KLINKEN E.P.
ACKER044
VÖ: 24 / 02 / 2014

A1: DADDY ARE YOU PROUD
A2: RECALL
B1: TOO MUCH MONEY NOT ENOUGH STYLE 
B2: DADDY ARE YOU PROUD (Mollono Bass Rmx)
Written & Produced by MADMOTORMIQUEL Remix by MOLLONO.BASS



With remarkably smooth skills Madmotormiquel threads his audio tracks through genres and stilistic hints, creating harmonic coherence from elements that seem to be contrary. For instance Hip Hop and floorward boosting dance music: In Daddy Are You Proud the producer from Berlin spreads jazzy piano samples and poetic rap among a booming bass line and whipping hi hats. Rather than focusing on the vocal, Mollono.Bass follows the synthesizer line from the accoustic background of the original... a journey that leads him straight into mind-boggling melodic depths. The atmospheric dynamics of Recall evolve as a result of rhythmic chain reactions in the lower and upper frequency spectrum, diffusig into the twilight of dramatic pad sounds. Last but not least there is the playful irony of Too Much Money Not Enough Style, a beautiful contrast between a dreamy piano and bubbling beats. Catchy grooves from a mesmerizing world in between styles!

A2 -Recall

Incentive - Anticipate (Original Mix)

Rafaele Castiglione delivers deep waves of transcendental ecstasy. Nature of the Universe is a minimalist dub masterpiece which supplies the soundtrack for dancefloor meditation.

Amselcom premiere: 
https://amselcom.de/amselcom-premiere

Submit your music to our #downtempo playlist: 
https://amselcom.de/spotify-playlist-submission

Follow the playlist: 
https://amselcom.de/downtempo-playlist

Download

Rafaele Castiglione - Open City

New Ep with my brothers Shades of Gray due for release the end of October. 

LMF029 - Uone & Shades of Gray - Tame The Grain (Be Svendsen Remix)

The latest release on Manual Music finds the label showcasing new remixes from Noraj Cue's 'Kobalt' LP. This is Britta Arnold & my remix for his beautiful openening track called The End of The Beginning with our own twist and a touch of Ravelli.

supported by : Gabriel Ananda, Tim Engelhardt, Kollektiv Turmstrasse, Eelke Kleijn, Hernan Cattaneo, D-Nox, Djuma Soundsystem, Olivier Schories, Nick Warren, Robert Babicz, Audio Junkies, Marc Poppcke, , Michel de Hey and more :) 

Available in all download stores, see link below. 

To get in touch drop me a message/comment or send me an email at: music@unders.nl 
www.unders.nl || www.facebook.com/undersmusic

Bookings:
Paul Simmonds | We Are E | paul@wearee.nl
www.wearee.nl



kobalt

noraj cue - the end of the beginning (britta unders ft. ravelli now remix)

I added an re-edited version of 'Alan Watts' speech featured in David Lindberg film 'Why Your Life Is Not A Journey' as an intro to @julianwassermann track 'Sol' from his EP 'Lira'

https://soundcloud.com/julianwassermann/julian-wassermann-sol-original-mix

Hope you Enjoy!

Ph. from http://instagram.com/martinmarquez

Get Julian Wassermann’s ’Lyra’ EP here:
https://www.beatport.com/release/lyra/2053291
https://itunes.apple.com/de/album/lyra-ep/id1255793758
https://open.spotify.com/album/45ADhJLaUhKU1xjygoTgWE

David Lindberg Vimeo: http://vimeo.com/davidlindberg

"The existence, the physical universe is basically playful. There is no necessity for it whatsoever. It isn’t going anywhere. That is to say, it doesn’t have some destination that it ought to arrive at. 

But it is best understood by analogy with music, because music, as an art form is essentially playful. We say, “You play the piano.” You don’t work the piano.

Why? Music differs from, say, travel. When you travel, you are trying to get somewhere. In music, though, one doesn’t make the end of the composition the point of the composition. If that were so, the best conductors would be those who played fastest. And there would be composers who only wrote finales. People would go to a concert just to hear one crackling chord… because that’s the end!

Same way with dancing. You don’t aim at a particular spot in the room because that’s where you will arrive. The whole point of the dancing is the dance.

But we don’t see that as something brought by our education into our conduct. We have a system of schooling which gives a completely different impression. It’s all graded and what we do is put the child into the corridor of this grade system with a kind of, “Come on kitty, kitty.” And you go to kindergarten and that’s a great thing because when you finish that you get into first grade. Then, “Come on” first grade leads to second grade and so on. And then you get out of grade school and you got high school. It’s revving up, the thing is coming, then you’re going to go to college… Then you’ve got graduate school, and when you’re through with graduate school you go out to join the world.

Then you get into some racket where you’re selling insurance. And they’ve got that quota to make, and you’re gonna make that. And all the time that thing is coming – It’s coming, it’s coming, that great thing. The success you’re working for.

Then you wake up one day about 40 years old and you say, “My God, I’ve arrived. I’m there.” And you don’t feel very different from what you’ve always felt.

Look at the people who live to retire; to put those savings away. And then when they’re 65 they don’t have any energy left. They’re more or less impotent. And they go and rot in some, old peoples, senior citizens community. Because we simply cheated ourselves the whole way down the line.

Because we thought of life by analogy with a journey, with a pilgrimage, which had a serious purpose at that end, and the thing was to get to that thing at that end. Success, or whatever it is, or maybe heaven after you’re dead.

But we missed the point the whole way along.

It was a musical thing, and you were supposed to sing or to dance while the music was being played."

Julian Wasserman - Sol (Martin Fuego Edit)

ANIMATION VIDEO -> https://www.youtube.com/watch?v=S5nRqcdRMXA
@https://soundcloud.com/seth-schwarz  I https://soundcloud.com/besvendsen
Seth Schwarz teamed up with his funky fellow Be Svendsen, and together they created something that has the same UV index and the same amount of fresh air as a festival with perfect climatic conditions: During its epic 10 minutes of play time, their highly melodic track “Elves of Karoo” grows just as big and exciting as a full weekend on a dancefloor bathed in a generous amount of direct sunlight. Furthermore, Seth Schwarz adds the solo track “Quando Rando” that is slower but just as compelling and that reflects the classical composition skills of this producer in an intriguingly subliminal way. The amount of great producers who contribute remixes for this EP lives up to the idea of a perfect festival, as well – a festival for lovers of catchy yet sophisticated dance music, that is.

Seth Schwarz und Be Svendsen haben gemeinsam etwas geschaffen, dessen UV-Index und Frischluftgehalt einem Festival mit Bilderbuch-Bedingungen entspricht: Ihr hochgradig melodiöser Track “Elves of Karoo” ist in seinen epischen 10 Minuten Spielzeit mindestens genauso groß und ereignisreich wie ein Wochenende auf einer Tanzfläche unter freiem Himmel. Im Alleingang legt Seth Schwarz außerdem den etwas langsameren, aber genauso zugkräftigen Titel “Quando Rando” nach, in dem er seine klassischen Kompositionskünste mit zurückhaltender Eleganz einsetzt. Die Menge der hochkarätigen Künstler, welche für die Remixes an Bord geholt wurden, entspricht übrigens ebenfalls dem Bild eines Festivals mit Bilderbuch-Bedingungen für Freunde eingängiger und doch anspruchsvoller Tanzmusik.

Seth Schwarz & Be Svendsen - Elves Of Karoo (Original)

Strategien gegen die Endlichkeit

Strategien gegen die Endlichkeit feat. Nils Hoffmann (Midas 104 R(av)emix)

Check out @acud @beatmoertelz & @arutani

Nine months after releasing Acuds Verbrennungsmotor Ep, we are not done with it yet. We found five wonderful artists to get everything out of the engine, which resulted in this new Remix EP. The title track, produced by ACUD and BEATMÖRTELZ, is here new interpreted in an impressive way by the downtempo specialists ARUTANI and O/Y, by RODION (ALIEN ALIEN), which is known for his massive Nu-Disco Skills, and finally, in a faster version, by AIO. Further LUKAS ENDHARDT gives the poetic track FLIEGEPETER a new look. The original version by ACUD will be published also in a radio version. 
Open eyes and ears for KLR033 – a unique and varied release!

Follow Acud on Spotify: spoti.fi/2MjJhW1
Follow Acud on Instagram: bit.ly/2RzCo9f
Follow Acud on Facebook: bit.ly/2FMyS4j
Follow Arutani on Spotify: https://spoti.fi/2JEb9WB
Follow Arutani on Instagram: http://bit.ly/2EzFzVP
Follow Arutani on Facebook: http://bit.ly/2VMuZR2

Release 03.06.2019
© Keller Label

Acud & Beatmörtelz - Verbrennungsmotor (Arutani Remix)

Artist: Whomadewho 
Titel: Never Had The Time 
Remix: Just Emma 

http://www.facebook.com/JustEmmaofficial

Whomadewho - Never Had The Time (Just Emma Remix)

Our contribution to the '43 Katzen tanzen auf dem Tisch' Compilation curated by Mira to celebrate her Bday with us.

https://kioskid.bandcamp.com/album/43-katzen-tanzen-aufm-tisch-acidbogen-curated-by-mira

https://kioskid.bandcamp.com/album/43-katzen-tanzen-aufm-tisch-heinz-hopper-curated-by-mira

A2 -Recall

madmotormiquel

Recent comments

Nazgul

Astrid Valencia

тΛηz | geιѕт

тΛηz | geιѕт

Related tracks