Who does this?
https://linktr.ee/jameshype

BSMNT is a brand new label focusing on the harder end of the techno spectrum, supporting and housing both upcoming and established artists in the scene.

To listen to Billy Gillies is to capture true joy, because every song he produces and DJ set he performs radiates pure passion and vibrant spirit.

 

The Northern Irishman’s blend of quirky Eurodance synths, uplifting trance grandeur and hard-hitting bass rhythms goes beyond catchy melodies and expert timing, as breakout hits “Lagoon” and “Youth” tap into the very essence of what makes a night spent on the dancefloor with your best mates such a special experience.

 

That’s why he’s earned more than 145 million views on TikTok, filled a Creamfields tent with thousands of ravers at 1 p.m. on a Sunday, and why he’s managed to get an official remix of Madison Avenue’s 1999 hit “Don’t Call Me Baby” after ripping the iconic vocal off the internet.

 

Crowds chant his name from Taiwan to Texas because Billy Gillies dares to do something different; something unique to himself. Now, Billy Gillies is the next superstar-DJ-in-the-making, poised to take over the world.

 

Billy’s musical obsession started in the 2000s when his older sister started buying Clubland compilation CDs and dating a local DJ. One night, the boyfriend came over and brought his decks, but when the couple left to go dancing, 11-year-old Billy snuck into his sister’s room and started playing with the turntables.

 

“I was like, ‘what is this music? I love this,’” he laughs. “On the Christmas list for that year was a set of decks.”

 

His mom delivered with his first set of Kam belt drives, and Billy’s been mad for mixing ever since. Each Saturday, he’d head out of the house with a five Pound note and spend it on a new record (Tiesto’s Traffic being particularly influential). In turn, he’d spend the next week learning to mix that record in and out of his steadily growing collection.

 

When he was 17, he got his first taste of true Clubland. A year underaged, he caught an hour-long bus from Belfast to Banbridge and talked his way into a club called Coach. Japanese DJ Yoji Biomehanika and the UK’s own Lisa Lashes dropped heavy hard-house records all night, and Billy started dreaming of his own chance to rock a crowd, proper.

 

He knew that if he wanted to be an in-demand DJ, he’d have to come up with some original songs. In 2011, he locked himself in his bedroom with a copy of Ableton Live and didn’t come out until he’d mastered the basic trance sound.

 

He fell in love with music production and started sending his tracks to BBC Radio 1 DJ Judge Jules, who played them on his show every Friday night. For 19-year-old Billy, there was nothing better.

 

After spending much of his 20s as a self-described “party animal,” 28-year-old Billy once again locked himself inside his bedroom and churned out a ton of original tunes. The result? A spot on the lineup of Luminosity 2019 alongside major trance legends Paul Van Dyk, Ferry Corsten, Gareth Emery and more. He played a set of all-original material, and when a recording was posted to Soundcloud, it earned more plays than any of the headliners.

 

“I’d brung a fresh sound into the trance scene,” Gillies says. “Everyone was making the same type of thing, where I just look back at my influences growing up and crammed it into the main trance style.”

 

International booking requests flooded in, sending him to Argentina to Australia—and then COVID struck. Many of his peers saw no point releasing music to a locked-down crowd, but Billy saw a chance to experiment.

 

“People need music in hard times, not just for clubs,” he says. “The music I was making around that time was proper emotional melodies, and it was resonating with everyone.”

 

He’d share each tune in a rough clip to Facebook or TikTok, and every post brought shares in the thousands. His fan base wasn’t just growing, it was ballooning, due in part not only to his masterful skills in the studio but also his effervescent personality that spills into each tune.

Starting of his solo career in 2009, RAM immediately hit the jackpot with the most talked about track of that year “RAMsterdam”. Supported by all the major trance DJ’s it became the Tune of the Year on ASOT and it was pronounced “best track of the year” by Armin van Buuren 
The biggest track of RAM since “RAMsterdam” however saw the light in October 2013, but the reason for it to be written was a very sad one. The loss of his beloved wife Amelia was the reason for this track, “RAMelia”, to be in collaboration with vocalist Susana. That won lots of awards world wide and with 8 consecutive plays on A State of Trance, voted Future Favorite with a staggering 61, 9% of the votes (Most votes ever @ ASOT and Armin already calling “RAMelia” an all-time favorite, “RAMelia” eventually was voted #2 in the Tune of the Year on ASOT 2013. 
With continues support of all big djs like Armin van Buuren , ferry Corsten, Markus Schulz , Paul van Dyk, Aly & Fila and many more and releasing on all big labels as WAO138 – FSOE – Black Hole and of course his own labels from Grotesque this year. RAM is on the rise with his unique RAM sound.
With Continuous top 5 tracks last year on beatport and two number one tracks RAM ft Stine Grove- Forever and a Day & Mark Sherry & RAM – Nordic Nights
27 top 10 tracks on BP in the last 5 years which where four nr. 1 and eighteen top 5.. A pretty solid discography !!

RYME is one of the current fastest rising multi-genre DJ's to come out of central Scotland. Originally starting his career in 2020 with his passion laying firmly with trance RYME has since found love with other high energy dance music genres such as the Harder Styles, Techno, Hard Techno, House, Hard House and Psy-Trance and has recently started producing his own music. He has gone from strength to strength in the scene having supported the likes of Ben Hemsley, DFAULT, Miikka L, Will Rees, George Bowie, Micky Modelle, Sparkos, David Rust, Kutski, KIMMIC, Adjuzt, Bloodlust, Cryex, Parsa Nani, David Nimmo, Paul Denton, David Forbes, Lucas Deyong and Billy Gillies. He is due to be set on a path to success with 2023 having been his busiest year yet and he made his international debut in Ibiza July 2023 for all an out Techno and Trance weekender.

With his aggressive and raw skill set behind a set of decks and his never ending euphoric energy RYME is sure to be one to watch as he continues to grow as an artist and build his status as an up and comer in the music industry.

Facebook.com/d9artist
djdbookings@hotmail.com

UK based Producer and DJ
Bookings: tom@paramountartists.com
Management: kathi@mhairitechno.com

Argentinian producer influenced by many electronic styles like trance, tech trance, techno and psy sounds.

Contact 
https://www.facebook.com/reloadmusicok

Rob Evans is no stranger to a good night. Having experienced the vibe from the legendary Escape night club. Room one was a haven for driving and melodic trance beats. And Room twos funky sounds Rob was mesmerised by the likes of Paul Van Dyke and local hero DJ Alan Tomlinson(Big AL) and Cliff and Bern Knowing that his heros are advocates of vinyl djing, Rob was destined for a pair of turntables. Having locked himself away for years practicing the art of djing with constant frustration, Rob slowly developed the art and the ear required for djing. It is safe to say that Rob took a lot influences from the vibes of the 90s and brought them into the future with plenty of practice. 

Learning the sacred art of vinyl djing, Rob slowly picked up many gigs in the local scene. 
Rob soon found himself on the same roster as his idols playing in Escape before the building was sadly closed. He then went onto play a more intermit crowd in Club Oxygen. Having to adapt for the different venues he was playing for, Rob soon discovered another love for progressive house. Combining the melodic progressions in trance and the driving beats from progressive house, Rob was soon caught in the gaze of some legendary venues up and down the country. One of the biggest achievements was playing in Ministry of Sound in London, which shows how much of a crowd collaborator Rob is. Soon after Rob found himself wrapped up in the awe of playing for none other than Cream Ibiza tour with Agnelli and Nelson He found himself up and down the country playing for different crowds but being allowed to play the music he is a catalyst for. 

Rob certainly impressed the audience with his selection of music. In 2010 Rob fell in love with House music again and started pushing his new sound Rob is now back on lineups all over Uk for the likes of New Town and the 90s events that are popping up everywhere. It’s safe to say Rob has a profound knowledge of djing and musical tastes and he is looking to repeating the same old mantra, that he has represented for all his years of djing in London and beyond.

ghostmacca is following