Borrowed my old man's Fender PM-3 to possible do some more stuff with a steel-string acoustic (since I never really got around getting one myself). Been working on two arrangements lately (Olivia Rodrigos 'drivers licene' and another Sven Helbig piece). I did this short improvisational piece while diddling around with a slide. 

Granted I went way too heavy on the reverb with one of the tracks, I thought the textures/soundscapes themselves turned out quite nice. 

Let me know what you think !

Also: I've got my first soundtrack on Bandcamp, so if you want a free download of cool sci-fi sounds head on over to the following link. You can also check out the last three original albums I've done. 

https://saschamuhr.bandcamp.com/album/cheese-louise-original-soundtrack

Also if you'd like to hear more original stuff you might want to check out Spotify and Souncloud:
https://open.spotify.com/artist/7ti7ScpoJPlzAuh8beNTCV?si=7oZ3N-ljRam026I0y55ONA

www.soundcloud.com/sascha-muhr

Improvisation_19: Ambient/experimental textures on the Fender PM-3

March of the Inanimate – Repossessed
Release Date: August 24, 2016
© 2016 Keith Richie

March of the Inanimate – Repossessed is a dark, cinematic soundscape that delves into obsession, mortality, and the supernatural. This reimagined and remastered edition of the original 2014 release expands the sonic narrative with new tracks and enhanced production—immersing the listener in a chilling audio experience.

A man, obsessed with defying death, steps into a long-abandoned home to retrieve a rumored artifact said to hold the key to immortality. But what he finds is not salvation… it is something far more sinister. As ancient forces awaken, his soul teeters on the edge of annihilation, pursued by horrors that march without mercy or sight.

This definitive edition draws inspiration from the atmospheric dread of classic horror soundtracks, particularly the works of John Carpenter and Alan Howarth. Through dark-electro pulses, suspenseful piano motifs, and immersive textures, Repossessed captures the mood of unearthed terror and psychological descent.

Now featuring three additional tracks and a fully remastered mix, March of the Inanimate – Repossessed stands as both a love letter to vintage horror scores and an original journey into the heart of sonic fear.

Critical Praise:

“Musically menacing, to say the very least. This opus incorporates haunting piano melodies and a deep intensity through its pulsing rhythms… it fits right into the gritty underworld of horror-movie-mania.”
— Jer@SBS, Sleeping Bag Studios

“Keith Richie has a way with electronic music—it rarely sounds synthetic. Here, he explores sonic storytelling beyond the confines of pop structure… an invitation to imagine films that don’t yet exist.”
— Robbie Tee, Jamsphere

Forbidden Cottage

... one day the black rivers of loss - will turn into huge pillars of divine light

Razor Blades

Leaving

From a series of (almost) daily ocean glimpses. The music is composed to a video of the sea (photons captured fresh every day). You can experience the full video version here: https://youtu.be/CK-gKTb6IGI

Glimpse 1467 (Oct 8 2025)

The Call (2010)

March 15, 2020. The first hidden sound page from isolation diary.
From A Spring Diary, released May 24, 2020
Performed & Recorded by Matteo Mariano in 2020

March 15 is the first of a series of 4 tracks collected in the album "A Spring Diary". All of these were written during the first major lockdown in Italy that went from March to May 2020. This strange period of closure took me back to the spring of five years earlier, in 2015, when a series of situations and concerns brought my family and me to experience a sort of unspoken "family lockdown" to the outside world.
"A Spring Diary" is a book of notes of discordant moods, between hope and uncertainty, lived between waiting and trying to take advantage of the imposed pause to rework the past.

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March 15 è la prima di una serie di 4 tracce raccolte nell'album "A Spring Diary". Tutte queste sono state scritte durante il primo grande lockdown che in Italia è andato da Marzo a Maggio del 2020. Questo strano periodo di chiusura mi portò indietro alla primavera di cinque anni prima, nel 2015, quando una serie di situazioni e preoccupazioni portarono la mia famiglia e me a vivere una sorta di "lockdown familiare" inespresso verso l'esterno. 
"A Spring Diary" è un libro di appunti di stati d'animo discordanti, tra speranza e incertezza, vissuti tra l'attesa e cercare di sfruttare la pausa imposta per rielaborare il passato.

A Spring Diary

March 15

Trained

Joshua M Norton's Album

Ghost of Christmas Present (w/jnortie)

"A song to praise sake" from "Man’yoshu(Collection of Ten Thousand Leaves)"
・It's better to drink alcohol than to worry about boring things.
・Rather than living seriously, I want to be a liquor jar.
・Humans will eventually die, so let's enjoy drinking alcohol while we are alive.
And others.
Art work naobim via Pixabay

drunkards

a rework from Mean Flow of a track by Marco Lucchi

febbraio 2021

Marco Lucchi & Mean Flow - Rajasthan

In Perspective

Sound Designer & Composer. Creates instrumental music and soundtracks for film/videos and for art exhibitions.

March 15

Macrogramma