The Fog

FIREMAX presents Bleu du Vide Éternel (2025 Edit) — a refined version of Eternal Blue Emptiness.
A soundscape where silence expands into infinity, painted in shades of eternal blue.

A fragile blue planet drifts through the void, suspended in silent space.
A single, slow melody anchors the bass, while luminous chords shimmer like distant memories, evoking innocence and wonder.
Sandstorm-like textures blur the edges of perception, suffusing the music with an uncanny unearthliness.

Without drums, time dissolves — the listener floats through vast emptiness, where solitude and fragile beauty intertwine.
A shorter edition, yet the same vast odyssey — an exploration of emptiness, memory, and the delicate, luminous fabric of our world.

Also known as Eternal Blue Emptiness, this piece continues the FireMax path:
🌙 Prayer to the Moon
🌌 Voyage
❌ Unsaid / NOT

Bleu du Vide Éternel (2025 Edit)

Main Theme

For Eva...

All your life I've had my hand on your shoulder
To guide you on your way and catch your fall 
And now that you're that little bit older
I know it's time for you to walk alone

And I'll hold on tight as I let you go
I'll burst with pride but you'll never know
I'll play it cool, won't let it show
You're my fearless, independent soul

I remember the first time I held you
The months I'd waited couldn't have foretold
The feelings that overwhelmed me
You took my breath, you took my heart, you took my soul

And I'll hold on tight as I let you go
I'll burst with pride but you'll never know
I'll play it cool, won't let it show
You're my fearless, independent soul

Fearless

Caminhos largos em direção única, profundos baixos elevados, mantendo a flutuação.
Enorme força que mantem preso, ao nível estável, canais de proteção!
Estilo em DownTempo, deep lo-fi, darkness...



Abertura do Campo

Marco Lucchi : harmonica, synthesizer and fx

playing with
https://soundcloud.com/boson_spin/uthersor-part-1

6 agosto 2020

to Ennio Morricone

Once upon a time (with Boson Spin)

Performed & Recorded by Matteo Mariano in 2004. http://macrogramma.com
Original cover art by Pietro Puccio (2019). http://www.pietropuccio.it

All that I did not understand, Story of an afternoon and Under Antonio Ceriani / Tutto quello che non ho capito, Storia di un pomeriggio e Sotto Antonio Ceriani

These three songs are constructed in a very similar way, practically recording short guitar patterns and creating loops by re-editing them and processing them with the same outboard. They were also the easiest tracks of the selection to restore as they were kept on multi-track format. All three tracks are directly inspired by Pietro Puccio's paintings. Between the distressing expectation of Under Antonio Ceriani and the lazy and lukewarm pace of the Story of an afternoon, my favorite has always been All that I did not understand, with that mass of unknown emerging from the depths of the canvas and swallowing all the forms and colors.
***

Questi tre brani sono costruiti in modo molto simile, in pratica registrando dei brevi pattern di chitarra e creando loop rimaneggiandoli e passandoli dagli stessi macchinari. Sono stati anche i più facili della raccolta da restaurare in quanto tenuti in multi-traccia. Tutti e tre i brani sono ispirati direttamente da dei quadri di Pietro Puccio. Tra l'attesa desolante di Sotto Antonio Ceriani e il pigro e tiepido incedere di Storia di un pomeriggio, il mio preferito è sempre stato Tutto quello che non ho capito, con quella massa di ignoto che emergeva dal fondo della tela e ingoiava le forme e i colori.

from macrogramma volume 2, released September 5, 2019
Performed & Recorded by Matteo Mariano in 2004

macrogramma volume 2

Tutto Quello Che Non Ho Capito

He_lium - A L'ouest De La Planète En Toc

Marco Lucchi : mellotron, synthesizer, found sounds, vocals and treatments

23 novembre 2020

for the Disquiet Junto project
https://disquiet.com/2020/11/19/disquiet-junto-project-0464-blanket-song/

The Assignment: Play over a song, and then remove the original.

Step 1: The point of this project is to cover a song in the literal sense of the word. To “cover” a song usually means to play your own version of it. Here, you will blanket the original: you will play atop a song you like, and then remove the original so only your accompaniment is heard. The original will not be recognizable in what remains. First, choose the song you want to blanket.

Step 2: Record yourself playing along with the song you selected in Step 1.

Step 3: Remove the song from Step 1 so that only the original recording from Step 2 remains.

Step 4: You needn’t identify the song from Step 1 when posting your track, but certainly feel free to do so.

Bandcamp

White Heron [disquiet0464]

Tried playing back in the room through speakers for drum and bass loud into a room. An external sampler allows you to track simultaneously while laying down bass. I think there is something about knowing the track you are playing to is being tracked at the same moment ensures that they always fit together. I used a beat up SP-202 for the beat that I resoldered in a crazy way, the board was cracked and I can't believe it still works. Cant remember where I got the drum sample might have been Max? I sat on this basic track for a long time, then imported phrases to Ableton ,which I have never really used, and hashed out a rough arrangement, Then did a bunch of overdubs which I ended up erasing. I think I enjoyed the more stripped down sound then the crazy sounds I was throwing on top. Its been a wild year. I didn't get much music done, probably my worst output for a year. Its a tough fight finding the time an energy and then keeping your head on what your doing. Sometimes it works to just re-work the whole thing from another angle and cut harshly. Hope all you future people reading this are taking care of this world. We all wanted to be the generation that did it, but the greedy pricks slipped into power, and corruption seems to only work in one direction, rarely are people corrupted into being more compassionate.

Broken Windshield Shopping

Unknown album (1/30/2021 1:04:57 PM)

Remembering who I was

Sound Designer & Composer. Creates instrumental music and soundtracks for film/videos and for art exhibitions.

Tutto Quello Che Non Ho Capito

Macrogramma

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Jeremy J. Saks |Composer|

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