A playlist accompanying the substack article on the bass sound bubbling up in brooklyn scene lately - https://naturalmusic.substack.com/p/natural-music-4-mid-may-mixes-and

Also including some sounds from outside of brooklyn that really fit the mold

swampy bk proto bass

i've made some adjustments
Recorded live at The Lot Radio in New York City October 13th 2023

menak lelah Qow
slow burn aircode
bone tags k wata
gut ritual amazondotcom
rail carrier genus aix 
88 cousin
analysis feat. yoofie kercha
emp sister zo
that boy that can’t sit still henzo
rapids simo cell
dishonest zygos.
patterns dj madd
gohda chamberlain ghoda
don’t you think joseph efi

friday the 13♱h

get deep with mush

http://www.instagram.com/childhoodceiling

the mush room @ The Lot Radio 01-05-2024

"It’s so much harder to breathe here. Even with your helmet on, each breath you draw is deep and labored, barely filling your lungs with enough oxygen. Your eyes go fuzzy, but you keep going. It’s just a few more steps until you can breathe normally again. You push the saloon doors open. You take off your suit helmet and make a promise to yourself that it was the last time you’d let yourself stay that long on the outside again. You wonder how many times you’ve told yourself that same thing. Some day you won’t make it back in. But today isn’t that day. Feels good to be able to breathe again. You need a drink. 

There’s no one tending bar. One guy’s sleeping in a booth, drink half finished, couple empty pint glasses beside him. You ding the bell and wait a minute, but no one comes to help you out. Some shithole you’ve found yourself in. You hop the bar and take a glass off the shelf. Not like anyone’s gonna stop you. You pour yourself some of whatever’s on tap. Looks cloudy, but still green. Tastes okay. You look around at the weird old junk in here. It’s mostly Wild West paraphernalia from Earth. Kitschy, kind of charming though. Feels a bit passé. There’s a warped pool table and sitting behind it is a jukebox and you make your way over. It’s covered in dust. You wonder when the last time someone touched this thing was. You turn it on, and a message comes on the screen which reads: “Do you wanna dance?” 

Well — Do you?"

@como-se-dj
IG: @como.se.dj
@rec.esss

Distant Signals 042: como se DJ

Name: Eva Loveless (@evaloveless)
Pronouns: she/her
Location: Queens, NYC, USA

Influences: 
Dub, soundsystem culture, Deep Medi, frogs, electro, syncopation, CCL, music coming out of cars as they drive by, and the way the low-end can make a whole dance floor go wild

Affiliations/Residencies/Projects: 
Mélange: https://www.instagram.com/melange_nyc

Favorite Quote: 
“There's something to be said about all music being some translation of our languaging, our way of communicating. It's a language. This is a new language.”
— Suzanne Ciani

Advice for the DJs, producers and artists of our community:
Go to parties you love and surround yourself with people whose work you admire. Always strive for authenticity because you can absolutely never appeal to every audience your work will come in contact with.

With this mix Eva Loveless asks for you to please learn more about and consider donating:
❁ I ask that listeners give what they can to the Gaza Medical Professionals Fund (https://www.gofundme.com/f/urgent-support-for-medical-workers-in-gaza)

Tracklist and more at - https://thedaisychain.club/2024/02/20/daisychain-318-eva-loveless/

Daisychain

Daisychain 318 - Eva Loveless

Our next mixtape comes courtesy of Puglia born London based Niche founder, 	𝐈𝐤ä𝐯ä 𝐏𝐢𝐢.

A high energy hour of weird swampy sounds, eery melodies & intricate detail, put together with so much love and care it feels like one full track. 

Sometimes you listen to a mix & it feels like a true expression of someones personality, and that’s how we feel with this one. Thank you so much Giacomo <3

@ikavapii

𝐧𝐚𝐦𝐞 / 𝐩𝐫𝐨𝐧𝐨𝐮𝐧𝐬 / 𝐰𝐡𝐞𝐫𝐞 𝐝𝐨 𝐮 𝐥𝐢𝐯𝐞
Giacomo, Ikävä Pii / he, they / Hackney Wick

𝐭𝐞𝐥𝐥 𝐮𝐬 𝐚𝐛𝐨𝐮𝐭 𝐭𝐡𝐞 𝐜𝐨𝐧𝐜𝐞𝐩𝐭 𝐨𝐟 𝐭𝐡𝐢𝐬 𝐦𝐢𝐱
Weirdness and detail. This is all I want as a listener and a dancer, and what I want to convey as Ikävä Pii. In this mix I’ve explored slowfast ambiguity, music for ponds and futuristic punk, pairing Italian Sunitty with warped UK techno, with a couple of WTF turns.

For the most part, it is extremely detailed music. It’s abstract and rich. I don’t like the definition of “sound design” anymore: it sounds “functional”, as if the goal was creating a product. These producers are (like me), instead, trying to spawn detailed worlds.

𝐡𝐨𝐰 𝐡𝐚𝐬 𝐲𝐨𝐮𝐫 𝐞𝐧𝐯𝐢𝐫𝐨𝐧𝐦𝐞𝐧𝐭 𝐩𝐚𝐬𝐭 𝐚𝐧𝐝 𝐩𝐫𝐞𝐬𝐞𝐧𝐭 𝐢𝐧𝐟𝐥𝐮𝐞𝐧𝐜𝐞𝐝 𝐲𝐨𝐮𝐫 𝐬𝐨𝐮𝐧𝐝 𝐚𝐧𝐝 𝐚𝐩𝐩𝐫𝐨𝐚𝐜𝐡 𝐭𝐨 𝐦𝐮𝐬𝐢𝐜?
I’ve started making music with a punk band in Puglia. I picked up a guitar because my father and all his brothers played. Family gatherings were beautifully loud. Puglia was still a poor and tough place when I was a kid, so my love for international music was a form of escapism. I was (like many others) online a lot and in touch with musicians from all over the world. I started dreaming of London listening to The Clash at maybe 12yo? London has truly shaped me, I was radicalised here. Politically and artistically. And here’s where I embraced my queerness.

I think, in many instances, it was here that I was exposed to some really fringe stuff, and that’s how I realised I loved everything that was genuinely weird or boundaries-pushing. Furthermore, I believe that Hackney Wick makes my life as an artist easier. Cheap rent, community and proximity: it’s a 5 mins walk from the warehouse to the studio and the venue, and sometimes special things only happen thanks to the support of other locals. You know who you are! <3

𝐭𝐞𝐥𝐥 𝐮𝐬 𝐦𝐨𝐫𝐞 𝐚𝐛𝐨𝐮𝐭 𝐧𝐢𝐜𝐡𝐞, 𝐰𝐡𝐞𝐧 & 𝐰𝐡𝐲 𝐝𝐢𝐝 𝐲𝐨𝐮 𝐬𝐭𝐚𝐫𝐭 𝐭𝐡𝐞 𝐞𝐯𝐞𝐧𝐭 𝐬𝐞𝐫𝐢𝐞𝐬 & 𝐰𝐡𝐚𝐭 𝐢𝐬 𝐲𝐨𝐮𝐫 𝐚𝐩𝐩𝐫𝐨𝐚𝐜𝐡 𝐭𝐨 𝐜𝐮𝐫𝐚𝐭𝐢𝐨𝐧?
Niche started in April 2023 as a monthly sonic hangout; noisy jams, open decks, and improvised sets. Now it’s a full-scale event, with performances by some of the best artists we know. It started out of necessity: an accessible space to experiment with fellow noisemakers. 
My relationship with the venue was crucial; I’ve been a resident at The Bath House for 2 years now, and Niche can only happen because my studio is there.

It is a lovely ecosystem of musicians, DJs, listeners and dwellers. We are trying to bridge the gap between the bedroom and the venue, offering a space for people to try new things out and take risks, playing for the most understanding audience. In terms of curation, I am looking for the most daring acts out there - no genre limitations, but definitely priority to live shows, and musicians in particular. 
Alongside artists I know and/or follow, we met incredibly talented people through the open calls, or other nice folks who just jumped on the groupchat and asked to play! Keeping it as open and diverse as possible is at the core of our practice. We only have one resident at the moment - the amazing Queenie.

𝐬𝐮𝐦𝐦𝐚𝐫𝐢𝐬𝐞 𝐭𝐡𝐢𝐬 𝐦𝐢𝐱 𝐢𝐧 𝐭𝐡𝐫𝐞𝐞 𝐰𝐨𝐫𝐝𝐬
slowfast, weird, detailed

interview continued via substack - https://allmovingobjects.substack.com

𝐌𝐚𝐲 𝟏𝟕𝐭𝐡 𝐚𝐭 𝐎𝐫𝐦𝐬𝐢𝐝𝐞 𝐏𝐫𝐨𝐣𝐞𝐜𝐭𝐬 𝐰𝐢𝐭𝐡 𝐒𝐭𝐫𝐮𝐜𝐭𝐢𝐨𝐧 [𝐈𝐥𝐢𝐚𝐧 𝐓𝐚𝐩𝐞], 𝐉𝐮𝐫𝐚𝐧𝐠𝐨, 𝐃𝐣 𝐰𝐢𝐠𝐠𝐥𝐞𝐬 & 𝐑𝐲𝐨 𝐊𝐮𝐫𝐚𝐬𝐡𝐢𝐧𝐚 https://ra.co/events/1883623

kinetic mix 027: Ikävä Pii "weird details"

Re-recording of my opening and closings sets for the inaugural Ballet at Bossa Nova Civic Club, which featured guests Special Guest DJ and Celes.

mush - BALLET @ Bossa Nova Civic Club

mush