One of the most charming DJs in the business. A musical ambassador and a veteran of acid house, a champion of techno, a dance music pioneer, label owner, King of Ibiza – you name it, Carl's been there and done it, never losing sight of his passions – playing music, breaking tunes.

Paul Ritch’s productions and performances, characterised by his powerful and harmonic techno with a touch of pure emotive soul, represent his true signature sound – the one that has projected him to global recognition.

In 2007, Paul Ritch took the techno scene by storm both on stage and as a producer. Ever since, Paul has been defined by his passionate musical rhetoric, projected in releases for labels like Drumcode, SCI+TEC, Saved, Cocoon Recordings, Soma Records and Bpitch Control, among many others, and remixes to classic tracks such as Ondu, Positive Education,Tropical Melons, Remainings III, Magic K, The Test and I’m Burning Inside. References that have led him to be included among Resident Advisor’s all-time Top 100 charted artists.

In 2008, Paul brought to life his own imprint, Quartz Rec, conceived as a platform of artistic expression for showcasing cutting-edge techno sounds and a broad vision of electronic music. With its first release, “Split EP Part 1” (Paul Ritch, 2008), the label held a top 2 position on Beatport ́s Techno chart. And following hot on the heels of its fifth birthday, Quartz Rec has already published original tracks and remixes from Okain, Paco Osuna, Nic Fanciulli, Thomas Muller, Barem, Carlo Lio, Dubfire, 2000 and One, Onno, Cuartero and Anton Pieete.

Ritch’s musical delirium and his creativity on stage are two of his unique trademarks and these have been witnessed in his live performances on four continents including clubs such as Amnesia, Space and Pacha in Ibiza, Fabric and Egg Club in London, Womb and Circus in Tokyo, Berghain and Watergate in Berlin, Goa in Rome and Madrid, Rex Club in Paris, among many others.

He has also performed at festivals including Time Warp (Holland and Germany), Monegros (Spain), Awakenings, Voltt Open Air and ADE (Holland), SW4 (UK), Neo Pop Festival (Portugal), Hyte Park Festival (NYC), Amore Festival (Italy), BPM (Mexico) and WMC (Miami).
2014 was a year in which Paul continued to excel and reinvent himself with his very own musical mindset, and without a doubt, 2015 will be transcendental for Ritch as he looks to keep growing and achieve even greater goals.

Tijana T is a key part of Serbia’s music scene. Now a full time DJ, Tijana T is overtaking on the inside fast lane to global stardom. Her mastery of an acid-dominant techno style with elements of house, electro, breakbeat and trance has turned ears all across the globe. This lethal dancefloor style has propelled her to become one of the busiest and most durable DJs on the tour circuit. Over 700 shows in 50+ countries in six continents since the start of 2016 tells its own story. Spinning coldwave at dawn in Antarctica? Surely not far off.

Unlike other breakthroughs in the game, Tijana T has put in the hard hours. As this burst of recent activity shows, she was completely ready to make the leap and break out of Belgrade when the time came. Now, she does it all. Whether opening or closing, on Ibizan terraces or in smokey basements, soundtracking the sunrise for a few hundred or headlining festival stages to tens of thousands, the details are immaterial. What happens when she plays is empathy with the audience, selecting music to expand their hunger, as well as satisfy their pleasure-centre core. This is why everyone from Berghain to The Bunker NYC, and Beats In Space to Boiler Room have called upon Tijana T lately. 
Belgrade is where the artist born Tijana Todorovic first made her name, moving from heavy presence on local TV and radio to marathon slots across town, specifically the world-renowned Drugstore and Klub 20/44. Now the tables have turned: in the late 2010s, she is making Belgrade’s name. Tijana T has become a global ambassador for the city, tirelessly exporting its culture. As her reputation has travelled, so has she. Negative preconceptions about Serbia are falling, replaced by the squelch of a 303, a touch of class behind the booth, and more and more people admiring this fiercely determined talent.

www.facebook.com/coyumusic 
www.twitter.com/coyumusic
www.youtube.com/user/coyumusic
www.beatport.com/artist/coyu/97152

Worldwide Bookings: 
Europe & Asia: laura@bullittartists.com
Americas: jon@liaisonartists.com
Management: fernando@miraclemgmt.com

Clubbing was in its infancy when Berlin-born Monika Kruse began her first residency at the Babalu bar in Munich, where she grew up. Classically trained in piano from the age of four, Monika has always had a love of music and her early sets spanned hip hop, funk, soul and early deep and vocal house. This new breed of electronic music seized Monika’s soul and imagination. Dance music was in its infancy and since there were few clubs where you could play techno she threw her own parties in illegal venues ranging from World War II bunkers to trams to empty houses. Fortunately the police were a little behind the musical curve… “I had some funny experiences,” she recalls, “But nice ones! They stopped us once in a tram because they thought the smoke machine was a fire!” On another occasion, they came and asked her to turn down the bass so the house they were playing in wouldn’t crumble. “Luckily, they didn’t have a clue about techno!” 
	
Monika Kruse's star is shining brighter than ever with a global fan-base hungry for her irresistible beats. In 2014 her club appearances included Space Ibiza with Carl Cox, Amnesia Ibiza with Marco Carola, We Love... at Space Ibiza, Sankeys Ibiza, Egg London and regular sets for her residency at Berghain Berlin.

She dazzled the festivals, too, playing events such as Time Warp, Melt Festival, 18 Hour Festival, Eastern Electrics UK, Ultra Music Festival in Miami and South America, Sonus Croatia, Awakenings ADE, and SEMF Stuttgart. She also hosted a stage at Amsterdam's Edit Festival, showcasing some of her favourite artists such as Pig & Dan, Nick Curly and Miss Kittin.
Classically trained in piano, Monika's love of music is broad and deep. She grew up buying records, accumulating a music collection that grew to span funk, soul, hip hop, and house music. When the revolutionary rhythms coming out of Chicago and Detroit captured her imagination it led her to throw parties in illegal venues including World War II bunkers, trams and empty houses.

Electronic music culture has evolved rapidly since those early days but Monika's talent and passion is constant. “My ethos is ‘sweat with a smile,’” she says. “I give love to my audience and they give it back. LOVE – it’s the best thing in the world. My aim is to help people forget whatever is going on in their life and have a little holiday – just get lost in my music.”
Monika is also an active producer. Her Terminal M label celebrates its 15th anniversary in 2015 and she chalked up hits this year with Pig & Dan collaboration 'Soulstice', a Beatport Top 10 techno anthem. The fantastic remix package of 'Summer Drops' was also a Beatport chart favourite, featuring Monika's track reworked by Nicole Moudaber, Uner, and Mendo. With just two releases Monika was one of Beatport's Top 100 techno artists for 2014. Look out for the special re-release of the album Monika Kruse @ Voodooamt 'Passengers' in celebration of Terminal M's 15th birthday.

Monika’s passion for spreading the love extends beyond the dancefloor, too. In 2000 she founded a charity called No Historical Backspin to fight racism and homophobia. “It’s sad and ridiculous that people still get beat up, or in some countries even killed, for being gay. Or get treated badly because of their skin colour, or gender, or because they’re a refugee” she says. “But it happens. Sharing and caring is the only way to make the world a safe place for everyone. It is important for DJs to show they respect everyone.” She is currently organising a No Historical Backspin party at Berghain. Funds raised will go to Amadeu Antonio Stiftung, which supports victims of hate-crimes and campaigns against right-wing extremism.
Her charity work, like her DJing and production, is an expression of Monika’s faith in the transforming power of music. “It was my first love,” she says. “Music was my best friend. It never let me down. In good times music was there and in bad times music was there.”

Bookings : ian@safehousemanagement.com

No accurate depiction of electronic music culture would be complete without special mention of Deborah De Luca. Widely acknowledged as one of the most prominent flag-bearers for Techno globally and a regular fixture inside the world’s most distinguished DJ booths, Deborah has the unique ability to transfix crowds with her electrically charged, technically nuanced sets, fusing hard techno with minimal grooves and melodic soundscapes to absorbing effect. A pioneer in the use of social networks as a promotional tool, whilst somehow managing to retain a strong sense of discretion in her private life, Deborah is unrivalled in her determination and passion, earning every part of her current status as one of the most exciting talents to emerge from the international Techno scene over the past decade.
Born under the shade of the infamous Vele di Scampia – one of the toughest districts in Naples – the now-globally recognised DJ, producer and label head came from humble beginnings, forging her path to international success against unlikely odds. However this was to become her making. “You shouldn’t let anybody tell you what you can or can’t become”, she expounded in a rare interview, referencing her early livelihood as a nightclub dancer. “It’s true, in recent years I have gained popularity, but I am very grateful for the long journey it’s taken”. More than anything else, Deborah’s roots and her unwavering ethic are an integral part of the flourishing artist we see before us today.
Deborah spent the formative years of her musical career in Northern Italy, following a brief stint at fashion school in Modena. Cutting her teeth on the European club circuit, where she quickly realised music was her true calling, Deborah’s hard work and relentless determination eventually began to pay off and in 2013 she launched her very own imprint Sola_mente Records. Created as a platform by which to release her own music, free from creative pressure and external constraints, the label went from strength to strength and in November 2018, Deborah marked a decade-long career in the industry with the critically acclaimed release of her debut album ‘Ten’. A huge milestone for the Italian producer, ‘Ten’ represented an important rite of passage and a body of work that she would cherish indefinitely.

Connecting club culture to the wider world, on screen and irl through parties, film and video.

Warung Records / Defected / Suara / Material / Toolroom / Incorrect

DJ JAWA . HACKNEY POLO CLUB    .SIMMA BLACK RECORDS THIS AINT BRISTOL . FOX TROT ALAPHA RECORDS

maavro is following