Eclectic Electronic Soundscapes -
Now the Summer has ended here are some of the tracks that were released and they are listed as I came across them, so it is a really mixed collection.
Artists are - 
Ch. Webster, Neon bunny, Flavia Goa, Lyndsie Alguire, AMMA, YTAMO, Katie Gately, Caroline Jago, Belly Full Of Stars, ssante, Patricia Wolf, Line Katcho, Meryll Ampe, DIE HEXEN, Moor Mother / Mental Jewelry, Piaka Roela, One Man Nation aka Tara Transitory, Roxanne Turcotte, Klara Lewis / Simon Fisher Turner, Victoria Lundy, Bana Haffar, Sylvia Monnier, Marta SmiLga, Geneva Skeen, MORITA, Ekin Fil, MG - Raconteur, CMD, Plum, Jessica Grant, Daina Dieva, Amber Z, Elizabeth Joan Kelly, dibuk, Ipek Gorgun, Liew Niyomkan, may HD, Madeleine Cocolas, Fab X, Rumblin Cynth Rampo, RRAYEN and Puce Mary

Playlist #135 - Now the Summer has ended

MC/MC Monthly Project

Ambient

Written and Produced by Neon Bunny
Mixed and Mastered by Cliff Lin
artwork by Haewon Kim
Recorded by Sechan Park at Backbay SoundLab

말해줘요_Tell Me

z from new ep mad&sad
http://ytamo.bandcamp.com/
all sounds by YTAMO
recorded at Boriko room Kyoto 2016

©kusabuemiwo2018

mad & sad

Recorded in winter and spring 2018 in Seyðisfjörður Iceland and Copenhagen Denmark. 

Mixed by Jens Christian Madsen, everything else by Amanda Appel.

Cover art by Haley Clark

Thank you to LungA School and the music school of Seyðisfjörður and Apolline Fjara.

Embarrasingly Ongoing 

In A Nest I Left For You

available digitally or on mini cassette at lyndsiealguire.bandcamp.com

Shimmering Pools

Composed, Played & Recorded By Madeleine Cocolas + Monolyth & Cobalt

Mixed by Monolyth & Cobalt.

Month Eight Project (Madeleine Cocolas + Monolyth & Cobalt)

This track is quoted from the release 'Under the Morning Mist | In This Perfect Dream'.
Listening to all tracks and purchasing are available on the link below.

https://pitp.bandcamp.com/album/under-the-morning-mist-in-this-perfect-dream

"In this decade, I visited many places in order to record organic sounds such as, rare bird voices and sounds of waves (I live in the basin area far from sea). There is a river near my house and I often visit there to record, or merely walk. When I recorded in the early morning hours at that riverside for ‘Under the Morning Mist’, the body of water was beautifully wrapped with a dense mist. A gorgeous backdrop and inspiration for this arrangement. 


A park located in the city where I reside, was the inspiration for the arrangement, 'In This Perfect Dream'. The captured sounds of trees, leaves, and the winds.. All beautiful sounds around me that we typically take for granted. I got lost in time, it felt like a perfect dream, hence the title of this arrangement." 

-Hidekazu Imashige

Past Inside the Present 

This is PITP07 | MMXIX Digital Series 

All tracks are written, mixed and mastered by Hidekazu Imashige 

Layout by PITP

In This Perfect Dream

Track taken from the upcoming album 'Solos' on Fluid Audio...

Audio: Christopher Whitley
Mastering: James Plotkin
Design: Daniel Crossley

www.fluidaudio.bigcartel.com/mailing-list

Solos

The Same Temperature We've Always Been

Christopher Whitley - The Same Temperature We've Always Been

Available here:

https://www.fluidaudio.co.uk/product/the-seaman-and-the-tattered-sail-standing-on-the-precipice-of-tears

Taken from the upcoming album 'Standing On The Precipice Of Tears'...

Tattersall played Guitar, piano, dusted loops, analogue loops, digital loops, drum machine, analogue synth, synth bass, field recordings, abstractions, fragment constructions and reconstructions, abstractions of Seaman (etc.), analogue spatial recordings, artificial wind, crackles (record surface noise), tape noise.
 
Seaman was working primarily with Ableton Live and contributed vocal, Piano, time abstractions, violin and viola samples, trumpet samples, clarinet samples, drum machine abstractions, drum machine constructions (samples), digital distortions, bit reductions, synth abstractions, abstractions of Tattersall (etc.), digital loops, radical pitch shifts, noise enhancements, historical samples, crackles – record surface noise (from Tattersall), artificial crackles.
 
Solo Viola – Emmanuel Witzthum
Solo Violin – Wei Ping Lin (on Uncovered CDs)
Additional Voice - Emmanuel Wizthum
Trumpet (sample recordings) – Robert Ellis-Geiger
Vocal recorded in The Emergence Lab by Seaman using a Roland Edirol R-09HR Ver.3.0

www.fluidaudio.bigcartel.com/mailing-list

Standing On The Precipice Of Tears

The Seaman And The Tattered Sail - Standing On The Precipice Of Tears

Porya Hatami | Aaron Martin | Roberto Attanasio ​ - 'Sallaw' 
Label; Dronarivm 
Cat #.: DR-58
Format: CD (ltd. 150)/ DL
Release date: March 1st, 2019

“Sallaw” is a Kurdish word that expresses the passing of time, and on this new album the three sound artists have found a way of expressing that notion in music. Four tracks of slowly unfolding ambience make up this collection, each piece named after different months, again in Kurdish. The four sections represent the different seasons and their movement through time.

Mastered by Fraser McGowan
Artwork by Hawar Amini

Buy CD / DL

PORYA HATAMI | AARON MARTIN | ROBERTO ATTANASIO - Gelarêzan

Listen / Purchase: https://lnk.to/mnem

For a ton more info see our FAQ section on the website series home page.  Ala carte orders for 'Mnemosyne' on vinyl/CD/DL, visit here: https://thephonometrician.bandcamp.com/album/mnemosyne

‘Mnemosyne’ is the debut album from Mexico City based multi-instrumentalist, film composer and sound preservationist Carlos Morales, who creates under the name The Phonometrician.

‘Mnemosyne’ is an album that asks what memories would sound like if they were captured through sound. At its core, ‘Mnemosyne’ is album built around finger-picked acoustic guitar, somewhat classical or folk in nature, yet it’s much more than that.  Morales deploys a very specific palette of instrumentation to realize his musical vision, it’s as if a classical guitar is slowly being worn away and devoured by an onslaught of looping, ever-shifting analog sound creatures, scattering for cover when the light hits them too directly and continuously eat away at the strings. Much like rifling through the pages of an aged and tattered diary, warm shuffles of vinyl and airy waves tape saturation emerge only to retreat once more into the darker recesses, leaving the pysche grasping wildly to recall the meaning of their existence.

Artwork by João Ruas (https://joaoruas.com)

Mnemosyne

Here Comes The Storm

Buy Album

The Phonometrician - Here Comes The Storm (from Mnemosyne)

Madeleine is an Australian born composer who writes electronic, ambient and postclassical music.