"DNA" is a piece I feel particularly attached to. I composed it back between 1999 and 2000, and it was first presented as the closing track of Eterociclica, a collection inspired by a series of chemical molecules known as heterocycles. Each track drew inspiration from a specific molecule, and DNA aimed to sonically represent the macromolecule itself, with its intricate, modular structure.

The track was written using samples of percussion instruments, piano, Hammond organ, strings, and electric guitar. The only real instrument recorded is the electric guitar. At the time, I had just started exploring digital composition, and MIDI along with notation software were my primary tools — new and exciting territory for me.

Among the sparse and tentative pieces from those early years, DNA has remained my favorite — even 25 years later.

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"DNA" è un brano a cui sono particolarmente affezionato. L’ho composto tra il 1999 e il 2000, ed è stato presentato per la prima volta all’interno della raccolta Eterociclica, un progetto ispirato a una serie di molecole chimiche appartenenti alla famiglia degli eterocicli. Ogni brano nasceva da una suggestione molecolare, e DNA, che chiude la raccolta, rappresenta una visione sonora della macromolecola, con la sua struttura complessa e modulare.

Il brano è stato scritto utilizzando campioni di strumenti a percussione, piano, organo Hammond, archi e chitarra elettrica. L’unico strumento suonato realmente è proprio quest’ultima. All’epoca mi ero avvicinato da poco alla composizione digitale: il MIDI e i software di scrittura erano strumenti nuovi e affascinanti, che esploravo con grande curiosità.

Tra le mie prime composizioni – timide, sparse – DNA è rimasta la mia preferita, anche a distanza di 25 anni.

DNA (2000)

mostly lightly tuned narration of other people's songs, a few original. chronologic covers link: 
https://soundcloud.com/trb-music-658951675/sets/trb-covers
all music played by human hands hitting, strumming, or striking instruments at the encouragement of imperfection.

Independent electronic ambient artist, crafting immersive soundscapes that blend atmosphere with deep exploration of texture and tone. My compositions are shaped by the active imagination described by C. G. Jung and the vivid landscapes of my dreams, translating emotions into evolving auditory experiences.
Influenced by ambient minimalism and deep bass tweaking with VCF filters, my music layers rich harmonics, resonant frequencies, and fluid transitions to create enveloping and transportive journeys.

© All rights reserved. 
Record Label: Shadow Glass Recordings 
No promoters I handle all my own production.

Sound Designer & Composer. Creates instrumental music and soundtracks for film/videos and for art exhibitions.

DNA (2000)

Macrogramma