back then - guys like Jeremy Sylvester and Mike Millrain who have these unfathomably deep back-catalogues.

Q. Are there any songs in the mix that are especially close to your hearts, and what is it about these tracks that resonate with you so much?

Guy: 

I’d call out 2. Artist Formerly Known as PP - When I’m Down, from 1998. Bit of a private press oddity from a producer who’s prolific but mysterious (the PP = ‘Persian Prince’). It’s a kind of rolling, morphing megamix type cut that samples Brandy - Best Friend but also features raw toasting style MC bits the likes of which you hear from the live party recordings in All Bad Boy & All Good Girl. The other is Colour 3 - La Femme, a beautiful, melodic white label that’s been so versatile for me since I picked it up from Crazy Beat in Upminster. Has worked a treat on sound systems like Giant Steps and after parties alike. 

Tom:

The penultimate track, Drivers Anthem, is a special one for me. Super deep and melodic production, but with that trademark UK bump on the bottom end.

M August & J Castillo "Coast 2 Coast"

M August

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