A new little remix of one of Audiotist's best hardcore tunes ;)

Released on Bankizz label. Grab your copy here : https://soundcloud.com/bankizz_label/sets/bkz018-wan-bushi-mr-bad-monkey

Expect Audiotist mixed with some Classical Balkan Bushi shizzle.

enjoy !!
;)

DOWNLOAD !

Audiotist - Uber-Ich (Wan Bushi Amoria Remix) [released]

Maximum Density

180 BPM  track with hoover sound and screeches 

Titanium Steel

After a recent bust at a Yakuza warehouse in down town Osaka a crate of stolen Snes cartridges from the Yamauchi era (circa 1996) was discovered that have never seen the light of day. 
The story goes that the designers of the game, while being forced to work to impossible deadlines by ruthless employers of the Nintendo clan did the worlds biggest dose of rare candy ever consumed by human so they could stay up for a whole month and finish their masterpiece....this is the result

BUY NOW : https://moshuprecords.bandcamp.com/album/moshup-002-amenkenzies-the-lost-cartridge-ep?fbclid=IwAR3DgEpeKRKx9aBfeQDCuAx7xJtqYASBQCKiJntbf5nx4phbDYeOb0qMrGU

Amenkenzies - Ready 4 Battle [Out Now Moshup 002, Link in Description]

This track started the compositon of the 'Bells of Dawn' ep.
Post rave psychosis in a studio is the best way to describe it.
The name of the track comes from the fact that in order to make the bass, I ran a Waldorph Pulse synth (my first) through every distortion unit I have in series. Thats 6 channels of distortion. And in the afore mentioned psychotic state made all the bass noised for this track and later resampled in the following tracks.
Enjoy
Re mastered in 2024 and released on Batz Collective
https://batzcltv.bandcamp.com/album/bells-of-dawn

All The Distortion

Full Release: https://soundcloud.com/longlivetheanimalscrew/sets/llta039-jungle4jungle-005

DL: https://llta.bandcamp.com/album/llta039-jungle4jungle-005

@longlivetheanimalscrew

Sample: DJ Demo - I've Got A Feeling

Jungle 4 Jungle 005

Tapepack Wannabe. [LLTA-J4J005]

Be Yours

Now released on Ringe Raja Records. Get a copy on my bandcamp : http://wanbushi.bandcamp.com/track/crazy-accordeon-conny-bitch

An old track remade in a modern version. 100% accordeon core, clowncore, gypsycore, whatever....

Fot those who wonder the accordeon melody is not a sample, it's 100 % bushi composed (yes I probably was quiet drunk when I done that). It's all in my braaaaaaiiiinnnnnn.

more music : www.wanbushi.com/music.php
contact : wanbushi(at)gmail.com`

enjoy



Wan Bushi - Crazy Accordeon Conny Bitch [released]

The new Otako/Lemon Drizlay Crew Magnum EP will be out on the 19th of January on Jigsore Sound and will be available via the Jigsore Bandcamp site.

Jigsore Bandcamp
https://jigsore.bandcamp.com/
Otako
https://soundcloud.com/otako
Lemon Drizlay Crew
https://soundcloud.com/lemon-drizlay-crew
Jigsore Facebook Page 
https://www.facebook.com/groups/jigsore/

Otako - 03. Koooodeeeeeen (128k Preview)

Junglefever & Stivs- Murdah Murdah

HOT - REAL SOUND KILLA -
Released on Satta Sounds - SS007
https://soundcloud.com/andreyakahot

HOT - REAL SOUND KILLA

MDS ( Paul Jones ) got into rave music at the age of 14 stealing his sisters tapes of world dance, the edge, dreamscape, obsession to name but a few. Having been beaten to within an inch of his life he was compensated and spent his winnings on decks. He dropped out of school and got a shit job and spent all his wages (80pw £2 ph) getting trains to london and loitering in black market records building up a collection. In 1998 he started producing with the image of creating a heavy amen jungle and acid techno, married into a dance floor killing style. When life4land put on their first party in 2000 he was there being the annoying little shit blagging a set. Freedom outside of the city to breath, run free and play music that would not be welcome in any ‘respectful’ sweaty prison of a club had him hooked. He went on to play sets at and play a part organising a lot of the early L4L parties. All the time working on producing (at which point the aim was to write a set) alone and in collaboration with other members. The style he set out to create finally reached maturity around 2005 with Dekay and Warehouse Masika to name but two classics. He’s been qoted as saying ‘the L4L journey was a coldren of creativity where we all supported each other developed our own sound and strived to put on parties where the atmosphere was free. 15 years one one of the main original goals ‘writing enough music to play a whole night’ has long been surpassed and an L4L night is something unique’