-------------------
 +@dipteran+
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Der Mensch spielt Theater.
Theater ist die erste Erfindung des Menschen und zugleich die Erfindung, die den Weg zu allen weiteren menschlichen Erfindungen geebnet hat. 
Theater entsteht, wenn der Mensch entdeckt, dass er sich selbst beobachten und sich in diesem Akt des Sehens selbst in situ betrachten kann. Indem er sich selbst beobachtet, entdeckt der Mensch, was er nicht ist und stellt sich vor, was er hätte werden können. Er erfasst, wo er ist und wo er nicht ist und stellt sich vor, wohin er gehen könnte. Der Mensch ist also in der Lage, sich im Akt des Sehens, Fühlens, Denkens und Handelns zu beobachten. Er kann sich selbst fühlend spüren und sein eigenes Denken wiederum reflektieren. Er kann das Malen erfinden, weil er das Theater erfunden hat. Er nimmt sich selbst im Akt des Sehens wahr. Kein Tier ist in der Lage, sich selbst bei der Jagd zu beobachten.
Augosto Boal: Der Regenbogen der Wünsche

⟅kein tier⎢ ⎢ist in de⎨r lage ⎞s⎞ich selbst ⎩bei ⎩der jagd zu⎯ be⎬o⎬bachten⟆ + dipteran

July 20
haustus
@haustus_1518


Viktor Kovacs - untitled (oblogeto)
ecovoron - chalice
Tim Hecker - Palimpsest I
Sioban - tango for my ghosts
sudden//death - 01 untitled (46.51873094759912, 19.16248316901018)
LOVE US - string_variations.wav
Muslimgauze - Hamas Cinema Gaza Strip
Akira Yamaoka - The Day Of Night
Mica Levi - Love
Calixte Hecatomb - Rotrouenge (with nebz0000)
norara - kezdet?
BAAL (1970) - opening scene (ost) 
Mt. Saint Michel - Healing
Tarō IWASHIRO - Memories Of Night (Memories Of Murder OST)
előd, asvanyviz2 - Acél
Chief Keef - War (Alza54 Edit)
Haustus - Laura Palmer's Theme
Këkht Aräkh - Amor
előd - Mag (ecovoron, rtxalert)
Kin Teal – heliocentric
Barbaro - Kesergés

12th position/haustus

quickie_b4_clAss_struggin'

ţ̴̯͎̬̝͎̼͈̻̩̦̀̒̋̔̓͐̉͋͑̏͜͝ḩ̵͎̲̜̓̇͗̏̈́̐͜ĕ̴̘̈́͑̅̌̔̈́̔̿̕͝͝͝ ̴̡̦̖͆ą̵̗͈̘͋̒̽̍̅̇̚͝x̷̠͚̫̞̺̺̹̱̽̆́̍í̵̩̟̟͆̀̆͋̇̓͠ṡ̷̗̭̝̝̠̳̥ ̸̣̓͗̈̀̍ǫ̶͚̹̦̜̳̖͙̜̮̜̬̑͊̅̇͊̔f̸̡̢̡̛̫̹̗̤̺̦̹̂̄̍͆̌̓͛̀̈́̋̕̚͜ ̴̡̢͕̩̥̠̝̥͔̺̼̰̄͒̒͘̚͜͠͠t̴̨̟̱̰̰̣̓h̷͍͓̳͎̟̱̟͇̖͔͚̩̕ͅȩ̸̡̢̛͓͇͙̰̝̹̝̕ͅ ̶̧̬͇̿̈́͆̌͊́̈́̽͒̒̀̈́ư̵̟̻̬͌̀̄͊̅̈́͆͛̂̽͘ṅ̵̢̮̝̉̂̓̓̋̊̈́̀̕ì̷̗̤̦͕̀͛̈́̉̇̒̏v̵̮̪̘̺̐ĕ̴̡͕̲̙̎̆͐͗͌̕͝r̸̛̛̛̟͉̗̮̟̫̻͈̝̤̘̖̾͗̂͗͒̄̊̆̒̕͠s̸͎͙̳̉̒̿̉̇̌̆͌͝͠͝ȩ̴̧̬̤̱̙̘̼̬͆̍̐͑̕ ̴̮͠i̶̳̯̘̠̾̒̑͑̓̊̆͌̿̓s̴͕̩̮̣̳̱͈̥͕̯͖̰͍̎͐̑̓ ̵̩̙̺͖̫̠̼̂̕͠l̸̖̬͇̻̩̼̔̂o̸͓̞̠̓̀̈̿̆͗͌̚͝v̴̰̺̯͖͖̖̍͑̍̇̃́́͂̌́̀̂̕ȩ̷̱͎͇̐̈́̏̔̎̌̅̃̌


願我們分成粒子在同一軸心再建立

Artwork, Produce, Mixing & Mastering by Mad Ctrl

Axi5

04.FundaMenta - God Mode

Sail Away

Pollution Opera - s/t
Cat. Nr: DN027
Format: DL / LP
Release Date: April 24, 2024
Buy / stream: dansenoire.ffm.to/PollutionOpera

Elvin Brandhi and Nadah El Shazly refuse to turn away from the horror. The intercontinental duo’s Pollution Opera album is an uncompromising futurist depiction of our disfigured, dystopian, and dying reality. Facing hell in full defiance, the experimental noise album catapults itself through a volatile compound of breathless shouts, screams, and screeches, in collision with vocal samples, environmental recordings, and acousmatic sounds. Ten tracks cover the spectrum of electroacoustic fragments and vocalizations, treacherously suspended between the roar of engines and synth distortion, of evocative intonations or guttural retching.

First conceived in 2020, Pollution Opera bubbled up organically from a first tandem motorbike ride through El Shazly’s hometown of Cairo. Singing and screaming through the second-loudest city in the world, Brandhi and Shazly found the extreme noise pollution served as catharsis from the suffocating smog that surrounded them. They then took these sonic specimens into studios across years and countries—from the initial recording and sessions in Egypt to Uganda, where their so-called “cacophony carbon orchestra” would carry into simultaneous but separate residencies at Nyege Nyege in Kampala. There, Brandhi and Shazly reprised the role of the motorbike as their “stage,” in a city where motorbikes are the main mode of public transport. They then developed a live A/V performance from video material captured by Arno Mery, collected from their travels, and reworked by Egyptian artist Omar El Sadek during Banlieues Bleues Festival 2023 in France.

The result is what the artists themselves describe as “an uncompromising world-spew, a shameless alloy of love and hate.” Haptic knocking, barking dogs, and human growls trample El Shazly’s famously evocative Egyptian singing style on “CRÎi Me A River.” Breathless vocal cut-ups and samples are bulldozed by arrhythmic acoustic percussion on “Danse Le Flou.” There are moments of respite within all the chaos, however, whether in the heavily pitched, Auto-Tuned opening of “Pollute Bold” or the wonderfully melodic closer of “Crisp Heart”—its derelict rhythmic thrust giving a listener something to dance about.

Both artists lend their unique positioning and idiosyncrasies to Pollution Opera, whether it’s in artist, vocalist, and musician Brandhi’s avant-garde noise music pedigree as both a solo artist and member of father-daughter duo Yeah You, or
singer, composer, and producer El Shazly’s hybrid catalogue combining electronic music with contemporary classical. Together, in asking the question of what a postmodern opera might sound like, the duo offer their existential answer in the true spirit of the often playful and ironic philosophical position by offering no answer at all.

Voice & electronics: Elvin Brandhi & Nadah El Shazly
Violin on ‘Crisp Heart’: Ocen James
Soprano on ‘Attention’: Marie Requa Gailey

Artwork by Omar El Sadek & Niels Wehrspann
Mastering by Rashad Becker

Pollution Opera

Pollution Opera - Bite

Protein Slave

Introducing [GIFKIKKER011]. The debut of Blossoms Overnight, that sits you down in a euphoric, soft-tinted atmosphere from the get-go. While vibrant scapes get interwoven, accessed, or accompanied by smooth percussion, the listener is exposed to the act of exploring sounds underneath what’s already there.

Metaphorically, this album is cleansing, as foam gliding over a windshield in a brush-style carwash, resembling crashing sea waves as seen from underwater. It prescribes a mesmerizing softness and dense relaxation, while the mind and soul are carelessly taken on a sweet ride through dubby hypnoticness with breaky features.

Topping off this stellar release is a beautiful remix by a. brehme, aligning with the inner feel of the EP.

linktr.ee/gifkikker

Support 

Blossoms Overnight - 3 - Shunarei - [GIFKIKKER011]

Aurea joins us for our 16th release after we featured his track "Dream Hard, Brother" earlier in the year. We are super happy to be able to work with Aurea and thankful we managed to make a release with these tracks.

A side - The Story - is a dreamy and mystical tribute to the origins of the atmospheric style and put simply, it’s a journey tune. Super interesting take with an array of different feelings and emotions embedded in it, one of our favourites from this year for sure.

B side - Falling to Earth - is a nice and spacey track with lots of twists and turns in the break work and atmospheres. It features vocal cuts from Amy Helen and has an almost ghostly feel to it as it rises and falls with waves of nostalgia and times gone by.

A few words from the artist: This debut release marks the culmination of Aureas first year of production and is a homage to the early atmospheric jungle sound over 2 tracks, but with a modern take on composition. A huge thanks to Amy Helen, for her vocals on Falling To Earth and the team at Dream Schemes for their work on the label and release.

Composed by Dylan Rakhra
Mastered by Hue Jah Fink
Released by Dream Schemes
Catalog No. SCHEMES016

Aurea - The Story

Beta

DJ / Producer (HK)
(Sub Murder / Bionickle / Zoohar / Khnum Crew)

Madctrl is a founder form Hong Kong Music Collective Bionickle, Sub Murder, as well as a member of Zoohar and Khnum Crew. He is an music producer who focuses on researching and creating dark, industrial and abstract music elements such as Mental, IDM, Psycore, Slambient and Experimental. 

His musical compositions are full of emotion, experimentation and avant-garde consciousness. He mainly wants people to dive deeply and brain dance. Layering the sound to resonate from the body to empathy, impacting your mind and emotions, disintegrating and then repairing them one by one.