Ex. III

Listening to this incognito. Listening to this smarmily. Listening to this lustfully. Listening to this full of sprite, full of pep. Listening to this raw. Listening to this cursed. Listening to this then. Listening to this possibly. Listening to this spitefully. Listening to this with conviction. Listening to this dumb. Listening to this with the drooling arrogance of a cretin. Listening to this clenched. Listening to this absolutely. Listening to this saga charlotte (@sagacharlotte) mix. Listening to this. Listening to this. Listening to this. And also liking and reposting and sharing widely.

Contents:

Flower by TK from Ling tosite sigure
Sad Summer by Yayoyanoh
Three by I Would Set Myself On Fire For You
So Sexual by Black Tie Event
Illkeep by Saga Charlotte
C43H66N12O12S2 (part one) by NOVA.9i
Went too far by 1995 epilepsy
Shy Song by Still House Plants

saga charlotte: A Mix

https://soundcloud.com/adum_brate - A Mute Bard
from "Last Days in a Lonely Place" (QNR045)
released 20th December 2021
DOWNLOAD: https://www.mediafire.com/file/6mhyvbeb8co15uk/Adum_Brate_-_Last_Days_in_a_Lonely_Place_%2528QNR045%2529.zip/file

Last Days in a Lonely Place

QNR045 (↓↓↓)

Adum Brate - A Mute Bard

SC 220118 212827

Give It Back(Gimme)

https://elusin.bandcamp.com/track/synfuels-prelude

Synfuels (intuition edit)

@cdr103

Pablo Altar - Music for a While (endless)
DJ Corpmane - MALIBU IN HEAVEN OT VERSION
ESP - LDM
Anima - Echo
Awbluu - Vesper
leop4rdi - take me so high
Deep Forest - The Second Twilight
Chicane - Now Or Never
Oklou - Valley 2

corecore comes to you with this spoiled and blessed sunday service, which was broadcast on March 12th of 2023 on Radio TNP: an 8+ hour broadcast live from a cabin in Amsterdam Noord and from afar. With 24 times 20 minute live sets, sonic performances, mini-mixes and audio collages, sourced from corecore’s virtual community and beyond.

corecore-spoiled-and-blessed

cdr103 | spoiled & blessed sunday service

The inability to feel pleasure.

Artwork, Written, Mixed & Mastered by Ioannis Nafpliotis.

Anhedonia

force me

CD / Digital

user-24012015 - force me

alongside Mariposa, cathedral cabinet, 14.6—10.7

june and june - sicu
winterreise im olympiastadion (1979) dialogue
nooumenon - james emrick
world zoom - toxe
georgia boy (interlude) feat. boochie - rabit
save me - chief keef
etymology (snxrrk) - skorm
pomisea - la timpa
ritual melodies - jonathan harvey
gussie
rag cosmosis part 2 - cc hennix
R.I.P - playboi carti

“Mariposa, / under ruffled wind / curl what writes us into the useful.” —(sarah ɬ james)

shimmer w/ didi - 29/11/2023

Sam Wolk "Trop-plein" excerpt from new cdr on Salon available at http://saloncdr.blogspot.com/

New stereo improvisations by Sam Wolk. Max/MSP, Acoustic objects and feedback, SP-404, Saxophone (Max Lesser), Voice (Charmaine Lee)

The trio of improvisations which follow are variations on a single idea.  Running a Max/MSP patch and interacting with it is a method of transducing energy from one form to another.  Electrical energy drawn from the grid is ultimately transformed into acoustic energy emerging from speakers along with the accompanying, over-flowing waste energy [entropic release].  The ephemeral, unstructured heat released in the process of generating structured acoustic energy [the composition] takes multiple forms: the discarded acoustic energy of computer keys pressed while manipulating the patch, the kinetic energy of hard drives whirring as data is read from disk into the patch, the thermal energy of CPUs radiating out and the acoustic energy of fans loudly attempting to reroute those heat flows.  In this trio of variations the central theme is feedback.  These ephemeral energy fluxes associated with keys, fans, disks, and CPUs are subjected to recycling [feedback] as the energy they produce is transduced by a contact microphone and the computer's internal microphone back into electrical audio flows which serve as the input to the Max patch itself.  As such, manipulating the audio at the human-computer interface generates the very energy flows which are transduced into the audio to be manipulated in the first place... The computer processes its own unstructured flows of waste energy back into structured audio [the output of the patch].  The machine is not treated as an abstract, universal computational device whose digital nature renders its physical existence irrelevant.  Instead, as it harvests its own unstructured heat and processes it into structured audio, its physical identity is embraced for what it is: a concrete, individual, material machine imbricated in a larger system of energy flows. 

Recorded at the Harvard University Studio for Electro-acoustic Composition, 2016. 

Special thanks to Jeff Witscher. 

Play loud.

Sam Wolk "Trop-plein"

Eggsperience music and beanies in a newer way.

@cloutfarmpod 😃

Book + Submit: madjestickasual@gmail.com

saga charlotte: A Mix

Madjestic Kasual

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ASOA XXX2.55555 

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