Bookings - International/Rest of the World 
roman.trystram@caa.com

Nano, c’est pas un blaze de scène, c’est son vrai surnom, celui que ses parents lui ont collé gamin. C’est resté. Comme un fil rouge.
Né avec du vinyle dans les oreilles – ceux du grand frère, de la grande sœur – il grandit entre riffs, nappes et craquements. À 8 piges, il tapote des notes en BASIC sur un Thomson TO8D pendant que les autres jouent dehors. Puis vient l’Atari 520 STE, le premier Cubase, la claque.
Mais c’est avec Rebirth RB-338 qu’il sent le déclic : deux TB-303, une TR-808, une TR-909. L’acid comme point d’ancrage. Le son comme langage.
Avant ça, c’était la fusion, le bruit, les guitares. À 14 ans il hurle dans un groupe monté avec son meilleur pote bassiste – grosse influence Biohazard, Machine Head, Suicidal Tendencies. Il vénère Mike Patton, bien sûr. Ils retournent quelques scènes locales, ils y croient. C’est brut, c’est vrai, c’est vivant.
À 18 ans, il perd son père. Choc. Il se barre à Lyon avec le seul diplôme que l’école a bien voulu lui filer. Et là, les raves. Les vraies. Suburbass, Radiobomb, Les Boucles Étranges, des bagnoles dans les champs, des câbles dans la boue, des kicks toute la nuit. Il découvre l’indus, la goa, la transe sale et lumineuse. Il s’enfonce dans les machines.
Aujourd’hui, Nano fait sa musique. Point. Parfois c’est pas dansant, parfois ça l’est trop. Il s’en fout. Il compose, chante, sculpte ses sons, fabrique ses propres patchs de synthé, n’utilise quasi jamais de samples (bon, sauf pour le kit de batterie, il avoue). Il crée tout de A à Z, avec rage, précision et amour. Pas là pour suivre une mode. Là pour creuser son sillon.
Nano, c’est la machine qui palpite. L’organique dans l’électronique. Le chaos avec une âme.

MindReaders project is the unique union of two friends, Fred H. and William Wild, both a must of the north France club scene for over 15 years.



After countless events working alongside either as Djs or coordinators, those pioneers of the club scene finally get together to produce their own sound.





Initiated by Fred H. for the launch of its double pack on the English label Primary Recordings followed by the launch of a title for the Dark Dog compilation mixed by David Maltese (Gravity- Rex Club), William Wild logically joined MindReaders in 2008, as the need to produce music together became greater.











&nbsp;This union of Djs / producers whose styles are so different yet so complementary fathered the mix ‘Ya tu Sabes’ by Francisco Allendes (Cadenza) on Limonada recordings label, mix publicised by Tiefschwartz, Kolombo, Marcel Rosselot, Djul’z, Arnaud le Texier, Pepperpot. In 2010, their own single will also be released on Limonada recordings.











By combining their knowledge of house and techno, Mindreaders offers a unique creation where beats meet brains and festivity meet vibrancy.





Thus, highlighting their common references like New York and Chicago House and Detroit Techno.





With numerous clubs and festivals under their belts (Villa Rouge, Rex club, Studio 287, Peniche concorde, Nordik Impackt 2&amp;3, Astropolis, etc), their sets always receive unanimous response as they guarantee to mix with subtlety brand new sounds with rare ones for their electro culture and knowledge extend over 20 years.










MMF AKA Marty mc Fly (ewi/martizik/Paris)

Marty a choisi de promouvoir la musique électronique dans les Caraïbes en fondant l’association EWI (Electro West Indies).
Depuis une quinzaine d’années, il évolue entre la Martinique et la métropole.
Sur son parcours, il a croisé de nombreux dj tel que :
Jef K, Agoria, Dyed Soundorom, Dj Oil, Gilles Peterson, Norman Jay, Dj Vadim, Tambour Battant, Popof, Breakbot, Dj weedim, Nicolas masseyeff, Dj Akta, Citizen kain pour ne citer qu’eux. 
Influencé par différents styles musicaux, ses mixes et différents projets sont une invitation au voyage.
Il est adepte de l’éclectisme et des rythmes colorés.
Sa musique sait se faire puissante tout en restant festive.

Marty se partage aujourd’hui entre la création et de nombreuses prestations, ce qui lui donne une place de dj atypique sur la scène électronique internationale.
http://www.mixcloud.com/djmmf/
www.soundcloud.com/djmmf

Vidéos :   http://www.youtube.com/watch?v=v1I2FLMwyNo
               http://www.youtube.com/watch?v=4JpaShViLAI  
               http://www.youtube.com/watch?v=PTNw6P07vqI  
               http://www.youtube.com/watch?v=LiAwp9AFxvw
               http://www.youtube.com/watch?v=S6FBxEhgKpw

EWIcrew: https://www.facebook.com/ewicrew

Fan Page : https://www.facebook.com/pages/DJ-MMF-aka-MARTY-MC-FLY/29714252542?fref=ts


Harnessing a distinct brand of artistry that knows no categorical bounds, the DJ, producer and record label head has cemented herself as one of the music industry’s most in-demand names at nothing short of breakneck speed. Her signature sonic approach masterfully blends genres with a visceral energy that commands attention, the ardent catalyst in her meteoric rise from Belgium’s underground to global phenomenon status.

Clubbing was in its infancy when Berlin-born Monika Kruse began her first residency at the Babalu bar in Munich, where she grew up. Classically trained in piano from the age of four, Monika has always had a love of music and her early sets spanned hip hop, funk, soul and early deep and vocal house. This new breed of electronic music seized Monika’s soul and imagination. Dance music was in its infancy and since there were few clubs where you could play techno she threw her own parties in illegal venues ranging from World War II bunkers to trams to empty houses. Fortunately the police were a little behind the musical curve… “I had some funny experiences,” she recalls, “But nice ones! They stopped us once in a tram because they thought the smoke machine was a fire!” On another occasion, they came and asked her to turn down the bass so the house they were playing in wouldn’t crumble. “Luckily, they didn’t have a clue about techno!” 
	
Monika Kruse's star is shining brighter than ever with a global fan-base hungry for her irresistible beats. In 2014 her club appearances included Space Ibiza with Carl Cox, Amnesia Ibiza with Marco Carola, We Love... at Space Ibiza, Sankeys Ibiza, Egg London and regular sets for her residency at Berghain Berlin.

She dazzled the festivals, too, playing events such as Time Warp, Melt Festival, 18 Hour Festival, Eastern Electrics UK, Ultra Music Festival in Miami and South America, Sonus Croatia, Awakenings ADE, and SEMF Stuttgart. She also hosted a stage at Amsterdam's Edit Festival, showcasing some of her favourite artists such as Pig & Dan, Nick Curly and Miss Kittin.
Classically trained in piano, Monika's love of music is broad and deep. She grew up buying records, accumulating a music collection that grew to span funk, soul, hip hop, and house music. When the revolutionary rhythms coming out of Chicago and Detroit captured her imagination it led her to throw parties in illegal venues including World War II bunkers, trams and empty houses.

Electronic music culture has evolved rapidly since those early days but Monika's talent and passion is constant. “My ethos is ‘sweat with a smile,’” she says. “I give love to my audience and they give it back. LOVE – it’s the best thing in the world. My aim is to help people forget whatever is going on in their life and have a little holiday – just get lost in my music.”
Monika is also an active producer. Her Terminal M label celebrates its 15th anniversary in 2015 and she chalked up hits this year with Pig & Dan collaboration 'Soulstice', a Beatport Top 10 techno anthem. The fantastic remix package of 'Summer Drops' was also a Beatport chart favourite, featuring Monika's track reworked by Nicole Moudaber, Uner, and Mendo. With just two releases Monika was one of Beatport's Top 100 techno artists for 2014. Look out for the special re-release of the album Monika Kruse @ Voodooamt 'Passengers' in celebration of Terminal M's 15th birthday.

Monika’s passion for spreading the love extends beyond the dancefloor, too. In 2000 she founded a charity called No Historical Backspin to fight racism and homophobia. “It’s sad and ridiculous that people still get beat up, or in some countries even killed, for being gay. Or get treated badly because of their skin colour, or gender, or because they’re a refugee” she says. “But it happens. Sharing and caring is the only way to make the world a safe place for everyone. It is important for DJs to show they respect everyone.” She is currently organising a No Historical Backspin party at Berghain. Funds raised will go to Amadeu Antonio Stiftung, which supports victims of hate-crimes and campaigns against right-wing extremism.
Her charity work, like her DJing and production, is an expression of Monika’s faith in the transforming power of music. “It was my first love,” she says. “Music was my best friend. It never let me down. In good times music was there and in bad times music was there.”

Bookings : ian@safehousemanagement.com

No accurate depiction of electronic music culture would be complete without special mention of Deborah De Luca. Widely acknowledged as one of the most prominent flag-bearers for Techno globally and a regular fixture inside the world’s most distinguished DJ booths, Deborah has the unique ability to transfix crowds with her electrically charged, technically nuanced sets, fusing hard techno with minimal grooves and melodic soundscapes to absorbing effect. A pioneer in the use of social networks as a promotional tool, whilst somehow managing to retain a strong sense of discretion in her private life, Deborah is unrivalled in her determination and passion, earning every part of her current status as one of the most exciting talents to emerge from the international Techno scene over the past decade.
Born under the shade of the infamous Vele di Scampia – one of the toughest districts in Naples – the now-globally recognised DJ, producer and label head came from humble beginnings, forging her path to international success against unlikely odds. However this was to become her making. “You shouldn’t let anybody tell you what you can or can’t become”, she expounded in a rare interview, referencing her early livelihood as a nightclub dancer. “It’s true, in recent years I have gained popularity, but I am very grateful for the long journey it’s taken”. More than anything else, Deborah’s roots and her unwavering ethic are an integral part of the flourishing artist we see before us today.
Deborah spent the formative years of her musical career in Northern Italy, following a brief stint at fashion school in Modena. Cutting her teeth on the European club circuit, where she quickly realised music was her true calling, Deborah’s hard work and relentless determination eventually began to pay off and in 2013 she launched her very own imprint Sola_mente Records. Created as a platform by which to release her own music, free from creative pressure and external constraints, the label went from strength to strength and in November 2018, Deborah marked a decade-long career in the industry with the critically acclaimed release of her debut album ‘Ten’. A huge milestone for the Italian producer, ‘Ten’ represented an important rite of passage and a body of work that she would cherish indefinitely.

" Pourquoi pour rêver, faut-il attendre que l'on dorme ?
Les portes closes, j'avance avec une clé de sol " K. J
"J’évolue donc ma musique ne peut pas rester la même 
Alors qu’elle est censée être fidèle à moi-même " K. J
Issu de la scène underground parisienne il a su s’affirmer comme dj et technicien hors pair.
Que ce soit dans les free party des années 90 avec le "LsdF Crew" & le label " Nexus", dans les clubs et Afters les plus chauds de Paris (2000/2009), ou lors de divers séjours à travers l’Europe, il a su acquérir une culture musicale complète.
Il y a joué aux côtés de Carlo Lio, DubFire, Popof, Dyed Soundorom, Agoria, Citizen Kain, Kiko, Jef K , Tambour Battant, Nicolas Masseyeff et bien sûr son acolyte de toujours Marty Mcfly, pour ne citer qu'eux.
Akta est un artiste avec un style qui allie la puissance de la techno avec sur humeur mélodique du moment.

plus d infos par ici:

-Fan page:https://www.facebook.com/djaktaewicrew

- Musique: 
http://soundcloud.com/djakta
2012/2017
https://www.mixcloud.com/djaktaewicrew13/

- EWIcrew: https://www.facebook.com/ewicrew

- Videos : http://www.youtube.com/watch?v=4JpaShViLAI
http://www.youtube.com/watch?v=PTNw6P07vqI
http://www.youtube.com/watch?v=LiAwp9AFxvw
http://www.youtube.com/watch?v=S6FBxEhgKpw

from the Parisian underground scene, whether in the free parties in the 90s (lsdf crew) or in the afters the hottest of the capital early 2000s (saxo, whitecarre blanc, Awaiting the night, etc. ..) DjAkta is an artist with a complete musical culture. Now an active member of the association EWI (Electro Festival Zion; Martizik Festival, Martinique), he lives to musical experiences and sharing. This is an outstanding technician with a style that blends the melodic rhythm to the power of techno. Recently installed in the south of France for new musical adventures . To discover or rediscover.
 CONTACT BOOKING: ewicrew@gmail.com

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