this a wonderful bit of writing, nice to sometimes look back and go "yes' this was cool : )

I like this very much. The rhythm is contagious.

from the same universe as https://soundcloud.com/muterial/blocks

Objects

At the movies - is my way out. Sitting alone in company watching earth from above.

Entering this precious place is like diving into a parallel existence, waiting for the countdown to begin, prepairing for liftoff. Then, finally, the lights go out..

Parallel Existence

Rise

the scene of bad dream

Synthesis  # 22

MOOD XI  (Harmonica)

Fantasy for Machines and Strings

"The Blackwall is not a firewall, but actually a powerful AI masquerading as ICE, whose job is to keep out any rogue AIs it can identify from the secure net. It is also referred to as a band-aid solution, since the Blackwall, being an AI, could go rogue itself."

beyond the blackwall

this is a fine collab by the great Zone Cruiser 
https://soundcloud.com/user-260441121/zone-cruiser-directing-demons



Zone Cruiser - Directing Demons   (noxpox friendly demon mix)

"DNA" is a piece I feel particularly attached to. I composed it back between 1999 and 2000, and it was first presented as the closing track of Eterociclica, a collection inspired by a series of chemical molecules known as heterocycles. Each track drew inspiration from a specific molecule, and DNA aimed to sonically represent the macromolecule itself, with its intricate, modular structure.

The track was written using samples of percussion instruments, piano, Hammond organ, strings, and electric guitar. The only real instrument recorded is the electric guitar. At the time, I had just started exploring digital composition, and MIDI along with notation software were my primary tools — new and exciting territory for me.

Among the sparse and tentative pieces from those early years, DNA has remained my favorite — even 25 years later.

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"DNA" è un brano a cui sono particolarmente affezionato. L’ho composto tra il 1999 e il 2000, ed è stato presentato per la prima volta all’interno della raccolta Eterociclica, un progetto ispirato a una serie di molecole chimiche appartenenti alla famiglia degli eterocicli. Ogni brano nasceva da una suggestione molecolare, e DNA, che chiude la raccolta, rappresenta una visione sonora della macromolecola, con la sua struttura complessa e modulare.

Il brano è stato scritto utilizzando campioni di strumenti a percussione, piano, organo Hammond, archi e chitarra elettrica. L’unico strumento suonato realmente è proprio quest’ultima. All’epoca mi ero avvicinato da poco alla composizione digitale: il MIDI e i software di scrittura erano strumenti nuovi e affascinanti, che esploravo con grande curiosità.

Tra le mie prime composizioni – timide, sparse – DNA è rimasta la mia preferita, anche a distanza di 25 anni.

DNA (2000)

torndie

Sound Designer & Composer. Creates instrumental music and soundtracks for film/videos and for art exhibitions.

DNA (2000)

Macrogramma

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CROSS THE TAPE

Keith Quillen (IMforEM)

Mark Mori

No Mates Ensemble

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