Do you know that... You just want to get home, but a thunderstorm breaks in the middle of the way and you just can't get home because it's pouring with rain? That's your song ;)

Made for KVR One Synth Challenge 185 with Cherry Audio Synthesizer Expansion Modul (based on the 1974 Oberheim one) in FL Studio 2024

Lightning and Thunder... the long Way back Home

In Your Face【peter:H】【OSC186】

KVR OSC#186 Any 2 Synths
Featuring "Elvis The Drone Master"

4 instances Synful Orchestra (didn't use it much in the end)
29 instances SurgeXT (mostly wavetables)
All sounds designed from scratch

Dead Duck: Compressor, Delay
ValhallaSupermassive
ReaEQ, ReaXComp
Limiter No6
SPAN, YouLean Loudness Meter
OrilRiver Reverb
JS Channel Time Delay
kHs Gain

You were built to withstand so much worse... now go

Made For KVR OSC 186 Any 2 Synths - I used Nakst Apricot - 15 Instances and Odin 2 - 1 Instance
DAW Mulab 9.5
DAW Fx: limiters, High and low pass filters, parametric eq, stereo splitter.
Third Party Fx: analyser - Voxengo Span, Voxengo Marvel GEQ.

Basically I was unable to take part in the Apricot round, so this was my chance. It's based around a 5 beat arpeggio I created with this synth. I thought I might use more of Odin 2, but ended up using it just for the snare.
This track is dedicated to my lovely Jenny who in spite of many current ailments managed to walk several miles of difficult coastal path to get the photo of a waterfall for my cover pic. :)

KVR OSC 186 NA2SC2

Waterfall OSC186 (Apricot)

This month's track has nothing to do with Viking mythology or sandwiches of any sort but it does use the Odin 2 and Triple Cheese synths. This one started life as a baseline played on an actual keyboard. Still, I did use Scaler to tell me what key my effort was in so I could get the rest mostly in tune. Anyway, this track was produced in Bitwig Studio with 7 instances of Odin 2 and 6 Triple Cheese. All patches from init.

The following plugins were also used:
- dpMeter5, Blue Cat Gain 3 and kClip Zero on clip to zero duty
- kHs Stereo
- Bitwig EQ+
- Bitwig Compressor+
- xfer OTT
- NI Raum
- Valhalla Supermassive
- TDR Kotelnikov
- TDR Nova
- Youlean

Odin's Cheese Sandwich

Submission for OSC 186, collab by ThePresent & Roy Garewal

Vst's used: Charlatan 3 and TAL Filter2

34 x Charlatan
5 x TAL Filter2

DAW: Cubase 6.5

Other:
Cubase EQ10
Cubase Studio EQ
Cubase Limiter
Cubase Maximizer
Cubase Autopan
Cubase MonoDelay
Airwindows ToTape5
Airwindows ConsoleChnl5
Airwindows ConsoleBus5
Airwindows Ironoxide
Airwindows PurestGain
Melda MEqualizer
George Yongh Limiter
TDR Nova EQ
Oril River Reverb

Feel New

ThePresent & Roy Garewal - Feel New

Here's My OSC for August made in Bitwig using Charlatan3 and dBlue Glitch v1.3

with 13 instances of Charlatan3 and 2 dBlue Glitch

VST: 
Air2
BusterSe
ClipStar
Free Clip2
KHS Trance Gate
Limiter No6
LoudMax
NightShine
SuperCharger
TDR Kotelnikov
TDR Molotok
TDR Nova
TDR VOS SlickEQ
Valhalla Supermassive

Bitwig:
Convolution
Delay-2
Drum Machine
Filter+
Focus EQ
Key Filter
Note FX
Sculpt EQ
Tilt
Tool

Coconuts in the rain

OSC#186: 38 active instances of SQ:8L and dBlue Glitch as "full 11" FX in Cakewalk. 

FX: Bass Professor MkII, Chow Matrix, dBlue Glitch, dearVR Micro, DReverb, GMonoBass, Harqules, kHs Delay, kHs Reverb, kHs Transient Shaper, lkjb SeeSaw, Oril River, OTT.

Because of their great love for the nature of their planet, the inhabitants of Ottakota, familiar from almost all over the universe, were the last to approach the development of interstellar flights. The first launch of the Chaika Starship was celebrated on all planets of the United Space. 

As is their custom, ottakotas recorded all important events in the music language. This is the first part of the narrative received from a starship all the way to the outer asteroid belt, where the direct signal was interrupted. Perhaps we will receive the following parts only by subspace transmission or from the next planet, which is included in the list of visits to the ship's log of the Chaika Starship.

IV - Chaika Starship's Interspace Adventure! (SQ8L + DBlue Glitch)

Night Sweats Music presents:

“Samba Brabo”

The fourth instalment in Hazards of Prophecy’s series rooted in the sounds of Brazil and global club culture.

In Brazilian slang, “Samba Brabo” literally means “fierce samba” or “badass samba” – and that’s exactly the vibe: hard-hitting drums and percussion infused with jazz keys, rich chords, and punchy horns. Job done.

On the flip, a “Sem Samba” (“without samba”) edit of Samba Brabo – laid-back and more minimal.

Artist
Hazards of Prophecy

Tracks
A1. Samba Brabo (OG Version)
B1. Samba Brabo (Sem Samba Edit)

Bloco to Basement, Footwork to Forró – Movement Music.

Released
05 December 2025

Credits
“Samba Brabo (OG)” and “Samba Brabo (Sem Samba Edit)” were written, performed and produced by Dave Rendle for Night Sweats Music © 2025.

Artwork
David Rendle

Contact
instagram.com/hazardsofprophecy

Catalogue Number
NSMDD021

Bandcamp Link
https://nightsweatsmusic.bandcamp.com/album/samba-brabo

Samba Brabo

B1. Samba Brabo (Sem Samba Edit)

From bone to flint to sharpened spears. From bronze to iron and onto steel. The bravery of metallurgy has set minds alight with ambitions of dominance, both within the fray and in the statues that adorn our streets. Your disposition is metal, your success is metal, but your death is printed onto paper memorials as if the weight of your actions were too heavy to hold. If you're lucky, you might afford metal leafed into recesses of stone, but the flowering perseverance of our enemy - decay - will weather your name no matter how hard you try. 

Who needs paper now we have silicon. Come together! Collapse space with the dexterity of a reduced alphabet. A predictive text that refuses to learn from years of supremacism. Nimble fingers demand jokes - feints toward social cohesion - it takes a nimble mind to disassociate from the turmoil of your own fragile freedom.


Alpha

Travel Light is a collection of 36 soft indie-pop and chill travel tracks designed for vlogs, daily moments, road trips, and cinematic travel memories.
The album blends warm guitars, airy synths, gentle percussion and bright textures to create a light, uplifting and modern travel aesthetic.
Every track is crafted to fit perfectly with travel vlogs, morning routines, nature shots, city footage, sunsets, B-roll and storytelling content.
Soft, bright, and emotionally warm — this album captures the feeling of exploring new places and seeing the world with fresh eyes.

Coconuts in the rain

MadMcMan