Raw recording in the dome of St. Joseph Church in Ljubljana

Bowing by Ida Hiršenfelder (beepblip)
Recording by Urška Savič (Sava Šumi)

Oscillating Spaces (vzorec)

Watch the accompanying video: https://youtu.be/qrWdyiw30bk

broken guitar —
in its hollow body
a whisper of C
(from the 2025 British Haiku Society Members’ Anthology)

A haiku, a generative patch, and a robot’s dream of music.
This piece begins with an improvised out-of-tune acoustic guitar recording — the same Atelier structure as the earlier music box patch, reshaped into something moody and oddly atmospheric.

The visuals? A robot trying (and failing beautifully) to play guitar — an AI imagining itself as musician, all bendy fingers and impossible strings. A perfect mirror for what generative sound really is: identity blinking between intention and accident.

🎶 built in GRM Tools Atelier
🎥 visuals generated + reinterpreted
📖 haiku by Darren Bourne (halF unusuaL)

✨ perhaps failure is the most honest play

visuals (YouTube)

halF whispereD

https://fhauna.bandcamp.com/album/pseudophorias

-
Elle ajoutera que chaque fois
qu'elle divague,
elle imagine des visages et des corps toujours
radicalement différents,
composés et recomposés depuis quelques êtres évanouis,
et
des souvenirs inconsistants que je garde d’eux.

buy_on_BC

MitomaniaQ

A nicely productive day spent with https://soundcloud.com/salon57 ... in real life - in the same physical room at the same time ... and the sister track is on his profile at https://soundcloud.com/salon57/triton/s-LdyxALojfLX?si=d250e5de9fb64209b2a7ed4abe7d9fce&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing if you fancy a listen ... 🤗

more halF unusuaL

halF tritoN [collaboration with Salon 57]

HAIKU MUSIC CHALLENGE

naviarhaiku625 

In this snow —
yesterday was the sound
of a voice.

Maeda Fura (1884–1954) was a Japanese haiku poet. In 1912 he published in the journal Hototogisu, where his work was praised by Takahama Kyoshi, who called him one of the best haiku poets of his time. A journalist by profession, Fura lost his possessions in the 1923 Great Kantō Earthquake and after years of travelling, returned to Tokyo, where he died in 1954.

Haiku by Maeda Fura

Picture by Marek Okon

This haiku poem is part of the Naviar haiku music challenge, where artists are invited to make music in response to a weekly assigned haiku poem. Participation is free and there are no limitations in the songs’ length or genre.

You have seven days from the posting of this haiku to submit your track. For information on how to make a submission, visit the Naviar Haiku Music Challenge page.

Submission deadline: 31st December 2025

Past Restraints

Past Restraints (naviarhaiku625)

HAIKU MUSIC CHALLENGE

Naviarhaiku 626

on New Year's Day
tall as a sleeping man...
the clouds

As customary, the first haiku of the year is by Kobayashi Issa.

Among the four great masters of Japanese haiku, Kobayashi Issa (1763-1828) was the most prolific: during his lifetime he wrote over 20,000 haiku, hundreds of tanka, and several haibun.

Haiku by Kobayashi Issa

Picture by Atsadawut Chaiseeha

Beyond The Soul (naviarhaiku626)

NERVOUS AND ABANDONED TRAILS
from The Dead End Road
by Francesco Giannico |13 / Silentes

Nervous and Abandoned Trails unfolds as a passage through fragile and unsettled paths — routes once marked, now partially erased. The piece moves along sonic traces that hesitate, fracture, and deviate, mirroring the uneasy behavior of memory when it can no longer rely on clear direction.

Built from field recordings, electroacoustic layers, and unstable harmonic figures, the composition advances in short impulses rather than linear progression. Sounds appear abruptly, withdraw, and resurface altered, as if navigating a terrain where orientation is constantly renegotiated.

These trails are not meant to be followed to a destination. They exist as residues: nervous lines drawn across a landscape that has already been abandoned. Listening becomes an act of cautious movement, attentive to micro-variations, silences, and sudden shifts in density.

In this space, tension does not resolve — it persists. The nervousness suggested by the title is not agitation, but heightened awareness: a state of listening sharpened by uncertainty, where each sound carries the possibility of interruption or disappearance.

Video process
The visual counterpart emphasizes this sense of instability and dislocation. Using compressed perspectives and distant focal points, the imagery avoids clear landmarks, favoring partial views and ambiguous depth.
Light and shadow interact in narrow ranges, reinforcing a feeling of suspension and incompleteness, as if the image itself were following an abandoned trail.

The slow pace of the visuals contrasts with the internal agitation of the sound, allowing tension to accumulate rather than release.

Credits
Released November 28, 2025

Francesco Giannico: piano, guitar, synths, field recordings, objects
Mix and mastering: rumorebiancostudio.it


The Dead End Road

Nervous and abandoned trails

ARTIST: @vladislav-nogin
MASTER : @kisimbubos

VLADISLAV NOGIN - SŰPERMAN PANČ ˙

“More and more I find I want to be living in a Big Here and a Long Now.”
― Brian Eno

Track list and start times:
00:00  Daniele Marx – In the night, the Milky Way (naviarhaiku621)
05:00  Hirotaka Shirotsubaki – 蕭々
14:24  Lee Rosevere – Red Danube
17:58  Rushab Nandha – Intra
24:36  The Tokyo Lights Orchestra – Into The Universe
28:35  windspace – distanced
33:33  Stan Magendanz – hirlkoyt
36:50  sevensy + Roberto Vodanović Čopor – step back
43:58  Peter Wullen – Song of the Blackcap/Infinity Wheel
50:06  Avi Avital & Between Worlds – Black Earth
56:00  Caterina Barbieri  - The Landscape Listens
1:03:50  Daniele Marx – A quiet cabin (naviarhaiku624)
1:05:50  furcloy – dithering
1:08:58  David Lee Myers  - Prescia
1:15:21  Greg Chapman, Raquel Pinheiro, Peter Wullen – A Séance Of The Table - The Phenomenological Wasteland (French)
1:21:35  Off Land – Unsaid 
1:25:15  Sam Walker – Fun music for electronics and guitar
1:30:00  The Gateless Gate & Scott Lawlor – Ancient Ocean Part 2: Paleo-Tethys
1:41:58  Charles LaReau – Wave Shift
1:45:47  michael mooser – deep in the night Naviarhaiku 621
1:48:34  Ourobonic Plague  – room tone
1:52:43  Hunterthen – Ascending To The Decompositional Timescape 
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Image: Lexica.art


Eclectic current – Big Here and Long Now

Thx Tamash - recorded live at Tagesbar Loewe, Dresden/Germany Dec 9th 2025

Scherbe @ Risuningu Sessions December 9th 2025

Spell

Madlene is a duo - girl and boy,
plays surrealistic atmospheric noise rock

Music by Katerina An

Spell

Madlene

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