mgmt:
jordan.chaffin@redlightmanagement.com

'The Learning of Urgency', out now on Foreign Family Collective: https://kasbo.lnk.to/tlouSo

north america: 
hunter.williams@caa.com 

europe booking:
cameron.kaiser@caa.com

rest of world booking:
hunter.williams@caa.com

asbo, born Carl Garsbo, has established himself as a sensation across electronic music with his transformative, emotional sound. Following his second album The Making of a Paracosm, released on ODESZA’s Foreign Family Collective and Counter Records, Kasbo made his highly-anticipated return in 2024 with singles, “The Way You Had Me” and “Alive.”
 
Ever a creative mind, for Kasbo, the past years of isolation were quick to transform into an era of curiosity and introspection. Time spent away from tour and at home in Sweden galvanized him to turn to what he knew best – music. He found solace in honing in on his DJing while at home and sharing music with his friends, bonding over nostalgic memories and music that encouraged them to keep it moving, even during this time spent away from the dancefloor. He reveled in the minimal subtlety of euphoric club music, became infatuated with hypnotic trip hop. Months spent away from touring the world transformed into an invaluable period of deep diving into a newfound realm of music. 
  
Kasbo continues to uphold his position as a bright beacon for the genre. Through masterful expertise in sound design, the Swedish producer and songwriter continues to introduce music that connects and stirs on a deeper level with a rare grace and delicacy. Awarded Sweden’s P3 Gold Award for ‘Dance Artist of the Year’ and a recipient of critical acclaim from outlets like Billboard, The FADER, Stereogum, and many more, fans have found and fallen in love with his music thanks to his unique approach. His 2018 debut Places We Don’t Know was nominated a Top 10 Electronic Album of the Year by Run the Trap and kicked off his strong start across streaming platforms, receiving 173M+ combined streams. In 2020, Kasbo followed up with The Making of a Paracosm, which was awarded a top choice for Dancing Astronaut’sTop Electronic Albums of 2020 and went on to garner over 62M+ streams. In total, Kasbo has received nearly 500M combined streams to date. 
 
Kasbo has recently returned from joining Jai Wolf for nine tour dates across North America in fall 2023. He previously performed at world-renowned festivals, including Coachella, Splendour in the Grass, Electric Forest, Firefly Festival, Hangout Fest, and many more. He has toured around the world in support of Glass Animals, ODESZA, and Big Gigantic, and alongside SofiTukker, Louis The Child, Hayden James, and Chet Porter.

Snapchat: louisthechild
Tour:  louisthechild.lnk.to/tour

MGMT - @joeythefather : 
joey [at] keel.la

Booking:
North America, South America, Australia, and Asia 
Jay Moss - Jmoss@paradigmagency.com

ROW: CODA
Nick Matthews - Nick@codaagency.com
Michael Harvey-Bray - Michael.harvey-bray@codaagency.com

Publicity Inquires 
Rebecca Marlis - Rebecca.Marlis@umusic.com

“oOo (that’s my type)” and “omg” out now

MGMT: 
af@loyaltmgmt.com

BOOKING:
N/S America, Asia, Australia: 
mmarquis@paradigmagency.com
max@amonly.com 

UK/Europe:
nick@codaagency.com 

Act One, the debut full-length from songwriting duo Marian Hill, was written and produced in its entirety by Jeremy Lloyd (music/lyrics/production) and Samantha Gongol (music/lyrics/vocals). The multi-talented duo, who have been collaborating in one form or another since high school, have shifted the classic paradigm of a woman on a stage and a man with a piano to a woman on a mic and a man with a laptop -- and the results are seductive and vivid. Tempting paradox with a blend of blues and bass, acoustic and digital, classic and modern, Marian Hill have arrived.

Two years ago Sam and Jeremy wrote and recorded “Whisky” over spring break in Jeremy’s parents’ basement. When they released it for free on Soundcloud later that summer it was the only song they’d written for the project, and in a little over a year’s time they had recorded their first EP in a bedroom, amassed millions of plays on various platforms, sold out shows across the country and featured in high profile commercials. They signed to Republic Records in early 2015, released the Sway EP, and settled in to write and record their debut album over the course of the following year with a plan to push their unique sound to its fullest potential.

For the first 50 seconds of “Down” you might think you’re at a supper club in the 1920s, but when the bass drops out of nowhere you couldn’t be anywhere but 2016. Act One then takes you on a journey through the complexities of modern relationships, with each song inhabiting a specific and charged relationship lyrically, melodically, and sonically. “I Know Why” constantly transforms and reinvents itself as the vocals grapple with a secret while “Mistaken” is the hardest of sax trap with a classic songwriting backbone. “Same Thing” is the saddest part of the album, a haunting ballad depicting serene resignation of a doomed relationship, but castanets rise from the ashes as “I Want You” closes out the night in a pure moment of optimistic electricity, a glance across a crowded room that changes everything.

Marian Hill’s one of a kind sound is present throughout — blues harmonies blend with sparse hip hop drums, horns blast under classic vocal melodies, and soloistic vocal chops sit side by side with clear, intimate lyrics. You’ve never heard this before, yet it’s surprisingly familiar. And it’s only the beginning.

Futurist pop melodies from duo Joel and Sharon Piedt. Love You Out June 21.

MGMT Paul Yurick paulyurick@me.com

MGMT --
Eric Kellogg | management@lolagrand.com

Our new album 'No One Else Can Wear Your Crown' is out now!

ALBUM + LIVE DATES - www.ohwondermusic.com

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